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Directed by | |||
| Ridley Scott | |||
Writing credits(WGA) (in alphabetical order) | ||
| Cormac McCarthy | written by | |
Produced by | |||
| Michael Costigan | .... | executive producer | |
| Mark Huffam | .... | executive producer | |
| Cormac McCarthy | .... | producer | |
| Paula Mae Schwartz | .... | producer | |
| Steve Schwartz | .... | producer | |
| Ridley Scott | .... | producer | |
| Nick Wechsler | .... | producer | |
Original Music by | |||
| Daniel Pemberton | |||
Cinematography by | |||
| Dariusz Wolski | |||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Nina Gold | |||
| Avy Kaufman | |||
Production Design by | |||
| Arthur Max | |||
Art Direction by | |||
| Alex Cameron | (art director) | ||
| Alejandro Fernández | |||
| Ben Munro | (art director) | ||
| Tom Weaving | |||
Set Decoration by | |||
| Sonja Klaus | |||
Costume Design by | |||
| Janty Yates | |||
Makeup Department | |||
| Tina Earnshaw | .... | makeup designer | |
| Nana Fischer | .... | hair designer | |
| Nana Fischer | .... | personal hair artist | |
| Richard Glass | .... | contact lens optician | |
| Peter Hawkins | .... | prosthetic effects | |
| Chris Lyons | .... | special effects teeth | |
| Lois McIntosh | .... | hair stylist: crowd supervisor | |
| Conor O'Sullivan | .... | prosthetic supervisor | |
| Jane Oginsky | .... | makeup junior | |
| Luca Saccuman | .... | hair artist: Penelope Cruz | |
| Jemma Scott-Knox-Gore | .... | contact lens coordinator | |
Production Management | |||
| Sara Desmond | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | second assistant director | |
| Sarah Brand | .... | third assistant director | |
| Paul Hayes | .... | third assistant director: Spain | |
| Max Keene | .... | first assistant director | |
| Anna Maluenda | .... | crowd assistant director: Spain | |
| Emilio Martínez-Borso | .... | third assistant director: Spain | |
| Danny McGrath | .... | second assistant director | |
| Jairo Murray | .... | second assistant director: Spain | |
Art Department | |||
| Rob Anderson | .... | set decorating coordinator | |
| Leigh Bryant | .... | chargehand dressing props | |
| Archie Campbell-Baldwin | .... | junior draughtsman | |
| Stephen Doyle | .... | dressing props | |
| Luke Edwards | .... | assistant set decorator | |
| Frederic Fabrega | .... | location buyer | |
| Boris Fernández | .... | dressing props | |
| Kim Frederiksen | .... | concept artist | |
| Felicity Hickson | .... | art department coordinator/graphic designer | |
| Marc Homes | .... | supervising art director | |
| Alice Mayhew | .... | art department assistant | |
| Warren Parkinson | .... | props storeman | |
| Tristan Peatfield | .... | production buyer | |
| Rocio Sainz Herrero | .... | assistant art director | |
| Mark Smith | .... | dressing props | |
| Terry Woods | .... | property master | |
Sound Department | |||
| Aitor Berenguer | .... | sound mixer (second unit) | |
| Chris Burdon | .... | sound re-recording mixer | |
| Peter Burgis | .... | foley artist | |
| Doug Cooper | .... | sound re-recording mixer | |
| Iñaki Díez | .... | boom operator: second unit | |
| Arthur Fenn | .... | key first assistant sound | |
| Michael Fentum | .... | sound effects designer | |
| Glen Gathard | .... | foley mixer | |
| Judah Getz | .... | adr mixer | |
| James Gibb | .... | second assistant sound | |
| Peter Hanson | .... | foley editor | |
| Sue Harding | .... | foley artist | |
| James Harrison | .... | sound effects editor | |
| Simon Hayes | .... | production sound mixer | |
| James Hyde | .... | adr recordist | |
| Robin Johnson | .... | first assistant sound | |
| Nick Kray | .... | adr mixer | |
