Helen Stephens is wrongly sentenced to 12 years in prison for murdering her boss Eric Bridges, the managing director of Entirely Tiles. Although she is sure that it will only be a matter of... See full summary »
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Cast

Series cast summary:
...
 Helen Stephens (6 episodes, 2012)
...
 Governor Margaret (6 episodes, 2012)
...
 Laura (6 episodes, 2012)
Susan Calman ...
 Fatty (6 episodes, 2012)
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 Frank (6 episodes, 2012)
...
 Tim (6 episodes, 2012)
...
 Christine (6 episodes, 2012)
...
 Henry (6 episodes, 2012)
Amanda Lawrence ...
 Mary (6 episodes, 2012)
Geoffrey McGivern ...
 Tony (6 episodes, 2012)
Ashley McGuire ...
 Slasher (6 episodes, 2012)
...
 Mrs. Bridges (6 episodes, 2012)
Claire Prempeh ...
 Yvonne (6 episodes, 2012)
...
 Top Dog (6 episodes, 2012)
...
 Lennie (6 episodes, 2012)
Marina Hayter ...
 2012 (6 episodes, 2012)
...
 Justin (4 episodes, 2012)
...
 I'll Kill Again (3 episodes, 2012)
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Storyline

Helen Stephens is wrongly sentenced to 12 years in prison for murdering her boss Eric Bridges, the managing director of Entirely Tiles. Although she is sure that it will only be a matter of time before this mistake is rectified, everyone around her seems to be conspiring to keep her behind bars. Lawyer Tony is incompetent, sister Laura wants her flat, and fiancé Justin - her alibi - has disappeared. Colleague Henry seems to be the only one willing to help, but he has an ulterior motive. Written by obeliska

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14 June 2012 (UK)  »

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Remade as Dead Boss (2014) See more »

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User Reviews

 
Sharp comedy blunted by seventies sitcom setting
14 July 2012 | by (Saffron Walden, UK) – See all my reviews

Sharon Horgan's series 'Pulling' is my favourite comedy of recent years; but 'Dead Boss', her latest effort, sadly fails to hit the same heights. There are some moments of similar genius, of characters whose hysterically exaggerated behaviours are driven by their own deluded perception of reality; but whereas in 'Pulling', these occurred against a realistic backdrop, in 'Dead Boss', the scenario is an improbable murder mystery, and a women's prison portrayed in a manner you might expect of a 1970s sitcom. For all the sharp lines, the flimsy story fails to provide suspense, and the laughter is muted by the unbelievability of the situation. At times, the programme almost feels like a sketch show, with the plot merely providing an excuse for the jokes; but Horgan's sort of comedy needs to be founded in something that feels true. I've watched comedies with fewer good lines; but it's surprisingly amateurish, and a little disappointing for anyone who knows how good, at her best, Horgan can be.


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