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Kapringen (2012)

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The crew of a Danish cargo ship is hijacked by Somali pirates who proceed to engage in escalating negotiations with authorities in Copenhagen.

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16 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mikkel Hartmann
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Peter C. Ludvigsen
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Lars Vestergaard
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Jan Sørensen
Gary Skjoldmose Porter ...
Connor Julian
Abdihakin Asgar ...
Omar
Amalie Ihle Alstrup ...
Maria Hartmann (as Amalie Alstrup)
Amalie Vulff Andersen ...
Kamilla Hartmann
Linda Laursen ...
Anette Ludvigsen
Keith Pearson ...
Kaptajn
Allan Arnby ...
Niels Giversen
Bettina Schjerlund ...
Jytte
Derrick Dharmakan ...
Sømænd
Juma Mvita ...
Sømænd (as Jumamvita)
Mikyan 'Thura' Aung ...
Sømænd
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Storyline

The cargo ship MV Rozen is heading for harbor when it is hijacked by Somali pirates in the Indian Ocean. Amongst the men on board are the ship's cook Mikkel and the engineer Jan, who along with the rest of the seamen are taken hostage in a cynical game of life and death. With the demand for a ransom of millions of dollars a psychological drama unfolds between the CEO of the shipping company and the Somali pirates. Written by Production

Plot Summary | Plot Synopsis

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

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Details

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Release Date:

20 September 2012 (Denmark)  »

Also Known As:

A Hijacking  »

Box Office

Budget:

DKK 15,500,000 (estimated)

Opening Weekend:

$39,392 (USA) (21 June 2013)

Gross:

$413,276 (USA) (27 September 2013)
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Did You Know?

Trivia

The scenes on the ship were filmed in Mombassa in Kenya on a ship that had previously sailed under Danish flag. See more »

Quotes

Connor Julian: We can't rush these people. Time is a Western thing. It means nothing to them.
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Connections

Version of Stolen Seas (2012) See more »

Soundtracks

WHAT SHALL WE DO WITH THE DRUNKEN SAILOR?
(TRADITIONAL)
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User Reviews

 
Silence is a weapon
23 June 2013 | by (Singapore) – See all my reviews

Unbearably tense and anti-aesthetic.

For his second directorial feature, Tobias Lindholm (co-writer of Jagten) delivers the kind of indifferent, matter-of-fact realism not experienced since the early days of Dogme 95. And because it cuts through all the fluff and artifice that has invaded commercial films without compromising momentum as a situationist thriller, one must concede that Kapringen has upped the ante on Danish rebellion against the Hollywood system.

The refusal to include actual scenes of the hijacking in a film specifically titled "A Hijacking" is no accident.

A cargo ship MV Rozen is hijacked by Somali pirates in the Indian Ocean. Among the eight men crew taken hostage is Mikkel (Pilou Asbæk), the ship's cook. A translator for the pirates issues demand for $15M in exchange for release. But back in Copenhagen, CEO of the shipping company Peter (Søren Malling) learns that gaining the upper hand demands patience. And so negotiations play out in silence like a sociopathic Fischer-Spassky game: cold, calculated, unyielding.

I can't think of any movie in which I have wanted so much to resist and cease watching, yet fail to do so because it has a quality so raw, unsympathetic and intuitive. In keeping with Lindholm's debut feature (a prison drama "R"); Kapringen is filmed on location, in chronological sequence and on board a sea freighter that was hijacked in the Indian ocean. Casting also features a real life hostage negotiator as the central figure and naturally, Somali pirates.

Arguably, mechanical reproduction of genuine conditions doesn't guarantee a convincing film but in this case, it does — Kapringen looks so suitably stained with normality that one instantly recognizes the absence of gimmicky aesthetics. Unmanipulated (or to be PC about words, "seemingly so"), you resonate with the film's fabric of reality while searching for something more, and in the process, gain access into psychological domains that underpin both Peter and Mikkel.

It's not for nothing that Lindholm went through great lengths to replicate an uncomfortable, pressing scenario because the film offers reflection on an overlooked form of terrorism. Corporations may be showing it to employees as a resource on how to respond during such crises, but Kapringen's master stroke — is the revelation of an impasse between the moral versus the practical. There is no payoff at the end of this film, it is one the most sophisticated vérités I have seen, the meta-argument leaves you deliberating, and the film takes off like a thinker on paradox.

cinemainterruptus.wordpress.com


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