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The Counselor (2013)

R  |   |  Crime, Drama, Thriller  |  25 October 2013 (USA)
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Ratings: 5.4/10 from 74,401 users   Metascore: 48/100
Reviews: 415 user | 326 critic | 42 from

A lawyer finds himself in over his head when he gets involved in drug trafficking.



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Cast overview, first billed only:
Diamond Dealer
Priest (as Edgar Ramírez)
Highway Patrolman
Watching Girl


A rich and successful lawyer, the Counselor, is about to get married to his fiancée but soon becomes entangled in a complex drug plot with a middle-man known as Westray. The plan ends up taking a horrible twist and he must protect himself and his soon to be bride as the truth of the drug business is uncovered and targets are eliminated. Written by DJDC

Plot Summary | Plot Synopsis


Sin Is A Choice.


Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for graphic violence, some grisly images, strong sexual content and language | See all certifications »

Parents Guide:






| |

Release Date:

25 October 2013 (USA)  »

Also Known As:

El abogado del crimen  »

Filming Locations:


Box Office


$25,000,000 (estimated)

Opening Weekend:

$7,842,930 (USA) (25 October 2013)


$16,969,390 (USA) (10 January 2014)

Company Credits

Show detailed on  »

Technical Specs


| (extended cut)

Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Cameron Diaz's character Malkina is Argentinian in Cormac McCarthy's screenplay. The country of origin was changed to Barbados for the film. This decision was seemingly made to better fit Diaz' physical appearance to her character's ethnicity. See more »


When the two policemen approach the truck they stop their car in the middle of the road. At the end of the scene the police car is on the right side of the road. See more »


[first lines]
Laura: Are you awake?
Counselor: No. What time is it?
Laura: Two o'clock. Almost two o'clock.
Counselor: AM or PM?
See more »


Sweet Georgia Brown
Written by Ben Bernie, Kenneth Casey and Maceo Pinkard
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The Counselor: A Shakespearean tragedy of greed and desperation.
25 October 2013 | by (United States) – See all my reviews

The Counselor, like previous McCarthy adaptations, is gorgeous to behold, but unlike No Country and the others, this one is unnervingly bright, lensed in iridescent yellows and grungy grim tones. It lacks the scope of a Gladiator or a Kingdom of Heaven, instead acting as a somehow intimate, character-driven (or perhaps "dialogue-driven" is better) tale. It is, one could say, Ridley Scott's first fable (yes, Legend notwithstanding).

Allow me to explain. The story, like most McCarthy tales, is simple: a nameless lawyer (Fassbender), madly in love with his fiancée Laura (Cruz) and seeking to provide for her and give her the life she deserves, decides to get in a once-and-I'm-out deal: namely, to get involved in a venture dealing with twenty million dollars worth of drugs being ferried to the States from Mexico. The counselor's associates in this job are the flamboyant Reiner (Javier Bardem, returning to McCarthy's bleak world yet again, though this time sporting a Brian Grazer-esque hairdo instead of Chigurh's pageboy) and middleman Westray (Brad Pitt, sporting a Tom Petty style), both of whom warn the counselor that this deal will change his life in ways he cannot fathom. The film also focuses on Reiner's Argentinean squeeze Malkina, played by Cameron Diaz. Malkina is a glammed-up diva in the Donatella Versace vein (comparable to Kristin Scott Thomas's equally diva-like turn in Only God Forgives; they could be sisters), sporting a cheetah-spot design tattooed to her throat and a felicitous feline sneer everywhere she turns (she even owns a pair of cheetahs that she sics on desert jackrabbits for her and Reiner's amusement).

Of course, as is wont to happen in McCarthy's world, something goes wrong, sh_t hits the fan, and the lives of every character hangs in the balance. Characters are sliced, diced, shot and (in one gruesome instance) subject to a weapon of grim ingenuity that involves a motor, a loop of unbreakable wire, and a jetting gout of blood. Yet the film also brings levity to it in spades, to the point that The Counselor could almost be considered a black comedy. Much of the film's action is "interaction," as the counselor deals with the other characters that warn, judge, and even blame him for the capricious trick of fate that has sealed their own. McCarthy's penchant for cipher-like monologues is in full play here, and it can bog down an unwary traveler. That said, for all of its deep soliloquies and terse warnings, the film is not indecipherable, and at times McCarthy's caustic wit comes across brilliantly.

Scott and McCarthy manage to coax some pretty impressive work from their cadre. Michael Fassbender, whose character is himself little more than an archetype (the "good man who f_cks up once and pays for it dearly"), is actually quite good here, and I'm probably in the minority when I say that I prefer his turn here over his acclaimed performance in Shame (a film I respect but have little affection for). Cruz makes the most of a rather lightweight part, and even though her character exists as little more than an ideal, it still works. Bardem is, for once, the comic relief, playing an entrancingly funny motormouth who is the polar opposite of his last McCarthy character. He is the one who has the most fun with the dialogue and despite English being his second language, he nails Cormac's every nuance. Pitt's Westray is laid-back yet high-strung, and seems an easy fit for the actor, giving every line a wry twist. But the true revelation is Diaz's against-type turn. She is the character audiences will remember most of all, and not just because of her fornication with a Bentley (it makes sense in context . . . I think). There is a hard, wicked steel in her performance, almost predatory. There are other memorable turns, like Ruben Blades's one-scene wonder and even Dean Norris of Breaking Bad fame, that make this a truly sumptuous ensemble.

The Counselor is not an easy watch, both because of its violence and because Scott and McCarthy (I have to credit both men; it feels like such a collaborative creative effort) don't dumb it down. It's a simple story, but it's also one that feels like Scott's most mature work. It isn't without its flaws (certain scenes run on a bit long, while others feel a bit short-changed), but The Counselor results in a perverse viewing that is, in a word, unforgettable.

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What was the point? cashmccall
Why did Laura park so far from the exit of the parking deck? buttergotch
The Counselor huge movie fullmoon9
Malkina's motivation? raven_dark64
Penelope, the polo match, the ring, and crumbs RoyHobbs
Did ppl actually see the movie...? graulaw
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