| Photos (See all 11 | slideshow) | Videos (see all 2) |
| Ashley Judd | ... | Becca Winstone | |
| Sean Bean | ... | Paul Winstone | |
| Cliff Curtis | ... | Dax Miller | |
| Joaquim de Almeida | ... | Antoine Lussier | |
| Adriano Giannini | ... | Giancarlo Rossi | |
| Nick Eversman | ... | Michael Winstone | |
| Keith Carradine | ... | Martin Newman | |
| Aunjanue Ellis | ... | Mary Dresden | |
| Gina McKee | ... | Jamie Ortega | |
| Laura Donnelly | ... | Violet Heath | |
| Jason Wong | ... | Fitzpatrick | |
| Jessica Boone | ... | Rabia | |
| Chiara Gensini | ... | Francesca | |
| Caleb Barton Smith | ... | Young Michael | |
| Miroslav Simunek | ... | Ori | |
| Julian Martin | ... | Bartender | |
| Nikola Navrátil | ... | Blonde Assassin | |
| Daniel Pietrucha | ... | Man on Scooter | |
| Nancy Bishop | ... | Woman Jogger | |
| Nancy Bishop | ... | Woman Jogger | |
| Stewart Moore | ... | Customs Agent | |
| rest of cast listed alphabetically: | |||
| Jaymes Butler | ... | Local Hub Agent (uncredited) | |
| Episode Crew |
Directed by | |||
| Steve Shill | (as Stephen Shill) | ||
Writing credits | ||
| Gregory Poirier | (creator) | |
| Gregory Poirier | (written by) | |
Produced by | |||
| Gideon Amir | .... | producer | |
| Kenny Bates | .... | co-producer | |
| Ben Brafman | .... | associate producer | |
| Ashley Judd | .... | co-executive producer | |
| Meredith Lavender | .... | co-producer | |
| Adele Lim | .... | consulting producer | |
| Gina Matthews | .... | executive producer | |
| David Minkowski | .... | co-producer | |
| Faruk Ozerten | .... | producer: Istanbul | |
| James D. Parriott | .... | executive producer (as James Parriott) | |
| Gregory Poirier | .... | executive producer | |
| Paul Redford | .... | co-executive producer | |
| Grant Scharbo | .... | executive producer | |
| Richard Peter Schroer | .... | co-producer | |
| Steve Shill | .... | executive producer (as Stephen Shill) | |
| Matthew Stillman | .... | co-producer | |
| Marcie Ulin | .... | co-producer | |
Original Music by | |||
| Robert Duncan | |||
Film Editing by | |||
| Simon Webb | |||
Makeup Department | |||
| Linda Eisenhamerova | .... | makeup artist (as Linda Dvorakova) | |
| Gabriela Polakova | .... | department head makeup artist | |
| Gabriela Polakova | .... | makeup department head | |
| Rene Stejskal | .... | prosthetics designer | |
Production Management | |||
| Tomislav Peleski | .... | assistant unit manager: Croatia | |
Second Unit Director or Assistant Director | |||
| Jakub Dvorak | .... | second assistant director | |
Art Department | |||
| Jiri Hrubes | .... | picture cars coordinator | |
| Jakub Janouch | .... | graphic designer | |
| Eliska Jenickova | .... | assistant production designer | |
Sound Department | |||
| Kelly Cole | .... | sound re-recording mixer | |
| Kirby Jinnah | .... | supervising sound editor | |
| Bill Mellow | .... | sound re-recording mixer | |
| Ryan Thompson | .... | sound re-recording mixer | |
Special Effects by | |||
| Pavel Sagner | .... | special effects supervisor | |
Visual Effects by | |||
| Ryan Curtis | .... | visual effects coordinator | |
| Ryan Curtis | .... | visual effects editor | |
| Tyler Foell | .... | visual effects producer | |
| Diego Galtieri | .... | digital compositor | |
| Jason Korber | .... | digital supervisor | |
| Gary Romey | .... | visual effects coordinator | |
| Jagdeep Saggu | .... | digital compositor | |
| Rob Sischy | .... | digital compositor | |
| Mike Uguccioni | .... | visual effects supervisor | |
Stunts | |||
| Pavel Cajzl | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ladislav Hruby | .... | first assistant camera "a" camera: second unit | |
| Vladimir Kesl | .... | computer video supervisor | |
| Mikulas Krepelka | .... | second assistant camera | |
| Martin Nahodil | .... | video assist: second unit | |
| Pavel Proisl | .... | grip | |
| Karel Schneiberg | .... | hd video assist operator | |
| Jan Vagner | .... | second unit: best boy grip | |
Casting Department | |||
