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"The Good Wife" Blue Ribbon Panel (2012)
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Overview
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TV Series:
Original Air Date:
25 March 2012
(Season 3, Episode 19)
Plot:
Alicia clashes with her fellow members of a blue ribbon panel investigating a police shooting, while also trying to put the winning offer on her old house. Meanwhile, Eli, David, and Julius continue to make a play for Will's seat. Full summary » | Add synopsis »
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A Blue Ribbon Episode ****
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Cast
(Episode Cast) (in credits order)
| Episode Crew |
Directed by | |||
| Rosemary Rodriguez | |||
Writing credits | ||
| Robert King | (creator) & | |
| Michelle King | (creator) | |
| Robert King | (teleplay) & | |
| Michelle King | (teleplay) | |
| Courtney Kemp Agboh | (story) | |
Produced by | |||
| Meredith Averill | .... | co-producer | |
| Kristin Bernstein | .... | producer | |
| Corinne Brinkerhoff | .... | supervising producer | |
| Leonard Dick | .... | co-executive producer | |
| Keith Eisner | .... | co-executive producer | |
| Jason Harkins | .... | associate producer (as Jason B. Harkins) | |
| Ted Humphrey | .... | co-executive producer | |
| Courtney Kemp Agboh | .... | supervising producer | |
| Brooke Kennedy | .... | executive producer | |
| Michelle King | .... | executive producer | |
| Robert King | .... | executive producer | |
| Yolonda Lawrence | .... | co-producer | |
| Julianna Margulies | .... | producer | |
| Ridley Scott | .... | executive producer | |
| Tony Scott | .... | executive producer | |
| David W. Zucker | .... | executive producer | |
Original Music by | |||
| David Buckley | |||
Cinematography by | |||
| Fred Murphy | (director of photography) | ||
Film Editing by | |||
| David Dworetzky | |||
Casting by | |||
| Mark Saks | |||
Production Design by | |||
| Stephen Hendrickson | |||
Art Direction by | |||
| Frank White III | (as Frank White) | ||
Set Decoration by | |||
| Beth Kushnick | |||
Costume Design by | |||
| Daniel Lawson | (as Dan Lawson) | ||
Makeup Department | |||
| Stephen G. Bishop | .... | hair department head (as Stephen Bishop) | |
| Andrea Miller | .... | makeup department head | |
Production Management | |||
| Kristin Bernstein | .... | unit production manager | |
| Courtney Cowan | .... | post-production supervisor | |
| Vincent Morano | .... | production supervisor (as Vincent James Morano) | |
Second Unit Director or Assistant Director | |||
| Denis Doyle | .... | first assistant director | |
| Genevieve Palmieri | .... | second assistant director | |
Art Department | |||
| Martin Bernstein | .... | construction coordinator | |
| Emily Gaunt | .... | charge scenic artist | |
| Tom McDermott | .... | leadperson | |
| Sabrina Wright | .... | property master | |
Sound Department | |||
| Larry Benjamin | .... | sound re-recording mixer | |
| Tim Boggs | .... | sound supervisor | |
| Tim Chilton | .... | foley artist | |
| Claire Houghtalen | .... | utility sound | |
| Michael Kalifa | .... | sound recordist | |
| Alex Sullivan | .... | production sound | |
| David Torres | .... | foley mixer | |
| Kevin Valentine | .... | sound re-recording mixer | |
| James Baker | .... | boom operator (uncredited) | |
| James Baker | .... | sound mixer: second unit (uncredited) | |
| David W. Barr | .... | adr mixer (uncredited) | |
| Gioia Birkett-Foa | .... | boom operator (uncredited) | |
| Jane Boegel | .... | dialogue editor (uncredited) | |
| Mark Cookson | .... | sound effects editor (uncredited) | |
| Ric Schnupp | .... | playback mixer (uncredited) | |
| Scott Waz | .... | adr mixer (uncredited) | |
Visual Effects by | |||
| Jason Wilson | .... | visual effects artist (uncredited) | |
Stunts | |||
| Cort Hessler | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ian Carmody | .... | assistant camera | |
| Tim Guinness | .... | chief lighting technician | |
| Scott Koenigsberg | .... | first assistant camera: "a" camera | |
| Mike 'Electric' Mervilde Jr. | .... | grip (as Mike Mervilde) | |
| Peter Nolan | .... | camera operator: "a" camera | |
| David Stern | .... | key rigging grip | |
| Paul Volo | .... | first company grip | |
