Former race car driver Brent Magna is pitted against the clock as he commandeers a custom Shelby Super Snake Mustang, taking it and its unwitting owner on a high-speed adventure at the command of a mysterious villain on a race against time to save the life of his kidnapped wife. Written by
Picerni's team carried out over 20 air cannon launches. They also executed 25 pipe rims, which involves running the car up a pipe and turning it over. They did 40 turnovers, which is a huge amount for one film. See more »
While Magna and The Kid are being chased by police, he keeps telling her to put on her seat-belt, which she never does. Yet, many scenes during the chase show her wearing her seat-belt and then not wearing it in the next. See more »
What on Earth could Ethan Hawke have done that caused the producers of this thing to be able to blackmail him into appearing in this film? In the film, Hawke plays a former NASCAR driver whose wife is kidnapped by some maniac on a phone (Jon Voight). This maniac forces Hawke to drive all over the place, cause large amounts of damage and it's up to the poor viewer to figure out why. GETAWAY is without question one of the worst movies of the year. It takes elements of SAW, TAKEN and DRIVE and puts them in a blender but the end result is just downright horrid. The most shocking thing is the fact that director Courtney Solomon has made one of the ugliest, more boring action pictures in the history of cinema. He has bragged that no CGI was used in the car stunts but it really doesn't matter if it's true because the scenes are so poorly shot and many times it's just one second clips with quick editing, which is just annoying. The entire visual style of this picture seems like some kid got ahold of some editing equipment and didn't know what he was doing. While watching the picture I couldn't help but think of the director and editor in the editing room giving each other high fives and saying "awesome" non-stop. Another problem is the dialogue, which is just downright horrid and it's amazing that actors like Hawke and Voight can keep a straight face while saying it. The performances are even worse with Hawke sleep-walking through the role and every scene just seems like he's wanting to walk away from the camera and go home. Voight pretty much gets to do nothing except talk with a funny accent and this adds nothing to the picture. As for Selena Gomez, I've seen her acting ability before and it's the time I saw a dead goldfish sitting at the bottom of its bowl. GETAWAY doesn't have a single thing going for it but my expectations were low going in. I just never could have imagined that a major studio would release a picture like this into theaters. I'm sure even the low-standards of Cinemax would have turned this thing down.
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