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St. Vincent (2014)

PG-13  |   |  Comedy, Drama  |  24 October 2014 (USA)
7.3
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Ratings: 7.3/10 from 41,710 users   Metascore: 64/100
Reviews: 129 user | 233 critic | 40 from Metacritic.com

A young boy whose parents have just divorced finds an unlikely friend and mentor in the misanthropic, bawdy, hedonistic war veteran who lives next door.

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Title: St. Vincent (2014)

St. Vincent (2014) on IMDb 7.3/10

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Nominated for 2 Golden Globes. Another 5 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Terry
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Donna Mitchell ...
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Shirley, Sunnyside Administrator
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Reg E. Cathey ...
Gus
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Storyline

Vincent is an old Vietnam vet whose stubbornly hedonistic ways have left him without money or a future. Things change when his new next-door neighbor's son, Oliver, needs a babysitter and Vince is willing enough for a fee. From that self-serving act, an unexpected friendship forms as Vincent and Oliver find so much of each other's needs through each other. As Vincent mentors Oliver in street survival and other worldly ways, Oliver begins to see more in the old man than just his foibles. When life takes a turn for the worse for Vincent, both them find the best in each other than no one around them suspects. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Taglines:

Love Thy Neighbor

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including sexual content, alcohol and tobacco use, and for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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|

Release Date:

24 October 2014 (USA)  »

Also Known As:

St. Vincent De Van Nuys  »

Filming Locations:

 »

Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend:

$109,878 (USA) (10 October 2014)

Gross:

$44,134,898 (USA) (27 February 2015)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the beginning of the movie Vincent is seen at home with the television on with an episode of Golden Girls showing. That episode playing just so happens to be the one where the 3 main characters (Dorothy, Rose, and Blanche) get accused of being prostitutes. See more »

Goofs

When Oliver is gathering the facts about Vincent in Viet Nam from those who knew him, he is told that Vincent was a "Sergeant Major". Then, he's told about Vincent saving the guys in his unit and being awarded a bronze star. However, when they show the picture of him getting his Star from President Johnson, there are 2nd lieutenant bars on his collar. Also, born in 1946 and going into the army at 18, would make Vincent a maximum 23 yo when Johnson left office. No one can make Sergeant major in 5 years, not even in a war; though he could have gotten a field commission to 2nd lieutenant. See more »

Quotes

[first lines]
Vincent: So this Irish guy knocks on this lady's door and says, you know, "Have you got any, uh... Any, uh... work for me?" And she says, "Um, well, you now, as a matter of fact, you could paint the porch." But two hours later, he comes back and says, "I'm finished, ma'am, but just for your information, it's not a Porsche, it's a BMW."
[bar patrons stunned]
See more »

Connections

Featured in 72nd Golden Globe Awards (2015) See more »

Soundtracks

Hard to Find
Written by Aidan Dolan & Marc Copely
Performed by JD & The Straight Shot
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User Reviews

A Sweet, Lovable Film
25 October 2014 | by (United States) – See all my reviews

BY RYAN C. SHOWERS

If you have seen the trailers for "St. Vincent", you probably think avoiding it at all costs is the best option with the film's release. The judgmental thoughts I had with the previews were: recycled storyline, serious actors taking "lesser" roles, and award season junk. But that really wonderful thing happened to me while watching "St. Vincent" where all my preconceived notions dissolve and the film revealed proffers an sweepingly enjoyable time at the movies. It looks like every area of the film could be a disaster, but mostly everything in the new comedy moves fluidly.

Three or four times, "St. Vincent" really stumbles, completely misfiring an already risky move. The first of these blunders is when Vincent fights a group of punks bullying Oliver in an alley-- even the trite set-up of the scene sounds like its asking for criticism. The whole screenplay has a sense of predictability, but director Theodore Melfi makes your see past the stale clichés and reminds you why audiences were so moved by these overused plot devices for years and years. (Melfi's directing is well completed, shooting and editing the film adequately.) Accepting the screenplay's banal set-up will allow you to see the acutely written dialogue in "St. Vincent". The film's climatic pay-off is the best example of vigorously written, directed, and acted dialogue through a speech recited by Oliver.

A selling point for any comedy could be the ability to make the viewer really laugh. Not giggle, not smile from the film's cleverness, but an erupting, uncontrollable laughter that captures your mind in bliss. Time after time, "St. Vincent" made me laugh like this, out loud. It runs the gambit over all methods of comedy: physical gags, one-liners, banter between actors, situational comedy, and awkward moments. The actors and execution are responsible for creating comedy where there may not have been any to begin with, yes, I'm looking at you, Naomi Watts.

At first sight, Watts made me laugh to myself thinking, "Man, 'Diana' really did a number on her career options, huh?", but the more Watts got to flesh out the character, the more she made me chuckle, and the more I saw her commitment to the obnoxious role. She throws herself into territory where she usually does not trend, as does her co-supporting actress Melissa McCarthy. McCarthy gives the performance with the most value, cranking this character out of the park. She radiates her dramatic talents to extents only hinted at in her more serious roles like Sookie in "Gilmore Girls". Get McCarthy out of films like "Tammy" and "The Heat", and let her pursue roles in which she can create a real person, like she does here.

Bill Murray has been the actor hailed by critics and the selling point of the picture, and he brings exactly what you would expect he would bring to the role: perfect comedic timing, a faultless empathy to the scumbag, and movie star strength to carry the project. But who brings a movie star power more than anyone is newcomer Jaeden Lieberher, who transcends past typical annoying children archetypes.

"St. Vincent" is a sweet, lovable film that grows on you with each passing laugh. It's the most I have shamelessly laughed at the cinema all year.

* * * 1/2 / * * * *


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