Casting Department | |||
| John E. Andrews | .... | casting associate (as John Andrews) | |
| Julianna LaRosa | .... | executive casting assistant | |
Costume and Wardrobe Department | |||
| Daniele Hollywood | .... | assistant costume designer | |
| Jennifer Rogien | .... | assistant costume designer (as Jennifer Rogein) | |
| Erin Stamos | .... | set costumer | |
| Colleen McTigue | .... | key costumer (uncredited) | |
Editorial Department | |||
| Jake Cohen | .... | assistant editor (as Jacob Cohen) | |
| Jesse Rose-Smith | .... | post-production coordinator | |
Music Department | |||
| Sharyn Gersh | .... | music editor | |
Transportation Department | |||
| Eugene O'Neill | .... | transportation captain (as Gene O'Neill) | |
Other crew | |||
| Emma Carroll | .... | production assistant | |
| Rachel Cates | .... | production coordinator | |
| Rachel Connors | .... | script supervisor | |
| Santos Cornier | .... | location assistant/scout | |
| Leigh Dillon | .... | dialect coach: Archie Panjabi (uncredited) | |
| Stephanie Lane | .... | production accountant | |
| Lynn H. Powers | .... | locations manager (as Lynn Powers) | |
| Leah Baker | .... | assistant production coordinator (uncredited) | |
| Barbara Biddle | .... | in-house producer (uncredited) | |
| Erin Cappiccie | .... | assistant to executive producer (uncredited) | |
| Kim Delise | .... | additional script supervisor (uncredited) | |
| Mela Lee | .... | adr voice artist (uncredited) | |
| Mela Lee | .... | voice actor (uncredited) | |
| Paul Jude Letersky | .... | stand-in - Eli (uncredited) | |
| Adam Levy | .... | lead medic (uncredited) | |
| David Occhino | .... | assistant location manager (uncredited) | |
| Calvin Reddy | .... | unit production assistant (uncredited) | |
| Lauren Ro | .... | accounting clerk (uncredited) | |
| Aidan Sleeper | .... | location scout (uncredited) | |
| Matthew H. Wiesner | .... | location scout (uncredited) | |
Thanks | |||
| Michael Bloomberg | .... | special thanks (as Michael R. Bloomberg Mayor) | |
| Katherine Oliver | .... | special thanks (as Katherine L. Oliver Commissioner NYPD Movie & TV Unit) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Michelle King | creator | |
| Robert King | creator | |
Second Unit Director or Assistant Director | |||
| Donald Munro | .... | third assistant director (2009) | |
Art Department | |||
| Laura Schneider | .... | assistant property master (2009) | |
| Maurice Woodworth | .... | lead man: set decoration (2009) | |
Stunts | |||
| Crystal Dalman | .... | stunts (2009) | |
Other crew | |||
| Ken MacAlpine | .... | location scout (2009) | |
| Winona Sim | .... | playback coordinator (2009) | |
- Columbia Broadcasting System (CBS) (2012) (USA) (TV)
- Global Television Network (2012) (Canada) (TV)
- Nelonen (2012) (Finland) (TV)
- Net5 (2012) (Netherlands) (TV)
- Paramount Home Entertainment (2012) (USA) (DVD)
- Universal Channel (2012) (Hungary) (TV)
- Panavision cameras and lenses
- Wildtracks post-production sound
- Smart Post Sound sound re-recording facility
- Micdi Productions music editorial
- Polycom (II) promotional consideration furnished by
- General Motors sponsored in part by (as General Motors Company)
- New York State Governor's Office for Motion Picture & Television Development filmed with the support of
- New York City Mayor's Office of Media & Entertainment special thanks
- CBS Studios registered trademark of: "The Good Wife"
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*** This review may contain spoilers ***
Excellent episode where Alicia is asked by Diane to serve on a blue ribbon panel investigating the tragic shooting of a good Samaritan by a police officer who thought the Samaritan was coming to the aid of a criminal. Besides having racial overtones, the case could conceivably depict Peter in a bad light.
Matthew Perry, in his debut on the show, is excellent as the vicious head of the panel.
It's really a shame that everything now has to be related to race relations and politics.
Alicia soon figures out who bought the house. How do you like the ethics showed by the woman selling the house? It's really a dog eat dog world out there.
Diane and Will find a way to thwart those who want Peter's seat during his suspension. Leave it to the dynamic duo to outwit their fellow members in the firm.