Dying of brain cancer, a dangerous international spy is determined to give up his high stakes life to finally build a closer relationship with his estranged wife and daughter, whom he's previously kept at arm's length to keep out of danger; but first, he must complete one last mission - even if it means juggling the two toughest assignments yet: hunt down the world's most ruthless terrorist and look after his teenage daughter for the first time in ten years while his wife is out of town. Written by
This American spy movie was predominantly shot in Paris, France with a predominantly French production crew. See more »
Before Vivi gives Ethan the Glock 17, she places the slide in the locked-back position using the rear grip to pull back the slide; i.e., she did not manually place the locking pin in the locking grove. Locking the slide using this method can only be done if any empty magazine tube has been inserted in gun. Essentially, Vivi gave Ethan an unloaded gun. See more »
Mr. Director, this is Agent Vivien Delay.
For the last ten years the Central Intelligence Agency has been after Wolfgang Braun.
As you know, we have no positive identification of what the Wolf looks like. What we do know is he's a former German national who sells atomic material to terrorists all over the world.
Intelligence confirms that a transaction is to take place next week in Belgrade.
[throws down pictures]
The Wolf's number one man, the Albino, will be selling a ...
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I didn't know what to exactly expect from 3 Days to Kill, a film produced by Luc Besson and directed by McG. Both filmmakers once made audacious and innovative action films, but as the years went by, they seemed to have lost their "magical touch". Would 3 Days to Kill be a continuation of that tendency, or would it be a perfect combination of talents which would take them back to the top? I'm afraid that the answer ended up being the former. The "retired man (cop, thief, spy, plumber, etc.) who has to come back for one last job" premise is well known, and it can bring good results when it's properly handled. And the addition of family melodrama can be employed to humanize the hero. The screenplay from 3 Days to Kill employed all those elements, but they are so badly implemented that they end up hindering with each other instead of complementing. The spy intrigue is developed with an unbearable slowness and isn't interesting at all. The main character's relationship with his daughter seems taken from a bad sitcom, and it can never evoke credible emotions, not to mention that the girl is so whimsical and antipathetic that she doesn't inspire too many wishes in us to see her reconciled with her father. On the positive side, Kevin Costner brings a solid performance and shows a competent physical development during the action scenes. Despite him, 3 Days to Kill is a horrible action film, and a total waste of time. I know that many people hated the frantic style McG used to employ (I personally liked it), but it would have brought some life to 3 Days to Kill, avoiding it from being a pathetic collection of clichés, completely anonymous and without any energy.
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