| Dan Morgan | .... | dialogue and adr editor | |
| Jay Price | .... | assistant sound editor | |
| Jason Swanscott | .... | foley artist | |
| Oliver Tarney | .... | sound designer | |
| Oliver Tarney | .... | supervising sound editor | |
| Rachael Tate | .... | dialogue conform editor | |
Special Effects by | |||
| Matthew Horton | .... | senior special effects technician | |
| Craig Leong | .... | special effects technician | |
| Stefano Pepin | .... | special effects supervisor | |
| Nick P. Phillips | .... | special effects senior technician | |
Visual Effects by | |||
| Benjamin Bratt | .... | roto/prep artist | |
| Peter Collins | .... | digital intermediate | |
| Stanley A. Dellimore | .... | head of layout: MPC | |
| Rob Dunbar | .... | visual effects | |
| Fathima Feminò | .... | digital compositor: MPC | |
| Michael Harrison | .... | digital compositor | |
| Charley Henley | .... | visual effects supervisor | |
| Ganesh Lamkhade | .... | matchmove artist | |
| Lara Lom | .... | senior visual effects coordinator: MPC | |
| Alexandre Prod'homme | .... | roto/prep artist | |
| Miguel Santana | .... | roto/prep artist: MPC | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Richard Stammers | .... | visual effects supervisor | |
Stunts | |||
| Zarene Dallas | .... | stunt double: Cameron Diaz | |
| Rob Inch | .... | stunt coordinator | |
| Rowley Irlam | .... | stunts | |
| Ben Rackley | .... | stunt department coordinator | |
| Florian Robin | .... | stunt driver | |
| Douglas Robson | .... | stunt performer | |
Casting Department | |||
| Ana Dura | .... | extras casting | |
| Adriana Gil | .... | extras casting | |
| Jon Goracy | .... | casting assistant | |
| Theo Park | .... | casting assistant | |
| Leeba Zakharov | .... | casting associate | |
Costume and Wardrobe Department | |||
| Rob Brown | .... | military costume advisor | |
| Andrea Cripps | .... | assistant costume designer | |
| Teddy George-Poku | .... | costume assistant | |
| Mia Gray | .... | costume truck assistant | |
| Lauren Nicotera | .... | costume buyer | |
| Angela Ortuño | .... | costume assistant: Spain | |
| David Otzen | .... | principal costumer | |
| Leticia Palomares | .... | breakdown artist: Spain | |
| Marcela Payà | .... | wardrobe assistant | |
| Marina Pedreño | .... | daily costume assistant | |
| Cristina Sopeña | .... | costume supervisor: Spain | |
| Maria Valls | .... | wardrobe | |
| Joanna Weaving | .... | chief costume breakdown artist | |
Editorial Department | |||
| James Barham | .... | second assistant editor | |
| Zoe Bowers | .... | editorial trainee | |
| Emily Greenwood | .... | senior digital film editor | |
| Laurence Johnson | .... | first assistant editor | |
| Laurent Treherne | .... | digital film technical supervisor | |
Music Department | |||
| John Barrett | .... | additional scoring engineer | |
| John Barrett | .... | score mix assistant engineer | |
| John Barrett | .... | scoring protools engineer | |
| Becky Bentham | .... | music clearances | |
| Tony Lewis | .... | music editor | |
| Jill Streater | .... | supervising music copyist | |
Transportation Department | |||
| Ramón Alonso | .... | transportation assistant | |
| Stewart Fannon | .... | driver: Mr. Scott | |
| Charlotte Graham | .... | driver: honeywagon | |
| Peter Mercer | .... | driver: cast | |
| Helena Oliva | .... | driver | |
| Francisco Rojo | .... | unit driver | |
| David Rosenbaum | .... | transportation captain | |
| Melele Sánchez | .... | transport captain: Spain | |
Thanks | |||
| Andrei Claude | .... | thanks | |
| Tony Scott | .... | in memory of | |
| Company credits | Box office and business | Technical specifications |
| Crazy credits | Main details |