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Ethan frequently uses a silencer on his Glock 17. In order to use a silencer, the barrel needs to have threads to screw the silencer to; which makes the barrel longer. In scenes where the silencer is being attached and used, a longer barrel is clearly visible. In scenes where the silencer is not used, the barrel is the standard length. See more »
Mr. Director, this is Agent Vivien Delay.
For the last ten years the Central Intelligence Agency has been after Wolfgang Braun.
As you know, we have no positive identification of what the Wolf looks like. What we do know is he's a former German national, who sells atomic material to terrorists all over the world.
Intelligence confirms that a transaction is to take place next week in Belgrade.
[throws down pictures]
The Wolf's number one man, the Albino, will be selling a...
[...] See more »
There's not much to recommend this film. Neither the acting, direction, script, music, or photography offer anything new to the genre, and in some cases, it is far below average. Among the actors, only 18 year old Hailee Steinfeld (she plays Costner's daughter) stands out. You'll remember her from "Enders Game" and "True Grit" and I thought this was her best performance to date. Costner has played this role so many times before he's obviously bored with it, and it doesn't even begin to approach his work in "The Bodyguard". Amber Heard is completely miscast, and even if she weren't, the dialog and the crazy costume changes would be difficult to overcome. Indeed Heard's costume changes are a metaphor for the film itself, which doesn't seem to know whether it is a comedy (in which case it fails), an action thriller (which is far too long and not too thrilling), a romance (without much spark by anyone), or just a plain family adventure (with too much violence).
Luc Besson provided the story and the screenplay. Besson is a gifted writer with such marvelous credits as "La Femme Nikita", "Leon" (aka "The Professional"), "The Fifth Element", and "Columbiana". He also wrote "Taken", "The Transporter", and "Kiss of the Dragon" which weren't as good as the first group, but still well above average. This film has elements from many of his previous works, but the stitching comes loose in this one. Most of Besson's best films he also directed, so perhaps the problem lies there. Or perhaps it lies with director McG who is primarily a TV director and producer. Indeed, the film's uneven tone was clearly one of the major problems with his "Chuck" series.
Give this one a miss. Apart from the many on location shots of Paris, there's not much to recommend it.
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