| Anthony Brophy | ... | Hughie | |
| Conleth Hill | ... | Paddy | |
| Packy Lee | ... | Jackie | |
| Aidan McAteer | ... | Tommy | |
| Maggie Cronin | ... | Mary | |
| Ciarán Hinds | ... | Joe | |
| Kerry Condon | ... | Patricia | |
| Ruth McCabe | |||
| Lalor Roddy | |||
| Patch Connolly | ... | Gravedigger | |
| rest of cast listed alphabetically: | |||
| George Crane | ... | Old Friend | |
Directed by | |||
| Terry George | |||
Writing credits(in alphabetical order) | ||
| Terry George | written by | |
Produced by | |||
| Oorlagh George | .... | producer | |
| Terry George | .... | producer | |
| Cathy Mooney | .... | executive producer | |
| Danny Moore | .... | executive producer | |
| Stephen Morrow | .... | executive producer | |
Original Music by | |||
| David Holmes | |||
| Foy Vance | |||
Cinematography by | |||
| Michael McDonough | (director of photography) | ||
Film Editing by | |||
| Joe Landauer | |||
Casting by | |||
| Georgia Simpson | |||
Production Design by | |||
| Tom McCullagh | |||
Second Unit Director or Assistant Director | |||
| Barry Keil | .... | first assistant director | |
| Neil Winterlich | .... | second assistant director | |
Sound Department | |||
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| Tom Ryan | .... | sfx editor | |
Camera and Electrical Department | |||
| Noah Davis | .... | first assistant camera | |
| Tommy Lohmann | .... | camera operator | |
| Aidan Monaghan | .... | still photographer | |
| Dale Morgan | .... | intern: camera | |
| Alex Stevenson | .... | gaffer | |
Editorial Department | |||
| Jennifer Lilly | .... | additional editor | |
| Richie Roefaro | .... | technical assistant | |
| Tim Stipan | .... | digital intermediate colorist | |
Music Department | |||
| Woody Jackson | .... | musician | |
| Woody Jackson | .... | recording engineer | |
| Hugo Nicolson | .... | re-recording mixer | |
Other crew | |||
| Andrea Bamford | .... | script supervisor | |
| Catherine Geary | .... | location manager | |
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| Painkiller | All Fried Up | The Outsiders | Busking for a Beatdown | Jam Today |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb UK section |
I just completed my yearly pilgrimage to see the Oscar-nominated Live Action Shorts--tomorrow it's the Animated Shorts. This was a very unusual crop of shorts this year, as three of the five nominees were comedies--and usually the films are mostly deadly serious. Only two films are serious this year and NONE are about death, Nazis or other sad stuff! As I said, it's an unusual year. Now I am not complaining--this might just be the most enjoyable group of films I've seen in years.
This story is interesting in that you see two separate storied that eventually merge. It begins with a man and his friends walking along the shore--picking up mussels and other shellfish to sell. And, at the same time also in Ireland, you see a man coming back to his homeland after many years--and he brings his daughter with him. However, despite meeting all these old friends, there is a nagging problem--and it involves the beachcomber you see at the beginning of the tale.
As I said above, if I were the type person to gamble, I'd put my money on "The Shore" to be the Oscar-winner this year. Now this ISN'T to say it was necessarily the most enjoyable or that the other films were poor--but "The Shore" was the best overall package. It had it all. The story was very complex--rewarding and with some wonderful twists. The acting was lovely throughout. The story looked very cinematic--and the direction was very deft. There was simply nothing that could stand improvement. And, I kept my interest throughout.
UPDATE: Well, I wish I WAS a betting man as, indeed, "The Shore" did win the Oscar this year.