An Indian Intelligence agent (portrayed by John Abraham) journeys into a war torn coastal island, to break a resolute rebel group. He deftly maneuvers his resources to make significant ... See full summary »
In Mumbai, affable Bollywood buff and wanna-be-actor Sunny, who works as an assistant director, fantasizes on becoming a heart-throb star. However, at every audition he is summarily thrown ... See full summary »
Deepak Sing is a farmer in Rajasthan. After a tragedy, he migrates to Mumbai with his wife and child to lead a better life. However, upon arriving, he soon discovers the challenges of life in a big city.
Shahid traces the true story of slain human rights activist and lawyer Shahid Azmi. From attempting to become a terrorist to being wrongly imprisoned under a draconian anti-terrorism law to becoming a criminal lawyer Shahid traces the inspiring personal journey of a boy who became an unlikely messiah for human rights while following the rise of communal violence in India. This story of an impoverished Muslim struggling to come to terms with injustice, inequality and rising above his circumstances is an inspiring testament to the human spirit. Written by
style of Sinclair Lewis, or on a really good day, John Grisham
Hansal Mehta's SHAHID, in Hindi, begins with the murder of a lawyer in his office. His first name, Shahid, which also means 'martyr' indicates that he was Muslim. We flashback to the riots in the early 1990s in which he is caught up, causing him to train with Muslim militants in Kashmir. This is not the Kashmir of so many Hindi film songs and dances, but of narrow roads cut into enormous cliffs, the rocks overhanging them.
Shahid runs away from the training camp when he is forced to witness the beheading of a turncoat, is arrested in Delhi, and in Tihar Jail must choose between siding with terrorists again or continuing his former law studies.
He chooses the latter, but on release finds that the law is a double- sided game. So he starts his own practice and takes on only the cases he wants. One is of a woman whose mother-in-law wants her house; we learn later that she is divorced, has a child, and that Shahid wants to marry her. He does, and his family reluctantly agrees. But the majority of his cases favor Muslims who have been falsely accused of terrorism, as we move through more terrorist attacks over time, including the 26/11 attack on the Taj Hotel. In every case shown, including the one involving the house, he receives phone threats, until ... This is a very serious film, more like a novel that what we usually think of cinema, in the style of Sinclair Lewis, or on a really good day, John Grisham.
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