A quiet, sweet tempered housewife endures small slights from her well-educated husband and daughter every day because of her inability to speak and understand English.A quiet, sweet tempered housewife endures small slights from her well-educated husband and daughter every day because of her inability to speak and understand English.A quiet, sweet tempered housewife endures small slights from her well-educated husband and daughter every day because of her inability to speak and understand English.
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English Vinglish is undoubtedly a movie about the Family, the children & their attitude towards their parents, the husband who does not see his wife skills and potential beyond a born Laddu Maker and yes, it's about a mother who lost her identity as a woman in the society after marriage being a house wife, as her world does not go beyond her family.
Shashi Godbole (Sridevi) is a simple middle class housewife living with her husband Satish (Adil Hussain) along with her daughter Sapna and a son named Sagar in Pune, India. She is an excellent cook searching for her own respect among children and husband due to poor understanding of English language. One day she got the call from her sister to visit New York to attend her daughter's wedding, but she was reluctant to go alone because of her poor English language, thou she finally agreed on her husband's persuasion. In New York, during her visit to a café she felt humiliated due to her understanding of English language which brought a reason for her to fight against the odds and make a place for herself. She left from there and suddenly saw an advertisement for four weeks English speaking classes and that's how she got the way to prove herself by learning a language which is global now and a synonym of 'Being Modern' in Indian societies called English, for Her VINGLISH.
Overall, English Vinglish is a memorable watch for the genuine script, superb performances, nice music and definitely the feel good factor it has. In Last scene, Shashi requests the air hostess a Hindi newspaper in English Language, and that's we called in Sridevi's MJ Style without getting 'Judgemental' –YoOO.
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English Vinglish is the story of Mrs Shashi Godvale,a regular home-maker from an upper middle-class household whose life revolves around doing the regular household chores. Alongwith homemaking she keeps her passion for cooking intact and within the homely set-up started a small scale business by making laaddoos. Her potential never gets the due diligence from either her indifferent husband who seem to get charged up only in bed, or her daughter who is ashamed of her mother's lack of English knowledge. It seems her lack of sophistication has even crafted the gap with her husband. She is more connected to her little son and her caring mother-in-law. Under circumstances she lands up in New York for her elder niece's wedding and eventually in an English tuition class and the story follows how her life changes thereafter. Learning a new language is symbolic of a key to regain her long lost confidence and self-esteem.
Gauri Shinde's directorial debut needs to be applauded for the sheer treatment of the film. She wrote a dignified script which never crossed the line becoming overtly-dramatic. Her skill lies in passing a relevant message without getting didactic. The film re-iterates the importance of woman in our lives. In fact it is dedicated to all the middle-class housewives who are never valued in their own household in this patriarchal society.Mrs Godvale showcases pathos of all such women who are dying under the burden of inconsequential existence even though they have significant potential unexplored. Shinde's script does justice to all the characters. The characters are simple and relatable. Mr Godvale is never depicted as a wife beating devil or an infidel husband. He is just a regular working professional who has lost interest in her wife due to cultural differences and sadly that's the scenario of most arranged marriages (still) happening in our country where the wife is not at par as husband in terms of social strata. Such a marriage becomes a compromise, unsigned deal where physical proximity is rampant but the mental bonding is like searching meaning in a RohitShetty film.
The English tuition reminds us of famous yesteryear serial "Zaban Sambhalke" where genius Pankiaj Kapoor played the Hindi teacher. There we had hybrid of cultures which created hilarious sequences due to their differences but by the end they got united under the umbrella of a common language. The setting is similar here and the students here are well-edged characters who help in elevating the pace of the film. With mixture of various cultures the experience that comes out is satisfyingly hilarious. Using the back-drop of the tuition class Shinde throws subtle hints on different issues like Indo-Pak peace, tolerance towards homosexuals and understanding them etc. She even used this medium to hint on the hypocrite mindset of male dominated Indo-Pak society as they verbally attacked the French student for openly admitting his soft corner towards Shashi. The relationship between Shahshi and the french student Laurent reminded of relationship shown in WoodyAllen's films. As she converse in Hindi and he reciprocates in French, there seem to be exchange of bouquet of emotions even though they are alien to each other's language. That's the power of feeling and mutual respect which Shashi wanted from her husband. Shashi & Laurent relationship remained as sweet and subtle as the rest of the film. The film can be summarized in one statement of Godvale where she sadly exclaimed that she doesn't need love; she needs Respect. It seems majority of the woman of India is speaking through her and with watery eyes I remember my own mother.I had even lost the opportunity to hug her and openly express my love for her which I never did while she was there beside me
Technically the film is well edited by Hemanti Sarkar. The scenes never looked dragged. Utekar's cinematography added the feel-good factor without swaying into K Jo style of escapist extravaganza. Amit Trivedi's music is, as always, rocking. He manages to surprise with every film and his music syncs with the mood of the film, never looking like a separate music album unlike most music directors' scores. Swanand Kirkire is a gifted lyricist and he proved his mettle yet again.
