A grieving father in a downward spiral stumbles across a box of his recently deceased son's demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.
William H. Macy
An undercover Detroit cop navigates a dangerous neighborhood that's surrounded by a containment wall with the help of an ex-con in order to bring down a crime lord and his plot to devastate the entire city.
Former race car driver Brent Magna is pitted against the clock as he commandeers a custom Shelby Super Snake Mustang, taking it and its unwitting owner on a high-speed adventure at the command of a mysterious villain on a race against time to save the life of his kidnapped wife. Written by
Picerni's team carried out over 20 air cannon launches. They also executed 25 pipe rims, which involves running the car up a pipe and turning it over. They did 40 turnovers, which is a huge amount for one film. See more »
Damages to the Shelby (dents, scratches, etc.) change often, sometimes disappearing before reappearing differently. See more »
A late night car chase through the cosmopolitan streets of Sofia, Bulgaria; throbbing with that distinct and exotic coolness European cities exude when darkness falls... it's an idea that could have been executed very well. Unfortunately not in the case of Getaway, which instead slaughters the idea so poorly you can't help but feel sorry for it.
Everyone loves a good car chase. You won't find one in Getaway though. All the chase scenes are nothing more than a nauseating rapid succession of very brief cuts. It's literally impossible to get a wider picture and understanding of what is going. Many scenes could have been quite impressive if they had just been shot at a wider angle and held a longer frame. This does not happen once though. The breakneck speed at which the cuts are made (close up of car headlights-exploding box-back wheel-driver-back to headlights) just doesn't allow the chase to flow and is frustrating to watch. How can one appreciate what's happening when they can't even see what's happening?
Selena Gomez may be trying to break out of her Disney image (and good for her) but that doesn't mean she's suited to every role. Her performance here feels weak and definitely isn't helped by an even weaker dialogue. Ethan Hawke's performance is more believable, but it's only one taste bud of sweetness in the overall bad taste this movie leaves.
There's pretty much zero laughs, the first half is filled with the characters bickering annoyingly, the chase scenes are visually unwatchable, it's painfully unnecessarily noisy and the plot is nothing but mediocre.
Fortunately I viewed the film at an advance screening and therefore given it was free I just felt disappointed, rather than feeling ripped off as I would have had I actually handed over my hard earned dollars in exchange for that mess. I tried my best to enjoy the film, but to be honest all I wanted to do was getaway.
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