When LexCorps accidentally unleash a murderous creature, Doomsday, Superman meets his greatest challenge as a champion. Based on the "The Death of Superman" storyline that appeared in DC Comics' publications in the 1990s.
As the home planet of the Green Lantern Corps faces a battle with an ancient enemy, Hal Jordan prepares new recruit Arisia for the coming conflict by relating stories of the first Green Lantern and several of Hal's comrades.
Batman discovers a mysterious teen-aged girl with super-human powers and a connection to Superman. When the girl comes to the attention of Darkseid, the evil overlord of Apokolips, events take a decidedly dangerous turn.
Superman learns that there is a new superhero team around, The Elite. They quickly prove themselves a team of extraordinary power guided by a confident sense of direct practicality. As their popularity grows, Superman finds that they are outshining him with disquieting methods that grow more ruthless by the day even as the public appears to approve of their sneering dismissal of the Man of Steel's sense of moral restraint. However, as Lois Lane digs into the truth of the Elite, the secrets discovered combine with the team's escalating arrogance to create a menace determined to destroy Superman for their own power. Against that, Superman will have to resort to a disturbingly unorthodox solution to defeat them with a new perspective they cannot ignore. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Hat tells Superman his lucky numbers are "4, 8, 15, and..." before being cut off. 4, 8, and 15 are the first numbers in the recurring number sequence in LOST: 4, 8, 15, 16, 23 and 42. See more »
Bunny, get ready to port again. The second he shows his S, I'm gonna flatten this whole city.
[Coldcast vanishes, a pile of cars and debris is sent flying at Manchester]
Holy sh... Where did he go? Where did he freaking go?
Orbit. He went into orbit at Mach 7.
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Average DC Animated movie, but a real thinker of a story
"Superman vs. the Elite" isn't entirely successful in its discussions on politics and the price of power, but it's a decent superhero story. The story concerns a new group of superhero vigilantes that call themselves "The Elite". Manchester Black (voiced by Robin Atkin Downes), Coldcast (voiced by Catero Colbert), Menagerie (voiced by Melissa Disney) deal with supervillains their way: by killing them. The world seems to embrace these new heroes and shun Superman (voiced by George Newbern) as "old fashioned" and "cheesy". The conflicting ideals of these heroes pit them against each other.
The quality of the animation varies from excellent to just OK and while most of the story seems grounded in semi-reality, with the fantasy and "comic-bookiness" being reduced to create parallels to our world, a scene with giant mutant insect tanks is really glaring and doesn't fit the tone of the story. What works is the chemistry between Superman/Clark Kent and Lois Lane (voiced by Pauley Perrette), the themes and ideas brought up by the conflicts and the discussions between our characters spread throughout the film. Adults that are familiar with the debate, which essentially is that of whether or not the death penalty should be a form of punishment, will find that they don't last long enough but it's refreshing to see the film take a stand on an issue it really believes in and stick with it. For younger audiences that haven't seen this material before, this is a good starting point and a way to generate some great conversation. Superman believes that killing is wrong under any circumstances, but he's also nearly invulnerable so does he really grasp the danger these villains he goes up against regularly really pose? To what extent is it OK to interfere with another country's politics and disagreements when you have the power to do so? If it is OK to take the life of another person, who judges how much is enough? When accompanied with the special features and commentary the film is a more complete experience and a lot more satisfying than just the feature by itself so it's preferable to set a generous amount of time aside and enjoying the special features immediately after to complement the faults of the film. The film is only OK by itself, mostly because it doesn't really have as much bite as you wish it would considering the themes, but it's worth your while. (On Blu-ray, September 29, 2012)
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