Kiefer and Donald Sutherland share the screen in this brooding western about an embittered gunslinger who attempts to make amends with his estranged father whilst their community is besieged by ruthless land-grabbers.
Romy (Diane Kruger) is on holiday in the USA with her French husband, Richard (Gilles Lellouche). But the journey quickly turns into a settling of old scores for this worn out couple. After an ultimate fight, Romy decides to break free. She cuts off her ties to a stable and secure life that has become alienating and escapes to the unknown.
Col. Katherine Powell, a military officer in command of an operation to capture terrorists in Kenya, sees her mission escalate when a girl enters the kill zone triggering an international dispute over the implications of modern warfare.
Left without men in the dying days of the American Civil War, three women must fight to defend their home and themselves from two rogue soldiers who have broken off from the fast-approaching Union Army.
Jane Got a Gun centers on Jane Hammond, who has built a new life with her husband Bill "Ham" Hammond after being tormented by the ultra-violent Bishop Boys outlaw gang. She finds herself in the gang's cross-hairs once again when Ham stumbles home riddled with bullets after dueling with the Boys and their relentless mastermind Colin. With the vengeful crew hot on Ham's trail, Jane has nowhere to turn but to her former fiancé Dan Frost for help in defending her family against certain destruction. Haunted by old memories, Jane's past meets the present in a heart-stopping battle for survival. Written by
After Lynne Ramsay departed the project, Jude Law also left the project a day before shooting was scheduled to begin citing that 'he signed on to work with Ramsay'. Bradley Cooper was eventually tapped to replace Law. See more »
Near the end of the movie when Jane goes into the town, Lullaby, to collect the posted bounty rewards, she is driving two brown horses who are pulling the cart which we later find out is carrying the body of the top wanted criminal she killed. Her white riding horse, seen at other times in the movie, is tethered to the rear of the cart which one can assume is the horse she will use to ride back with, although it is not saddled. When she returns with her money bags after collecting all the "wanted dead or alive" rewards, she mounts a saddled-up brown horse with something that looks like a bedroll behind the saddle and heads back to her home. When she approaches the covered wagon in which her family is waiting, the unsaddled white horse can be seen in the distance, tethered to the rear of that wagon. See more »
[whispering a bedtime story]
Callie and Decca were two sisters. They were on a boat. They're in the water, and Callie said to Decca, "Decca, will you tell me the story about the upside-down tree again please?" And Decca said, "Once upon a time, there was an upside-down tree. And anyone who walked in through the door of its trunk would be immediately turned to good if they were bad." Callie said, "I would really like to see that tree sometime." They went on and on in the water. Can ...
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A decent little Western. Portman and Edgerton, in any case, make it worthwhile.
A nice, solid, little Western starring Natalie Portman and Joel Edgerton. The two were engaged before Edgerton had to go off to war, but she took off west after not having heard from him in three years. She ended up in New Mexico married to a former outlaw (Noah Emmerich) who saved her from a white slaver (Ewan McGregor? That doesn't seem right; I definitely didn't recognize him if he was the villain, and the character name on IMDb seems wrong, too). Most of that history is told in flashbacks throughout the picture. The main bulk of the story has Emmerich wounded by McGregor and his men. Portman has to defend him, and she rounds up Edgerton, who settled in the area after he found out what happened to his former fiancée, to help her protect them. The story's simple, but Portman and Edgerton carry the film nicely. They have a believable sense of history between them. It's not an action-packed film, but it delivers well when it gets to the climax. There are some weaknesses in the details of the film, especially in the flashbacks, which often seem skeletal in their scripting (Joel Edgerton co-wrote the screenplay with two others). Not great, but good.
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