Titanic: The Final Word with James Cameron (2012)
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- 2h 0min
- Documentary
- 08 Apr 2012 (USA)
- TV Movie
Engineers, architects and historians are assembled to examine why the Titanic sank, using new technology that has come to light since James Cameron's film Titanic (1997).
Director:
Writers:
Photos and Videos
Cast
| James Cameron | ... |
Self / Narrator
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Ken Marschall | ... |
Self - Visual Historian
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Paul-Henri Nargeolet | ... |
Self - RMS Titanic Inc.
(as P. H. Nargeolet)
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Bill Sauder | ... |
Self - RMS Titanic Inc.
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| Parks Stephenson | ... |
Self - Naval Systems Engineer
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Don Lynch | ... |
Self - Titanic Historical Society
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David Gallo | ... |
Self - Director of Special Projects at WHOI
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Jeffrey Stettler | ... |
Self - US Naval Academy
(as CMDR. Jeffrey Stettler)
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Brian Thomas | ... |
Self - US Coast Guard
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Casey Schatz | ... |
Self - Previsualization Artist
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Ruth Becker Blanchard | ... |
Self - Titanic Survivor (archiveFootage)
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Directed by
| Tony Gerber | ||
Written by
| Tony Gerber | ... | () |
| Alex Rosenthal | ... | (additional writing) |
Produced by
| Hilary Burke | ... | co-producer |
| James Cameron | ... | executive producer |
| Wendy Chesebrough Lowe | ... | associate producer: Earthship Productions |
| Megan Gutman | ... | studio producer |
| Jonathan Halperin | ... | executive producer |
| Jon Landau | ... | producer: Earthship Productions |
| Vivian Tse | ... | coordinating producer |
Music by
| Paul Brill | ||
Cinematography by
| Scott Beardslee | ... | co-cinematographer |
| Russell Lee Fine | ... | director of photography |
Editing by
| Luis Alvarez y Alvarez | ||
Editorial Department
| Andrea Barrick | ... | additional editor |
| Lisa Dannenbaum | ... | assistant editor: Earthship Productions |
| Eric Elofson | ... | second assistant editor |
| James M. Felter | ... | additional editor (as Jimmy Felter) |
| Claudia Huerta | ... | assistant editor: Earthship Productions |
| Kate Rhodes Kennedy | ... | second assistant editor (as Kate Kennedy) |
| Jamie Landau | ... | editorial assistant: Earthship Productions |
| Sam Mangum | ... | assistant editor |
| Dave Markun | ... | colorist |
| Samuel Peterson | ... | assistant editor |
| Jim Sheehy | ... | on-line editor |
| Rex M. Teese | ... | on-line editor (as Rex Teese) |
Art Direction by
| Richard Lowe | ... | (Studio Shoot) |
Set Decoration by
| Penelope Rene Stames | ... | (as Penny Stames) |
Makeup Department
| Brenda Green | ... | hair stylist |
| Andie Michaels | ... | hair stylist: James Cameron / makeup artist: James Cameron |
| Kim Todd | ... | makeup artist |
Production Management
| Samantha Clements | ... | studio production manager (as Samantha Gershberg) |
| Heather Danskin | ... | unit manager: National Geographic Channels |
| Patrick Hare | ... | production manager |
| Tay Hawes | ... | assistant production supervisor: Studio Shoot |
| Johnita Moran | ... | director: production management: National Geographic Television (as Johnita 'Jaye' Moran) |
| Brett Reinke | ... | post-production supervisor |
| Alex Rosenthal | ... | production manager: Market Road Films |
| Amy Campbell Verock | ... | production manager: National Geographic Channels |
Art Department
| Derek Jaeschke | ... | swing |
| Stuart Lessner | ... | assistant art director: Studio Shoot |
| Joshua Redmond | ... | art production assistant |
