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Before Midnight (2013)

R | | Drama, Romance | 14 June 2013 (USA)
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1:49 | Trailer

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We meet Jesse and Celine nine years on in Greece. Almost two decades have passed since their first meeting on that train bound for Vienna.

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2,722 ( 31)
Nominated for 1 Oscar. Another 21 wins & 59 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Hank
Jennifer Prior ...
Charlotte Prior ...
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Achilleas (as Yannis Papadopoulos)
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Enrico Focardi ...
Child
Manolis Goussias ...
Child
Anouk Servera ...
Child
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Hotel Clerk
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Storyline

It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters, but have spent a summer in Greece on the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk. Written by Peter Brandt Nielsen

Plot Summary | Plot Synopsis

Taglines:

Everything's better with maturity

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content/nudity and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Language:

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Release Date:

14 June 2013 (USA)  »

Also Known As:

Untitled Before Sunset Sequel  »

Filming Locations:

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$246,914, 26 May 2013, Limited Release

Gross USA:

$8,114,627

Cumulative Worldwide Gross:

$23,380,979
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Richard Linklater, Julie Delpy, and Ethan Hawke have all agreed on interviews that the final thing that made them decide to make the movie was the fact that the three of them are parents and could know how to write that into the characters' lives. See more »

Goofs

In the dining scene (42:05) Jesse (Ethan Hawke) and Anna (Ariane Labed) are shown side by side, but just after a shot (42:23) they are sitting away from each other. See more »

Quotes

Nina: Like sunlight, sunset, we appear, we disappear. We are so important to some, but we are just passing through.
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Connections

References Journey to Italy (1954) See more »

Soundtracks

O Antonis o kekes
Music & Lyrics by Nikos Kalogeropoulos
Performed by Nikos Kalogeropoulos
From the CD 'Alogomyges'
Courtesy of Nikos Kalogeropoulos
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User Reviews

 
Before Midnight- A Logical and Equally Emotional Continuation of the Romantic Saga that is Uncomfortably Truthful and Painfully Heartfelt
29 May 2013 | by See all my reviews

Despite what idealized viewers might think when it comes to their beloved romance films there are numerous events and circumstances that can occur outside the frame that could strengthen, fracture, or challenge that particular relationship beyond the assumed happily ever after conclusion. This idea behind continued uncertainty is essentially called life and though the realist perspective might damage some optimist hopes there is a genuine beauty to the wonderful truth that is a relationship that cultivates or fissures in the face life's challenges. Eclectic filmmaker Richard Linklater, known for such diverse films such as his debut indie feature Slacker and his wide appeal comedy School of Rock, understood the idea of life beyond the ending credits once he reintroduced his two romantic leads Jesse (Ethan Hawke) and Celine (Julie Delpy) with a chance encounter in Before Sunset after their initial meeting nine years earlier in Before Sunrise. Before Midnight, the latest chapter of this ingenious film series, offers the creative staples that the romantic saga is known for with Linklater's consistently delicate observational style, Hawke and Delpy's engaged performances, philosophical witty banter relating to relationships, life, and more but this time unfolding the details of a relationship that has marinated beyond its initial romantic beginnings and changed into something far more palpable, strained, and relatable. The collaborative writing between Linklater, Hawke, and Delpy demonstrates their immense understanding of their created characters and deliver their most uncomfortably emotional and richly life-affirming vignette in this particular reflective road stop in the lives of Jesse and Celine. When poet John Keats wrote the famous last line "truth is beauty, beauty truth" in his poem "An Ode to a Grecian Urn" he realized that even the most unpleasant truths had intense beauty in its mere recognized existence and the Before saga is one of the purest cinematic exercises in revealing that kind of beautiful truth. Before Midnight takes the initially romantic setups in Before Sunrise and Before Sunset and expands them into their most logical and equally emotional prolongation where it expands the narrative strength, character vivacity, and philosophical importance of the series into a fully realized and painfully heartfelt whole that speaks uncomfortable truths in an engagingly entertaining way.

Read more: http://wp.me/py8op-yV; more reviews: generationfilm.net


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