| Ricardo Darín | ... | Julián | |
| Jérémie Renier | ... | Nicolás (as Jeremie Renier) | |
| Martina Gusman | ... | Luciana | |
| rest of cast listed alphabetically: | |||
| Miguel Arancibia | ... | Capataz | |
| Federico Barga | ... | Monito | |
| Esteban Díaz | ... | Chato | |
| Pablo Gatti | ... | Sandoval | |
| Walter Jakob | ... | Cruz | |
| Raul Ramos | ... | Obispo | |
| Susana Varela | ... | Carmelita | |
| Julio Zarza | ... | Danilo | |
Directed by | |||
| Pablo Trapero | |||
Writing credits(in alphabetical order) | ||
| Alejandro Fadel | ||
| Martín Mauregui | ||
| Santiago Mitre | ||
| Pablo Trapero | ||
Produced by | |||
| Laurent Baudens | .... | co-producer | |
| Rémi Burah | .... | co-producer | |
| Alejandro Cacetta | .... | executive producer | |
| Alejandro Cacetta | .... | producer | |
| Didar Domehri | .... | co-producer | |
| Juan Pablo Galli | .... | producer | |
| Juan Gordon | .... | producer | |
| Juan Lovece | .... | line producer | |
| Gaël Nouaille | .... | co-producer | |
| Pablo Trapero | .... | executive producer | |
| Pablo Trapero | .... | producer | |
| Juan Vera | .... | producer | |
Original Music by | |||
| Michael Nyman | |||
Cinematography by | |||
| Guillermo Nieto | |||
Film Editing by | |||
| Andrés P. Estrada | |||
| Nacho Ruiz Capillas | |||
| Pablo Trapero | |||
Production Design by | |||
| Juan Pedro De Gaspar | |||
Art Direction by | |||
| Fernando Brun | |||
Costume Design by | |||
| Marisa Urruti | |||
Makeup Department | |||
| Alberto Moccia | .... | key hair stylist | |
| Carolina Oclander | .... | makeup artist | |
| Etelvina Veron | .... | hair stylist | |
Production Management | |||
| Mayi Gutiérrez Cobo | .... | production secretary | |
| Juan Lovece | .... | production manager | |
| María Moreno | .... | production trainee | |
| Daniel Rutolo | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marcello Pozzo | .... | second assistant director | |
| Fabiana Tiscornia | .... | assistant director | |
Art Department | |||
| Antonella Pasini | .... | set dresser | |
Sound Department | |||
| Vicente D'Elia | .... | sound | |
| Leandro de Loredo | .... | supervising sound editor | |
| Federico Esquerro | .... | sound re-recording mixer | |
| Carlos Lidón | .... | sound | |
| Roberto Migone | .... | sound re-recording mixer | |
| Francisco Pedemonte | .... | dialogue editor | |
Visual Effects by | |||
| Andrés P. Estrada | .... | visual effects artist | |
| Juan Olivares | .... | visual effects artist | |
| Tomás Pernich | .... | visual effects artist | |
| Alejo Varisto | .... | visual effects artist | |
| Iara Rodriguez Vilardebó | .... | visual effects artist | |
| Ezequiel Villanueva | .... | compositor | |
Camera and Electrical Department | |||
| Fernando Blanc | .... | focus puller | |
| Nicolás Mayer | .... | steadicam assistant | |
| Darío Trivino | .... | steadicam operator | |
Costume and Wardrobe Department | |||
| Nora Lia Alaluf | .... | uniform costumer | |
Editorial Department | |||
| Luisa Cavanagh | .... | colorist | |
| Tomás Pernich | .... | making-of editor | |
Other crew | |||
| Lina Badenes García | .... | outreach marketing | |
| Nicolas Agustin Bentancur | .... | location assistant | |
| Manuel Fernandez Escudero | .... | location assistant | |
| Cristóbal García | .... | business affairs | |
| Jacqueline Lustig | .... | dialogue coach | |
| Pablo Ramos | .... | script supervisor | |
Thanks | |||
| Jean-Pierre Dardenne | .... | thanks | |
| Luc Dardenne | .... | thanks | |
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| Black Swan | Red Dog | The Whore and the Whale | Rolling Family | Ride the Pink Horse |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Argentina section |
Really disappointed me with a very weak argument, it seems that the film tries to portray only what we already know what happens in the villages. Images repetitive, almost exaggerated, about the inhuman conditions in which many people live in our country, make a documentary film class.
Yes, it is impeccable filming, excellent cinematography, setting, and a way to shoot that turn the viewer into another resident of that place. Not so the music I think is another weak point because, beyond the issue of Pity Alvarez with which opens and closes the film, music that is heard is really bad.
But the film fails because it fails to catch a solid script and with characters that are created in such a way to get in your skin. Darin always right but off other papers, it sticks Renier with authority about his character but the most important protagonist of the film seems to be the rain, constant, unbearable, identified as another of the many shrines that these people must suffer, suggests almost as God forgot that part of the world. In short, a movie not to miss, but it is far from being among the best of Trapero, of Darin, of the year of our cinema.