An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
When Walt Disney's daughters begged him to make a movie of their favorite book, P.L. Travers' Mary Poppins (1964), he made them a promise - one that he didn't realize would take 20 years to keep. In his quest to obtain the rights, Walt comes up against a curmudgeonly, uncompromising writer who has absolutely no intention of letting her beloved magical nanny get mauled by the Hollywood machine. But, as the books stop selling and money grows short, Travers reluctantly agrees to go to Los Angeles to hear Disney's plans for the adaptation. For those two short weeks in 1961, Walt Disney pulls out all the stops. Armed with imaginative storyboards and chirpy songs from the talented Sherman brothers, Walt launches an all-out onslaught on P.L. Travers, but the prickly author doesn't budge. He soon begins to watch helplessly as Travers becomes increasingly immovable and the rights begin to move further away from his grasp. It is only when he reaches into his own childhood that Walt discovers ... Written by
Walt Disney Pictures
In 2011, Kelly Marcel's screenplay was listed in film executive Frank Leonard's Black List, voted by film producers as one of the best unsold, un-produced screenplays circulating in Hollywood. In early 2012, Walt Disney Pictures acquired the screen rights to Marcel's script; Alan Horn, newly-appointed Chairman of The Walt Disney Studios, referred to the film as "brand deposit." See more »
The film shows the license plate of the limo as three digits followed by three letters. In California, license plates at the time were three letters followed by three digits; three digits followed by three letters were not used until 1969. See more »
Winds in the east / Mist coming in / Like something is brewing / About to begin / Can't put me finger / On what lies in store / But I feel what's to happen / All happened before.
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There is a post credits dedication of the movie to Diane Marie Disney, Walt Disney's oldest daughter, who passed away in November, 2013. See more »
Saving Mr Banks tells the story of Walt Disney's battle to get the rights to make Mary Poppins into a movie. I wasn't expecting to like this but was completely blown away.
It is beautifully put together, is hilarious in parts and very touching and emotional at other stages, but is not overly sappy or cheesy.
There are some outstanding performances here. Emma Thompson plays Mrs Travers beautifully - a cantankerous and stubborn lady, yet you can't dislike her. Tom Hanks does a good job of playing Walt Disney - a tough role for anyone but he seems to suit it, so long as you can get past the terrible fake southern accent which is worse than Dick Van Dyke's attempts at an English accent in Mary Poppins.
However the stand-out performance is, surprisingly, delivered by Colin Farrell as Mrs Travers' father. He brings amazing range and emotion to a character that is simultaneously a loving, sweet father and a man caged in by life and personal demons.
Go see it for yourself when it comes out at the end of November. I'm looking forward to watching it again.
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