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The Bling Ring (2013)

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Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities' whereabouts in order to rob their homes.

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, (based on the Vanity Fair article "The Suspect Wore Louboutins" by)
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4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Rob
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G. Mac Brown ...
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Annie Fitzgerald ...
Lorenzo Hunt ...
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Storyline

Inspired by actual events, a group of fame-obsessed teenagers use the internet to track celebrities' whereabouts in order to rob their homes.

Plot Summary | Plot Synopsis

Taglines:

Living the Dream, One Heist at a Time See more »

Genres:

Biography | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for teen drug and alcohol use, and for language including some brief sexual references | See all certifications »

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Details

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Release Date:

21 June 2013 (USA)  »

Also Known As:

The Bling Ring  »

Filming Locations:

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$212,537 (USA) (14 June 2013)

Gross:

$5,841,046 (USA) (6 September 2013)
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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Sofia Coppola considered cutting the slow zoom-in shot of the glass house heist, but cinematographer Harris Savides convinced her to keep it in. It is now the most celebrated shot of the film. See more »

Goofs

(at around 1h 10 mins) Nicki refers to her younger sister Emily, as "Gabby". The names of all the participants in the Bling Ring were changed for the film, but Gabby Neiers is the real person the character of Emily was based upon. See more »

Quotes

Laurie: Girls, time for your Adderall!
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Connections

Referenced in CSI: Crime Scene Investigation: Frame by Frame (2013) See more »

Soundtracks

Cotton Candy
Written and Performed by Brian Reitzell
Licensed courtesy of Maryannis Music, Inc.
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Frequently Asked Questions

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User Reviews

Catty and empty itself
28 September 2013 | by (Greece) – See all my reviews

Yeah this is a dismal misfire. Worse it shows a new Coppola that I'll be avoiding in the future. I say this as someone who can get excited for a project like this, one that embraces youth without sugarcoating the folly and pretensions, that brings a genuine curiosity to a vibrant world—in short something like Spring Breakers that in the thuggish lifestyle finds room for reflection.

This is a superficial look at superficial people, and I mean superficial in what Coppola sees of them. For what it's worth she decided to delve into these lives, apparently inspired by real events. The real events are not a concern here, they are always a springboard for our cinematic journey. She decided to bring these people into focus for us to see, at least so far as she could see into them.

And what does she see? A flaky, rootless youth that has not worked to create its world, that emptily covets expensive trinkets and finds them by merely walking through the door and grabbing stuff. This isn't just about these four individuals who sneak into celebrities' homes, it is a broader look at instagram culture. Naturally.

What's worse is that Coppola has not found some inner space where souls feebly try to know each other and participate, how stealing fabrics can be a search for the identity of what to wrap around self. I'm not saying they should have been shown as troubled romantics. Looking at my youth I recognize a lot of superficial obsessions with unimportant things, it comes with being young and just throwing yourself at this or that current, but I also recognize that as inadvertent part of a larger floating sense of everything feeling doable and airy, which is the essence of youthfulness.

It's what Korine brings to Spring Breakers and feels transcendent, the free wandering of mind.

Coppola tries to show some of that, for instance in the scenes of partying where time ecstatically slows, but is constantly bogged down by the surly need to press on with their neuroses and vacant desires. She adopts a catty and empty look because in her eyes they are merely catty and empty people. There's too much judgement here and not enough intuitive understanding of subtler pulls.

In the future I expect her to be torn to shreds for this one film. How is it that her Marie Antoinette, obviously modeled after her own self, can be shown wistfully in spite of the sheltered privilege as a quietly suffering soul but not these girls? It's a worthless film and even manages to reduce everything else she's done.


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