| Bill Svensson | ... | lead carpenter: Studio Shoot |
Sound Department
| Andisheh Bassiri | ... | sound designer |
| Ken Beauchene | ... | boom operator |
| Brian Callahan | ... | sound designer |
| Brian Cunneff | ... | sound designer / sound mixer |
| Mark Haskins | ... | sound designer |
| Chris Martin | ... | sound designer |
| James M. Tanenbaum | ... | production sound mixer |
Visual Effects by
| Leonard Barrit | ... | pre-visualization consultant: Earthship Productions |
| Rene Dominguez | ... | stereoscopic compositor |
| Albert Hastings | ... | visual effects consultant |
| James Orlik | ... | animation director |
| Casey Schatz | ... | previs supervisor |
Camera and Electrical Department
| Jeff Barco | ... | board operator |
| Scott Beardslee | ... | additional camera |
| Brian Beverly | ... | grip |
| John Brunold | ... | best boy grip |
| Samuel Butt | ... | first assistant camera |
| Mario Contini | ... | camera operator |
| Javier Costa | ... | techno crane operator |
| Jennifer Cox | ... | camera operator |
| Chris Cunningham | ... | steadicam operator |
| Nicholas Donnelly | ... | additional camera (as Nick Donnelly) |
| Britton Foster | ... | camera operator |
| Scott Garrison | ... | camera operator |
| Dean Georgopoulos | ... | digital imaging technician |
| Robbie Hart | ... | camera operator |
| Daniel Hernandez | ... | video assist |
| Chris Owen Jones | ... | assistant camera (as Chris Jones) |
| John Keffer | ... | grip |
| David Landreth | ... | assistant camera |
| Brian Louks | ... | gaffer |
| Sam Mayor | ... | assistant camera |
| Robert Nagle | ... | video utility |
| Alexandre Naufel | ... | camera operator (as Alex Naufel) |
| Doug Oh | ... | camera operator |
| Wadsworth Peters | ... | best boy electric |
| Joel Prescott | ... | key grip |
| Paul Salmi | ... | grip |
| Travis Schott | ... | electrician |
| Stewart Volland | ... | still photographer |
| Evan Wilhelm | ... | assistant camera |
Animation Department
| James Martin Sweigert | ... | executive producer: main title |
Costume and Wardrobe Department
| Joleen Garnett | ... | wardrobe supervisor |
Transportation Department
| Frederick Dargenton | ... | driver: motorhome (as Fred 'French' Dargenton) |
Additional Crew
| Marc Abbink | ... | stand-in for James Cameron |
| George Behe | ... | source: stock footage |
| Kristin Berbae | ... | assistant to: James Cameron |
| Bruce Beveridge | ... | source: stock footage |
| Deon Bryce | ... | production coordinator |
| Marcie Callahan | ... | manager post production and media scheduling: National Geographic Television |
| John Clisham | ... | production services and technology: Earthship Productions |
| Maryanne Culpepper | ... | president: National Geographic Television |
| Terri Depaolo | ... | assistant to: James Cameron (as Terry DePaolo) |
| Glenn Derry | ... | consultant: technology |
| Sarah Ellison | ... | specialist: facilities and scheduling: National Geographic Television |
| Todd D. Filener | ... | set medic |
| Christina Gaspar | ... | manager of production rights and clearances: National Geographic Television |
| Stephanie Gould | ... | design & media consultant: Market Road Flms |
| Marion Haberman | ... | production coordinator: National Geographic Channels (as Marion Ashley Said) |
| Todd Hermann | ... | director of research: National Geographic Television |
| Samuel Huh | ... | production services and technology: Earthship Productions (as Sam Huh) |
| Stuart Lessner | ... | assistant director: studio |
| Charlie Mac | ... | production assistant |
| Bill Margol | ... | vice president: development for National Geographic Television |
| Gary Martinez | ... | engineer: hd |
| Brandon McClover | ... | production assistant |
| Elizabeth McCormick | ... | craft service |
| Braden McIlvaine | ... | director: post production operations: National Geographic Television |
| Meg Mealy | ... | post production coordinator |
| Daniel Mei-Tal | ... | assistant to: James Cameron |
