In Fear

In Fear seems like another one of those teen horror movies that lazily throws whatever a generic horror movie usually brings. Surprisingly, it ends up offering more than a typical horror fare. It is basically an indie-horror film that plays mind games with the audience. It's an intriguing concept indeed, it goes a lot of fun when it presents its plot, but it eventually falters when it hits to its twists and turns. In Fear has a great potential at first. The last act may be pretty senseless, but throughout the film is a watchable cinematic perplex.

The film mainly takes place in a car, spending most of the time with the characters talking about their relationship. Nobody knows about their fate as they drive around the woods, which lets their emotions toward the situation manifest the fear. Everything is a mystery, and getting exasperated by the lack of knowing what the threat is what makes the set up pretty exciting. The ride is remarkable when it doesn't rely on the generic horror tricks, just let the atmospheric tone and the perplex speak the horror. And this is why it's a shame for the film to use jumpy sound effects in some part because it quite hurts the terror. But the coldness still takes over the experience.

When it finally reveals the enemy, it totally stops making sense. Though it doesn't really have to make sense as long as it's "scary", but no. This certain twist suffers by its weak villain that forces things to be psychotic, but it didn't work, thus everyone won't likely bother to care much of the story anymore, unless it throws another twist that looks far more interesting than the other. Unfortunately, the conclusion is another mystery to figure out, and that is the least interesting one among the trip. I think it's only great when none of that is ever revealed. When it comes to the filmmaking, everything is all quite stunning. This is pretty obvious for an independent film, but the shots here just makes audience feel like they're sitting in the car with the characters. For the acting, the main two did a fine enough job.

The film currently gets a lot of praise, even a perfect score currently at Rotten Tomatoes, but seeing those hyperboles would just mess up the experience, because apparently the film is best seen if the viewer doesn't have any expectation or idea what it is about. The film would have been greater without knowing the second half at all, but that's just too silly to view it. In Fear is not exactly scary, the tip to enjoy what is happening is to keep it all mysterious. Therefore you'll get a sense of fun and anxiety, even if the conundrum at the finale is something that no one can really ignore.

... just the way I like it ! So yes, of course I will be pretty subjective in this review (but aren't everyone else in theirs, after all ?)

In current horror movie era flooded with zombies, haunted houses and paranormal activities, little movies like this one come as real refreshment. To be honest it's more mystery/thriller/suspense than horror, but nevertheless.

Simple plot (Man and woman in a car, lost in a maze of narrow roads at the countryside trying to find a secluded hotel they reserved on internet), combined with nice visuals and directing/editing is just what I wanted to see from a movie. No two and a half hours of over the top action scenes, no special effects, CGI monsters, ghosts and flying sheets ... just a little mystery and healthy dose of suspense.

Yes, the main protagonists maybe don't do and act how one would expect "normal" people to do in such situation, but it's impossible to predict anyway how "normal" people would behave in every situation. This is good enough.

I must say that I find recent British movies (to name a few I can remember without looking at my voting history: Truth or die, The Seasoning House, The Cottage ...) more appealing to me than ones from Hollywood. I think if you hated "Cabin in the woods" or you're just tired of movies like that, there's a big chance you'll like "In Fear"

It's astonishing how they manage to induce terror with just a couple of actors, a car, rainy weather, and the wilderness. This is a case of low-budget filmmaking done well. Jeremy Lovering is an Edgar Wright collaborator, and his frame choices (with plenty of close-ups of the protagonists' worried faces) instantly draw you into the film. The score is also quite effective and adds to the creepy mood. The plot presents a total nightmare for folks who suffer from panic attacks - travel horror may not be a genre recommended for those people. The storyline progression is somewhat questionable, but the pacing remains apt.

The first key jumpscare happens at an unexpected juncture, and I think the film deserves some points on that front. The entry of the third character deflates the tension to some extent, yet the performances (of all three) keep you invested. Even from a psychological horror standpoint, the plausibility of certain developments lack finesse especially towards the end of the film. Nonetheless, I think it's a solid exercise in building tension and the atmospherics really add to that. If you liked Dead End, there's a good chance you'll savour this one too.

The reactions at the Frightfest in London where this was playing were ranging from "liked" to "totally hated it". There weren't too many people who were completely taken aback by the story (if you can call it that). Two people in a car and "absolute fear". Or something like that. It has its fair share of moments and I wouldn't say it's a waste of time to watch. But I'm pretty sure many people will get fed up with the characters and the twists.

There should've been a little more work on the script and there might have been better dialog and better overall options. The shooting style is optimal for low budget and it did suit the movie. But it didn't elevate it enough to make it something that will stand out. "Them" and a few other horror gems have done terror in a far better way. With characters the viewer is actually rooting for

I don't mind weird when it's done well. Take something from David Lynch or the new UK king of weird Ben Wheatley and it can be mesmerising despite unexplained parts of the plot or mysterious characters. In Fear writer and director Peter Lovering looks to have taken this approach but has got it badly wrong. Many people have already mentioned the holes in the plot, its like a blooming Swiss cheese. Just imagine you have been attacked by a crazee wearing a mask only to escape to the car and race off down the road and then hit someone. would you a( Stop and go back to check if the person is alright or b)get the hell out of there? You guessed it, our intrepid hero and heroin go back. Ridiculous. A man and a woman in a car get the lost in the Irish countryside and strange things happen apparently because of a spilt drink in a pub. The end defies description never mind explanation. Watchable though.