Vince Noir and Howard Moon have surreal adventures while working at a Zoo run by the deranged Bob Fossil (in series 1) and pursuing a career as musicians and living with the mystic Naboo ... See full summary »
Filmed during The Mighty Boosh's Future Sailors tour, this stage show follows Howard Moon (Julian Barratt) and Vince Noir (Noel Fielding) on a musical extravaganza featuring the live Boosh ... See full summary »
An all-singing, all-dancing, star-spangled musical leap around the biblical story of the Nativity, set in 1972. With a comic twist, this familiar story is brought to life through the eyes ... See full summary »
Live from his luxury apartment in London's glittering East End, Dean Learner (Club owner, Celebrity Manager, Entrepreneur and Publisher of high-class gentleman's magazines) invites you to meet some of his closest friends, Man to Man.
This parody series is an unearthed 80s horror/drama, complete with poor production values, awful dialogue and hilarious violence. The series is set in a Hospital in Romford, which is situated over the gates of Hell.
This is Noel, as he's always promised, but never before delivered.
Luxury Comedy is definitely the work of Noel Fielding. It's overflowing with much of the same surrealism we've seen in The Mighty Boosh, as well as his stand-up. We've heard him talk about himself in absurd terms. We've seen his wistful creations. Every time we've seen his works, we've seen flashes of a bubbling caldera of surreal, outlandish creativity, but always somewhat suppressed, somewhat mired in the interests of making his humour palatable. Luxury Comedy is what happens when the caldera explodes. This is Noel unchained. The show is a sea of glam, paint, and insane creations. This is not just Noel talking about how is unique mind works, this is him showing you, and it's... it's weird.
It's very weird. It's definitely the weirdest show I've ever watched. It subverts, deliberately, just about every convention it can get its finger paint-stained hands on. These conventions, of course, are comforting and are usually there for a reason, and when all of them are stripped so unceremoniously from the show, it can feel genuinely uncomfortable. The humour billed in the show's title is inexpressibly bizarre, typically staying well clear of punchlines, or anything else to make you laugh out loud. Instead, there's generally a haze of amusement that pervades the show. Some sketches in the show, such as the incomparable Jelly Fox sketch, hold our attention for their sheer hypnotic brilliance, even if they're not particularly humorous.
Naturally, it doesn't always work, on the level of art or entertainment, but it never feels forced. It is hypnotic, addictive, and surprisingly more-ish once you give it a generous chance. If you have an above-average tolerance for surrealism, I recommend you give it a go.
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