It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters, but have spent a summer in Greece on the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk. Written by
Peter Brandt Nielsen
Dedicated to the memory of Amy Lehrhaupt, the woman who was the inspiration for Before Sunrise (1995). Richard Linklater had spent a night walking and talking around Philadelphia with her in 1989. Though initially they stayed in touch over the telephone, they lost contact eventually. In 1994, Linklater started shooting "Before Sunrise" and when the world premiere was about to take place, Linklater was secretly hoping that Amy would show up but she did not. Ten years later, Linklater shot the sequel Before Sunset (2004) and had yet to hear from Amy. Finally, in 2010, a friend of Amy's who knew about their story, contacted Linklater to tell him that Amy had died in a motorcycle accident on May 9, 1994 at the age of 24 and even a few weeks before he started shooting Before Sunrise (1995). Both Linklater and Hawke were devastated but found comfort in the inspiration for the Before Trilogy. See more »
When walking along the stony path (where they see the goats) a man is passing them but the timing is not quite right, it takes him too long from one shot to the other. See more »
Now I know why Sylvia Plath put her head in a toaster!
It was an oven.
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I just saw Richard Linklater's Before Midnight his newest and third film about Jesse and Celine the couple who meet as young adults in Before Sunrise and re-meet as adults in Before Sunset (one of my five favorite films).
This is simply brilliant film making: funny, raw, emotionally honest and complicated. The couple (Ethan Hawke and Julie Delpy who both co-wrote with Linklater) are now in their 40s and face some very real challenges to their menage. I started laughing and crying within about 3 minutes and both emotions kept up until the very end. Everyone sat through the credits so they could wipe their faces clean. Brilliant acting . . .
This film gives one hope for the state of American film making and reminds you that Linklater is one of our most underrated auteurs. I sincerely hope he continues and I live long enough to see the couple well into their senior years.
Even if you have never seen the first two movies, do not miss this one.
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