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As Tobias, a young director, supposes that his girl-friend Ellen had an affair with his brother Markus, front man of "Hansen", one year ago, he decides to shoot a documentary about the ... See full summary »
A film about life's problems and the love affairs of two men and women in their twenties. They pretend to suffer from the mediocrity of their lives but in fact try to cover their own lack ... See full summary »
Edgar, a convicted serial killer, is told by the female prison doctor that he will die of a brain tumor within days. Holding her hostage he manages to escape intending to quietly enjoy his ... See full summary »
A German couple with a teenage son struggling with their marriage has moved to Kirkenes in the far North of Norway to save their relationship, in an exciting environment where the sun doesn't go down during night at summertime, and where two months of winter have no daylight. Then a horrific accident occurs, when the fabulous Northern lights distracts her while driving home after a night shift, ands she hits something with the car. Thinking it was an animal, she is shocked when she realizes it was a girl she ran over. But no-one has seen her, and no-one knows. The couple agree upon not telling anyone about who is responsible, and the secret blows new spike into their relationship. But can this go on like this? Written by
European (or at least German) cinema isn't exactly known for its genre blockbusters. Most of it are silly comedies or dead-serious dramas, often historical. These usually come across (to me) as pretentious and unauthentic, screaming to be taken seriously while mostly failing at visual storytelling.
This movie seemed to fit right into that category. Surprisingly, it doesn't. While there were some moments in the movie where I thought it was a bit constructed, it felt very honest overall. It takes itself serious, but also its audience and medium. It is real cinema, gripping and atmospheric, but also not over-styled. Desipite it's substance matter it's not a talking-heads movie, but knows when to let the visuals and music talk for themselves.
If you have seen the trailer, you probably already know a bit too much. On the other hand, the movie really isn't about any plot-twists or spectacular effects, and it thankfully avoids those and other clichés completely. It should be noted that it is rather slow-paced, and some plot-points are left open, but that's very likely all deliberate and very fitting. The only real complaint I have is the jarring Apple product placement. That was so out of place I wanted to throw up.
One more thing: Note that the title is "Mercy". Some critics talk about forgiveness in relation to the story, but without spoiling anything, that is precisely NOT what it is about.
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