When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters, but have spent a summer in Greece on the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk. Written by
Peter Brandt Nielsen
Like the previous films of the trilogy, the film includes reference to James Joyce: When Céline recalls a black-and-white film from her teenage years which had a powerful impact on her, particularly a scene in which a couple visit Pompeii and see the bodies mummified by the volcanic explosion. She doesn't name the film, but it is Viaggio in Italia (1954) which is loosely based on James Joyce's short story, 'The Dead'. See more »
When walking along the stony path (where they see the goats) a man is passing them but the timing is not quite right, it takes him too long from one shot to the other. See more »
...we don't have to spend our lives comparing ourselves to Martin Luther King, Gandhi, Tolstoy...
What about Joan of Arc, right, she was a teenager and she saved France, so...
Who wants to be Joan of Arc? Forget France, she was burnt at the stake and a virgin, okay. Nothing I aspired to. What a great achievement.
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I just saw Richard Linklater's Before Midnight his newest and third film about Jesse and Celine the couple who meet as young adults in Before Sunrise and re-meet as adults in Before Sunset (one of my five favorite films).
This is simply brilliant film making: funny, raw, emotionally honest and complicated. The couple (Ethan Hawke and Julie Delpy who both co-wrote with Linklater) are now in their 40s and face some very real challenges to their menage. I started laughing and crying within about 3 minutes and both emotions kept up until the very end. Everyone sat through the credits so they could wipe their faces clean. Brilliant acting . . .
This film gives one hope for the state of American film making and reminds you that Linklater is one of our most underrated auteurs. I sincerely hope he continues and I live long enough to see the couple well into their senior years.
Even if you have never seen the first two movies, do not miss this one.
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