A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
After receiving word that Alan has been wounded in war, Avery must find in herself the strength to hold together the family who has accepted her, while combating the rising trepidation of her love never returning home.
Gavin Lambert Clarke
A live Metallica concert backed by a 80 piece symphony orchestra, conducted by Michael Kamen. Two songs are debuted, "- Human" and "No Leaf Clover". A documentary is included. It also was released on audio CD.
A tale about a strange young man, Bulcsú, the fellow inspectors on his team, all without exception likeable characters, a rival ticket inspection team, and racing along the tracks... And a tale about love.
A newbie guard for an armored truck company is coerced by his veteran coworkers to steal a truck containing $42 million. But a wrinkle in their supposedly foolproof plan divides the group, leading to a potentially deadly resolution.
Set in a future in which robots are as ubiquitous as pets are today. And Ii you don't make your robot loan payments, your mechanical best friend will be repossessed by people by Lee, a repo... See full summary »
A truly magnificent, astonishingly ambitious project
Before anyone starts going off-topic in the comments, yes, I'm a fan. I also understand the irony of starting with that statement. My point: this is a review of a cinema experience. An outstanding one. Made more exciting to me because it happens to be by and about my favourite band. This is NOT a discussion of the merits of said band's existence. Although it will strike a mighty blow for Metallica when those arguments do inevitably come up, hopefully elsewhere. Moving swiftly along...
This is just a truly mind-blowing sensory overload. Never has a band showcased their live performance with such an ambitious, technical, multi-sensory project. I wouldn't have even thought it possible. They don't just use the handy 3D technology to add gimmick to the next in a long line of live video releases. No. Metallica have pushed the boundaries of the technology itself, and added dimensions to what we see as possible within the realm of 3D cinema.
I had the privilege of chatting with Lars about this when they played some shows here in March, and he described it as their "attempt to truly showcase what they do and who they are." Man, does this emphatically succeed.
The stage is a kind of mutant super-setup, comprising video screens, pyro, tesla coils and the best parts of everything they've ever done in their live shows. As the audience, you're in/on/under/part-of the stage, alongside the band, in glorious 3D.
And, it's tasteful. In as much as Metallica at their tightest, hardest, loudest, biggest and fiercest can be "tasteful."
As for the little story within what is really the best ever technical and technological presentation of a rock concert, it's a lovely compliment to the energy of the performance itself. I don't wanna give-away too much, but as the show begins, a young roadie is sent on an errand. Things go badly (surreally and beautifully) wrong. It's not just exhilarating, but wonderfully interwoven with the songs and the "storylines" within them.
I'm proud to have seen Metallica live seven times. I count this as the eighth. And it probably ranks fourth amongst those eight live (or, in this case, damn-near live) experiences. Truly, truly mind-blowing.
Metallica have truly - and astonishingly - documented what they do and why they are the very best there's ever been at doing it.
Essential for fans, and absolutely worthwhile for all but the most hateful of heavy music in general. Bravo.
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