And special mention to casting directors (Rita & Sean Powers) who came up with some brilliant and off-beat cast for the film. Sridevi is plain brilliant as Mrs Godvale. I was never a Sridevi fan but was amused by her potential which I felt was never utilized to the fullest barring few films. She looked confident and underplayed her role to suit the character. Adil Hussain as her husband is expectantly efficient and did justice to his NSD degree. One of the finest actors, I sincerely hope this film opens more doors for him. Experienced French actor Mehedi Nebbou was fantastic in the role of Laurent and expressed with his eyes. His equation with Sridevi deserves mention. Priya Anand is spontaneous as Shashi's niece who instills confidence in Shashi's character. Cory Hibbs is rocking as the English teacher. The whole bunch of actors as the students of English tuition are superb. Rest of the supporting cast are all splendid especially the adorable kid who played Shahshi's son. Amitabh Bachchan is present in a meaningful cameo in the flight scene.
Overall English Vinglish is a simple and linear yet effective,a touching story of majority housewives of our previous generation. While we are heading towards a more independent society we sincerely hope the mindset towards our woman changes so that we can Really be Proud of our culture and parampara.Hope the time is not far away with more Godvale's understanting their worth and fighting to earn back their dignity rather than letting oneself to be a subject of sympathy.
How important are the feelings of those, who do not know a language that we speak so much. Is it right to belittle those for they can be good in something else? Is it right to disrespect parents and feel embarrassed when they do not know English?
More than anything else, this is the tale of a mother who is being deserted by her kids and husband for she does not know a language that they all speak. And she learns it to redeem her respect. I loved the way Sridevi carried herself and am so very happy seeing her back on the silver screen which she set ablaze many years ago with films like Chandni, Mr. India and Chaalbaaz to name a few. Sridevi is indeed the best part of this film, as she has a poise that subdues the flamboyance and the stardom of her and gets her into the character. So what I saw here was Shashi (Sridevi) more than Sridevi and that's great to begin my review with.
If you loved a movie like PAA, then there are definite chances that you may love this too, coz it takes the simplicty from there and applies the same to a different story. I loved PAA, so I loved this one too. But even if you dislike PAA, try this and you may have a surprise then.
The good thing of this movie is it's writing, take that scene in which Shashi gets a call from her daughter when she was looking for her scrapbook, and here it is
Shashi : "Maine use chupaya taaki main bhi na padh sakoo" Daughter :Padhna Aaye tab na"
That is, "How can you read, when you don't know"
The supporting cast has also done well from a French cook to a Pakistani guy, they all teamed up well, but it has it's share of not so likable or rather preachy moments like the teacher being gay. But I will give in to all that, coz it is done quietly and not making fuss.
Be it the climax, it was done in a subdued manner and that is why it was beautiful for me.
I love this film for its simplicity and for just one reason "SRIDEVI" all the other technical departments did their job superbly but "SRIDEVI" did something really beautiful. Even the way she walked on those streets was graceful. Also, a mention to music and Amit Trivedi has given beautiful music.
Thanks Gauri and R Balki for giving SRIDEVI back to us with this. And thanks to SRIDEVI for doing this film. A 4/5 for this.
