In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
Jarrod and his pregnant girlfriend Elaine travel to Los Angeles to meet his old friend and successful entrepreneur Terry, and his wife Candice. Terry gives a party in his apartment for ... See full summary »
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
In an America wracked by crime and overcrowded prisons, the government has sanctioned an annual 12-hour period in which any and all criminal activity-including murder-becomes legal. The police can't be called. Hospitals suspend help. It's one night when the citizenry regulates itself without thought of punishment. On this night plagued by violence and an epidemic of crime, one family wrestles with the decision of who they will become when a stranger comes knocking. When an intruder breaks into James Sandin's (Ethan Hawke) gated community during the yearly lockdown, he begins a sequence of events that threatens to tear a family apart. Now, it is up to James, his wife, Mary (Lena Headey), and their kids to make it through the night without turning into the monsters from whom they hide. Written by
Americathe near future: the annual 'Purge'a 12-hour period where all crime is legalisedturns into a nightmare for a wealthy family who had hoped to spend the time in the safety of their heavily fortified home.
The Purge has been the victim of a lot of negativity, but I found it to be a well-executed thriller with a satirical edge that deliberately adopts a far-fetched premise in order to take a pop at the USA's culture of violence, its undercurrent of racism and a legal system that favours the rich.
I imagine that much of the hate comes from Americans who simply don't like the messages the film so effectively illustratesan understandable reaction, perhaps, but sometimes its good to take a long hard look in the mirror, and if you don't like what you see, do something to make a change.
On a more shallow note, the action was suitably hard-hitting, with the snooker room fight being particularly bad-ass, and both Lena Headey and Zoey Sandin are total babes.
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