In a world divided by factions based on virtues, Tris learns she's Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late.
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
A dangerous international spy is determined to give up his high stakes life to finally build a closer relationship with his estranged wife and daughter, whom he's previously kept at arm's length to keep out of danger. But first, he must complete one last mission - even if it means juggling the two toughest assignments yet: hunting down the world's most ruthless terrorist and looking after his teenage daughter for the first time in ten years, while his wife is out of town. Written by
There's not much to recommend this film. Neither the acting, direction, script, music, or photography offer anything new to the genre, and in some cases, it is far below average. Among the actors, only 18 year old Hailee Steinfeld (she plays Costner's daughter) stands out. You'll remember her from "Enders Game" and "True Grit" and I thought this was her best performance to date. Costner has played this role so many times before he's obviously bored with it, and it doesn't even begin to approach his work in "The Bodyguard". Amber Heard is completely miscast, and even if she weren't, the dialog and the crazy costume changes would be difficult to overcome. Indeed Heard's costume changes are a metaphor for the film itself, which doesn't seem to know whether it is a comedy (in which case it fails), an action thriller (which is far too long and not too thrilling), a romance (without much spark by anyone), or just a plain family adventure (with too much violence).
Luc Besson provided the story and the screenplay. Besson is a gifted writer with such marvelous credits as "La Femme Nikita", "Leon" (aka "The Professional"), "The Fifth Element", and "Columbiana". He also wrote "Taken", "The Transporter", and "Kiss of the Dragon" which weren't as good as the first group, but still well above average. This film has elements from many of his previous works, but the stitching comes loose in this one. Most of Besson's best films he also directed, so perhaps the problem lies there. Or perhaps it lies with director McG who is primarily a TV director and producer. Indeed, the film's uneven tone was clearly one of the major problems with his "Chuck" series.
Give this one a miss. Apart from the many on location shots of Paris, there's not much to recommend it.
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