Ex-criminal Jacob Sternwood is forced to return to London when his son is involved in a heist gone wrong. This gives his nemesis, detective Max Lewinsky, one last chance to catch the man he's always been after.
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
A rich and successful lawyer named Counsellor is about to get married to his fiancée but soon meets up with the middle-man known as Westray who tells him his drug trafficking plan has taken a horrible twist and now he must protect himself and his soon bride-to-be lover as the truth of the drug business uncovers and targets become chosen. Written by
Earlier in the movie when the truck full of drugs was being taken by the two men who stole the starting mechanism, the driver's door is white. Later, when they are involved in the shootout with the two fake cops, the door is grey as it's being hit by bullets. Later when the truck is being refurbished, the grey door is removed and the white door is being put on. See more »
I can see you're blushing. OK, we'll change the subject.
We'll talk about MY sex life.
Just rattling your cage. What a world.
You think the world is strange?
[expression becomes disdainful]
I meant yours.
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If you believe that the test of a film is the use it made if the talent available, then The Counsellor is sure to be among this (or any other) year's worst movies. After getting his fair share of praise and love (justifiably so) for his achievements as a novelist, Cormac McCarthy's first-ever film script is laughably bad and a total embarrassment. I'm no youngster but anyone who thinks that a novelist can START writing screenplays at 80 needs to think again. I was overwhelmed by the lack of structure, incoherence of plot and sheer pomposity of the characters. Who knew that murderers from the drug cartels ruminate on philosophical aspects of life an death, morals and consequence? In any event, time for director Ridley Scott to start thinking about new horizons as well. Every single episode of his TV produced series "Numbers" was better than this film. What's left after a terrible script and a bad director---bad acting! Everyone involved, including many award winning and nominated actors gives a career worst performance. I was really angry during the movie and became angrier when I thought about the sheer waste of so much talent. Since I dislike reviewers who give movies a "1, I'm going with a "2" but only because Cameron Diaz made love to a Ferrari. I ain't kidding.
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