| Matthew Reedy | ... | manager: technical operations for National Geographic Television |
| Bill Sauder | ... | source: stock footage |
| Colin Shea | ... | production coordinator |
| Parks Stephenson | ... | source: stock footage |
| Angie Suleimanyan | ... | production assistant |
| Teresa Neva Tate | ... | researcher |
| Brandeaux Tourville | ... | production assistant |
| Caroline Vitale | ... | production intern: Market Road Films |
| Aaron Webster | ... | stand-in |
| Scott Wyerman | ... | executive vice president: standards and practices: Global Media |
| Rae Yamamoto | ... | production coordinator: Earthship Productions |
| Catherine Yelloz | ... | director: production rights and clearances: National Geographic Television |
Thanks
| Gianna Babando | ... | special thanks |
| Alexandra Klingelhofer | ... | special thanks |
| Jamie Shreeve | ... | special thanks |
Production Companies
- Earthship Productions
- Market Road Films
- National Geographic Channel (in association with)
- National Geographic Television (in association with)
Distributors
- National Geographic Channel (2012) (United States) (tv)
- National Geographic Channel (NGC) (2012) (Netherlands) (tv)
- 20th Century Fox Home Entertainment (2012) (United Kingdom) (Blu-ray) (video)
- Discovery Channel (2015) (Poland) (tv)
- Paramount Home Entertainment (2012) (United States) (Blu-ray) (video)
Special Effects
Other Companies
- AP Archives (stock footage)
- AP Images (stock footage)
- CNN Image Source (stock footage)
- Corbis Motion (stock footage)
- Discovery Channel (stock footage)
- Earthship Productions (stock footage)
- GHS Software (special thanks)
- Getty Images (stock footage)
- Giant Studios (art & animation)
- ITN Source (stock footage)
- Institute for Exploration, Mystic Connecticut (stock footage)
- Library of Congress (stock footage)
- Madison Press Books (stock footage)
- Mary Evans Picture Library (stock footage)
- Modern VideoFilm (special thanks)
- NGCS Creative (titles)
- National Archives (stock footage)
- National Museums of Northern Ireland (stock footage)
- Paramount Studios (stock footage)
- RMS Titanic Inc. (stock footage)
- The Don Lynch Collection (stock footage)
- The Stanley Lehrer Titanic Collection (stock footage)
- Thought Equity Motion (stock footage)
- Twentieth Century Fox (stock footage)
- WPA Film Library (stock footage)
- Walden Media (stock footage)
- Walt Disney Pictures (stock footage)
- Woods Hole Oceanographic Institution (WHOI) (stock footage)
Storyline
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Did You Know?
| Trivia | James Cameron talks with the panel about the presence of the Californian only six miles away from the Titanic, and what could have been done to save more of the Titanic's passengers and crew. However, in his film Titanic (1997), the Californian is never mentioned. The Californian does figure prominently in another Titanic film, A Night to Remember (1958). See more » |
| Movie Connections | Edited into Titanic - Olympic: Desmontando la conspiración (2016). See more » |
| Quotes |
Bill Sauder:
The one thing I'll remember about Titanic artifacts, to the day I die is when the Saalfeld perfume vials came up. When you recover stuff from the Titanic, it's wet, it's rusty, and it's rotten. And the smell that comes off it is perfectly alien, perfectly fetid. You know it's a kind of death you have never experienced. So the lab is kind of unpleasant, and then all of a sudden, somebody opens this satchel, this leather satchel, and out comes the fragrance of heaven. It's all these flowers and fruity flavors, and it's delicious. It's the most wonderful thing you've ever had. Um, it was just a complete, overwhelming experience. It was like, all of a sudden the fragrance of heaven kind of goes through the room. Instead of being surrounded by all of these dead things, um, for those few minutes, the ship was alive again. [Bill immediately bursts into tears] See more » |