In King's Landing, Tywin Lannister and Lady Olenna meet to discuss his children's proposed marriages. She puts up a good fight but in the end is forced to admit defeat. Tyrion and Cersei bemoan their fate. Tyrion is forced to tell Sansa what his father has decided. Baelish meanwhile eliminates a spy in his midsts. Arya takes an immediate dislike to Melisandre when she arrives at their camp. That dislike grows when she learns Melisandre is taking someone away with her. Jaime negotiates his release and return to King's Landing. Robb, his army depleted, realizes he has no choice but to repair relations with the Freys. However, since Robb didn't marry one of the Frey daughters as promised, they demand Edmure Tully marry one of them instead. Jon, Ygritte and many others arrive at the Wall and begin the 700 ft. climb Written by
The conversation between Thoros and Melisandre is the first time High Valyrian has been identified as such, and also the first time it featured in an extended dialogue. See more »
When Jon and Ygritte reach the top of the wall you can clearly see there is a hook with a line on top of the wall. It makes no sense as they have been climbing up and opening the way as they went, that would make sense if they were about to descend or otherwise somebody put it there for them to climb which is not the case. See more »
My stomach remains quite strong, however. The only thing that might turn it are details of your grandson's nocturnal activities. Do you deny them?
Oh no, not at all. A sword swallower through and through.
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Written and Performed by Ramin Djawadi See more »
One of the quieter more contemplative episodes in this outstanding season, episode 6 might not have brought your jaw to the floor as many of the other episodes this season but it had a quiet grace. The perfectly titled "The Climb" provided much to think about. Contrasting themes of order and chaos, cynicism and optimism. The final 10 minutes provide perhaps one of the most beautifully shot contrasts of worldview ever done. A contrast between a cynical view of life and an optimistic one, Littlefinger's monologue strikes the viewer in its overall harshness and unfortunate plausibility - that mostly people delude themselves in life, spoken over such convincing supporting visuals as only game of thrones can provide. This scene is immediately followed by a final scene which contrasts this viewpoint that is so beautiful and touching that the viewer feels nearly uneasy. In any other show the final scene could have become meaningless sweetness but in game of thrones it resonates, because we realize that true happiness is rare and fleeting, but we hope that it lasts, we hope Littlefinger is wrong, though we realize, especially in the world of Westeros, he is most probably right.
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