Chris Stone has created something fascinating and original, which blends the old tropes of vampires with the tale of a man's hunt for his lost brother. Vampires are at large in Stoke, feeding on the unwary and dragging their bodies off to goodness knows where. Behind it all is Linus Hemlock (David Lemberg), the man behind the Hemlock pottery which makes perfect and strong bone china at knock down prices. His vampire slave, Victoria (Lara de Leuw), has been hunting, and her victims include Doctor ('I'm not a Doctor, I'm a vet!') Howell's (Anthony Miles) brother. Howell joins forces with feisty reporter Anna Fitzgerald (Rachel Shenton) to try and get to the bottom of the mystery. Along the way they are attacked by vampires, join forces with hunter Alexander Pyre (John James Woodward), meet up with a band of Steampunk Victorians, and battle creatures of the night in Hemlock's pottery. All great stuff.
What is incredible is that Stone has created this film on a micro budget - BUT IT DOESN'T SHOW! There is minimal CGI that I spotted (some neat eye effects towards the end), and some superb performances, great settings and location work. The camera-work is excellent, and the script which, while in places shows it's webcast roots with a little to much retelling of the plot, is generally first class.
There is a standout performance from - I think - Lewis Brindley as the young boy Aaron. He steals his scenes and gets the best laugh of the film. But everyone is really top notch. Kudos to Rachel Shenton as Anna, who manages to bring a modern girl kick ass sensibility to a Victorian reporter, and to John James Woodward for his creepy and yet brilliant vampire hunter.
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