Sadie dotes on six year old son Jacob. He is her only source of comfort and her only true friend. But, deep down Sadie has always known that there is something not quite right about 'her ... See full summary »
Luis James Farouk,
Recently dumped by his girlfriend for another man, working in a job he hates, things could be better for Peter. One night, while he is alone in his apartment, there is a knock at the door. His life will never be the same again.
Emma Eliza Regan
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Have You Ever Had A Dream So Strange You Were Sure It Wasn't Your Own? Victor is a writer, possessed by a terrifying story as he hunts for four refugee performers of a theatre destroyed in a mysterious fire: Drawn to a remote settlement founded by the mysterious Stronheim, owner of a Factory hidden deep within a dreamlike landscape. Victor finds his friends under the wing of an aristocratic noble and her child-like ward who both watch over the settlement for Stronheim. A dangerous pact is made between Victor and Stronheim. The destroyed theatre will be reconstructed, and in return, Victor must complete the story, no matter the cost. Stronhem requires it to be performed at the village Festival Of Memories, where bizarre rituals are enacted by the villagers under the influence of the Factory's hallucinogenic effluence. Following the dangerous, twisted paths to the heart of inspiration and creativity, Victor's imagination and the fragmented memories and emotions of the performers ... Written by
It was such a wonderful experience and I would hate to be the one to lessen the depth of experience felt by any of you when, as I hope you will, you decide to go yourselves. So I will try to transmit why it is so exciting without ruining the surprise. Easy.
The narrative of the night follows an Author searching for an ending to his story. Victor, the writer, is drawn to a settlement founded by the mysterious Stronheim where he finds his friends waiting for him. Victor makes a pact with Stronheim who offers to rebuild his theatre so long as Victor finishes his story, in the way that it should be finished.
From the beginning (before the beginning actually) the audience members are separated and made to question their position as passive spectators and their pre-conceived notions of what watching a film means. This unusual and dislocating process prefigures a whirlwind experience designed to disorientate and delight you. You move in and around the set as the plot moves and swirls around you. The experience is unbalancing but wonderful.
The underlying theme of the whole night is about storytelling and art. What is the creative impulse and how does it manifest itself? Why do stories seem to exist outside the mind of the artist, like an elemental force that is tapped by different people at different times but that is always the controlling force in the relationship? As the tension rises and the haunting lunacy unravels in front of you, you are forced to confront the destructive nature of art.
The surroundings of the Cinema Museum in Elephant and Castle is apt not just for its amazing hive-like building. Strange Factories questions the role of the modern audience by evoking the early days of the moving image when performances were just that, performance. The whole experience brings to mind a Lumière brothers screening that somehow involves a company of Commedia dell'arte players.
I found the entire night an inspiring and beautiful experience from start to finish. It felt like a hundred different storytelling techniques were used, drawn from the past few centuries and woven together to explore the age old questions of what art is. I was captivated from the beginning and the ballet crescendo struck a perfect end note to evening that felt like one long dance. It was fitting that a night celebrating the early days of the moving image should be so truly magical.
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