While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being sheltered by her adoptive parents.
When his job along with that of his co-worker are threatened, Walter takes action in the real world embarking on a global journey that turns into an adventure more extraordinary than anything he could have ever imagined.
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.
When Walt Disney's daughters begged him to make a movie of their favorite book, P.L. Travers' Mary Poppins (1964), he made them a promise - one that he didn't realize would take 20 years to keep. In his quest to obtain the rights, Walt comes up against a curmudgeonly, uncompromising writer who has absolutely no intention of letting her beloved magical nanny get mauled by the Hollywood machine. But, as the books stop selling and money grows short, Travers reluctantly agrees to go to Los Angeles to hear Disney's plans for the adaptation. For those two short weeks in 1961, Walt Disney pulls out all the stops. Armed with imaginative storyboards and chirpy songs from the talented Sherman brothers, Walt launches an all-out onslaught on P.L. Travers, but the prickly author doesn't budge. He soon begins to watch helplessly as Travers becomes increasingly immovable and the rights begin to move further away from his grasp. It is only when he reaches into his own childhood that Walt discovers ... Written by
Walt Disney Pictures
Computer terminals at Disneyland's Main Gate turnstiles can be seen in the background when Travers first arrives at the park. See more »
Winds in the east / Mist coming in / Like something is brewing / About to begin / Can't put me finger / On what lies in store / But I feel what's to happen / All happened before.
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The first part of the credits contain actual photographs from the Mary Poppins (1964) premiere and behind-the-scenes photos. See more »
If anyone wants to know the TRUE story of P.L. Travers' and Walt Disney's negotiations regarding MARY POPPINS, read Caitlin Flanagan's article "Becoming Mary Poppins" published in The New Yorker in 2005. Walt Disney was an S.O.B., and treated Travers abominably. Obviously the company is trying to soften his image with this insipid film. I've lost all respect for anyone involved with the project.
This paragraph from Flanagan's piece says it all: "The première was the first Travers had seen of the movie-she did not initially receive an invitation, but had embarrassed a Disney executive into extending one-and it was a shock. Afterward, as Richard Sherman recalled, she tracked down Disney at the after-party, which was held in a giant white tent in the parking lot adjoining the Chinese Theatre. "Well," she said loudly. "The first thing that has to go is the animation sequence." Disney looked at her coolly. "Pamela," he replied, "the ship has sailed." And then he strode past her, toward a throng of well-wishers, and left her alone, an aging woman in a satin gown and evening gloves, who had travelled more than five thousand miles to attend a party where she was not wanted."
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