I'm talking about Sridevi's comeback to cinema, having retired some 15 years ago to raise her kids. And this leave of absence surely helped her in her protagonist role here, but more on that later. For those unaware, like I was previously, Sridevi is arguably the best actress Indian Cinema has produced over the last few decades, and it is only today that I fully understood why. Her performance as Shashi, the traditional Indian housewife, is impeccable, and the littlest of nuances put into her role, reaped results in the manifold. As a line of dialogue described, her eyes are like coffee drops in a saucer of milk, and that in itself is an understatement.
Charisma is something that you have, or have not, and Sridevi's presence is something that arrests your attention immediately when she comes on screen. Carrying the entire movie, it's unbelievable to think that she's pushing 50 already, as her performance here will probably inspire many actresses of today's generation sit up and take note, to realize that they still have a long way to go to reach a fraction of her level. I'm sold, impressed, and very eager to catch up on her filmography to see what more she had to offer during the 80s and 90s when she was at the peak of her popularity then.
Her comeback in English Vinglish is a casting coup for its filmmakers, and let's not forget Shinde's story which was custom fit for her as well, playing the role of a mother, which probably made it quite an easy transition back to the industry. But it's an important role because one of the key takeaways from the narrative, is how we often take those who love us for granted, and as part of the process, inadvertently hurt them too. We may not realize it, or sometimes we do, but these hurt will likely be the worst possible. A callous word and a careless comment go a long way, and is difficult to, or sometimes cannot be taken back.
It's something many of us have been through and experienced, regardless which side of the equation one was on, where respect does not get accorded, and where words go out to make others feel small about themselves. In Shashi's case, this happens to be her lack of command in the English language, perceived to be an ability of social status, made quite unbearable when her children thinks it so, and when her husband (Adil Hussain) also gets in on a private joke with their daughter.
The film's story worked on many layers, and what I especially admired is how Sridevi becomes the spokesperson for lessons without being too overt about it, save for the ending speech that hammers in the emotion, and is sure to make your eyes well up. It deals with, on a macro level, how as humans we should be helpful and tolerant to those who don't speak our language or understand our culture, that one shouldn't be made to think one's superior just because, or make the other look small. And on the more micro level, the structure of the family and its importance. All these and more, told through a story about a woman finding her inner strength to stand out, stand up and be counted, building and reinforcing confidence that she's more than just a Laddoo machine.
But social factors aside, the more obvious ingredient that's put into the movie, is the Mind Your Language type scenes when Shashi enrolls herself into an English crash course to learn conversational English in four weeks. Instead of Mr Brown, there's Mr David (Cory Hibbs) the teacher (whose sexual orientation again highlights the differences in the human race and the need for tolerance and acceptance), and a motley crew of classmates from various parts of the world bonding together. From a woman who centered her life around family, building a network of friends became something of a lifeline of sorts, in keeping life interesting through the sharing of experiences, and of course, food.
English Vinglish has everything a typical Indian film contains, from comedy to romance - handled with such maturity - culture and language. What more, it has Sridevi's remarkable return, showing why she was, and still is, one of the iconic female actresses ever to grace the screens of Indian Cinema. A definite recommendation, and though formulaic at parts, is delivered with such slickness, that I'd shortlist it as one of the best this year.
Storyline
Did you know
- TriviaThe protagonist, played by Sridevi, was inspired by Gauri Shinde's mother a Marathi speaking female who was not fluent in English and ran a pickle business.
- GoofsIn the movie, the wife is seen using the PATH train system and talks about going to 22nd St. Station. There is no such station in the PATH system or in the New York subway system. The closest would be the PATH 23rd St. Station.
- Quotes
Shashi Godbole: When you don't like yourself... you tend to dislike everything connected to you. New things seem to be more attractive. When you learn to love yourself... then the same old life... starts looking new... starts looking nice. Thank you... for teaching me... how to love myself! Thank you for making me... feel good about myself. Thank you so much!
- ConnectionsFeatured in 14th IIFA Awards (2013)
- SoundtracksNavrai Maajhi
Written by Amit Trivedi
Performed by Sunidhi Chauhan Swanand Kirkire Natalie Di Luccio 'Neelambari Kirkire'
- How long is English Vinglish?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Tiếng Anh Là Chuyện Nhỏ
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,862,086
- Opening weekend US & Canada
- $745,414
- Oct 7, 2012
- Gross worldwide
- $10,299,150
- Runtime2 hours 14 minutes
- Color
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