A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to ... See full summary »
Mohammad is sent to an apartment situated in uptown Tehran to install their satellite dishes, while having satellite TV is illegal in Iran. He arrives there with a girl named Shirin who ... See full summary »
What appears to be a grand love story turns sour when parents-to-be discover that their unborn child will likely be born with serious birth defects, as a result of the mother's exposure to ... See full summary »
Shirin is supposed to get married in a couple of hours, but she unexpectedly murders a man. The cause of the crime, rooted in her nightmarish childhood, unravels gradually and the real question emerges: Who is the REAL criminal?
Fifteen year old Taraneh, whose widowed father is in jail, refuses the unwanted attentions of carpet salesman Amir - until Amir's mother talks Taraneh into accepting Amir's marriage ... See full summary »
A Tehran mullah-in-training struggles to take care of his ailing wife and their children in this profoundly moving melodrama. A film of near-universal appeal, it puts a human face on Iran's... See full summary »
Shiva (Hanieh Tavassoli) is the family head and looks after her little son, Amir Ali; a witty and playful boy, in the absence of her husband, Behzad (Reza Attaran) who has committed a ... See full summary »
Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they ... See full summary »
I Am a Mother (Man Madar Hastam)caused some controversy when it was shown in Iran. The reason was that it included a few subjects normally taboo in Iranian films such as characters drinking alcohol & getting drunk and sex between unmarried couples(implied but not shown). The opening of the film where an old lady called Simin (Pantea Bahram) is describing an event to her psychiatrist, is strangely reminiscent of the beginning of Amadeus where Salieri is making his confession. We then flashback to the past where the Simin character has just entered Iran after living abroad for a lengthy period and thereafter we have a social melodrama, very well acted and strikingly photographed in bold primary colors. Both its theme and direction / photography remind one of the films of Douglas Sirk. As the title suggests, its theme is about the sacrifices parents make for their children, with particular emphasis on the Iranian society with its traditions.
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