| Saraphina Monaco | .... | casting assistant | |
Editorial Department | |||
| Jakub Olexa | .... | assistant editor | |
| Claudio Sepulveda | .... | final colorist | |
Music Department | |||
| Kevin J. Edelman | .... | music supervisor | |
| Rich Walters | .... | music editor | |
| Tim Williams | .... | composer: additional music | |
| Andrew Gowan | .... | music coordinator (uncredited) | |
Other crew | |||
| Daniel Adam | .... | extras wrangler: Czech Republic | |
| Billi Bruins | .... | location accountant | |
| Lubomir Janci | .... | utility double | |
| Tereza Mandic Listikova | .... | assistant production coordinator | |
| Iva Lukesová | .... | assistant accountant | |
| Petr Skvor | .... | assistant location manager | |
| Marketa Tom | .... | assistant to Ashley Judd | |
| Goran Uljanic | .... | assistant production coordinator | |
| Dale Wyatt | .... | dialogue coach | |
| Yaroslav Poverlo | .... | voice: Russian (uncredited) | |
| Yaroslav Poverlo | .... | voice: additional Russian (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Gregory Poirier | creator | |
Casting by | |||
| Deborah Aquila | |||
| Nancy Bishop | |||
| Jennifer L. Smith | |||
| Suzanne Smith | |||
| Tricia Wood | |||
Production Management | |||
| Sanjin Krapinec | .... | assistant unit manager: Croatia | |
| Vaclav Mottl | .... | production manager: second unit | |
| Miroslav Sochor | .... | post production supervisor | |
| Diego Zanco | .... | unit production manager: Croatia | |
Second Unit Director or Assistant Director | |||
| Karel Kubis | .... | second assistant director: second unit | |
| Jan Mensík | .... | first assistant director: second unit | |
Art Department | |||
| Jan Svoboda | .... | art department coordinator | |
| Kurt Van Der Basch | .... | storyboard artist | |
Sound Department | |||
| Kevin Belen | .... | foley mixer | |
| Brian Calhoon | .... | adr mixer | |
| Brian Campbell | .... | dialogue editor | |
| Jay Cheetham | .... | backgrounds editor | |
| Peter Eusebe | .... | boom operator | |
| James Fonnyadt | .... | sound designer | |
| Robert Gumala | .... | sound mixer (second unit) | |
| Fred Paragano | .... | adr mixer | |
| Roman Rigo | .... | boom operator b | |
| Sarah Vorhees | .... | adr assistant | |
| Sarah Vorhees | .... | adr recordist | |
| Matthew Wilson | .... | sound effects editor | |
Special Effects by | |||
| Miroslav Miclik | .... | special effects | |
| Branko Repalust | .... | armourer | |
Visual Effects by | |||
| Garret Biles | .... | visual effects artist | |
| Brent Boulet | .... | visual effects artist | |
| Jess Brown | .... | 3d supervisor | |
| Kornel Farkas | .... | compositor | |
| Yoga Kurniawan | .... | digital compositor | |
| Steve J. McLeod | .... | digital compositor | |
| Iqbal Zafar | .... | digital compositor | |
Stunts | |||
| Miroslav Lhotka | .... | stunts | |
| Melissa R. Stubbs | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Andrej Arnautov Jr. | .... | gaffer: second unit | |
| Jiri Arnstein | .... | electrician | |
| Jan Brumlich | .... | electrician | |
| Jan Carda | .... | first assistant camera | |
| Michal Chadima | .... | digital image technician | |
| Miro Gábor | .... | director of photography: second unit | |
| Larry D. Horricks | .... | still photographer | |
| Borivoj Klecka | .... | best boy | |
| Miroslav Pavlik | .... | second assistant "a" camera: second unit | |
| Zdenek Pozar | .... | electrician | |
| Jan Prokes | .... | second assistant camera "a" camera: main unit | |
| Petr Svoboda | .... | rigging electrician | |
Casting Department | |||
| Daniel Edwards | .... | casting assistant | |
| Katie Silverman | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Conan Castro Jr. | .... | consulting costume supervisor | |
Editorial Department | |||
| Katerina Galova | .... | post-production coordinator | |
Transportation Department | |||
| Lada Vacik | .... | driver: camera truck (2012) | |
Other crew | |||
| Marijan Bakovic | .... | assistant location manager: Croatia | |
| Michal Engrth | .... | assistant accountant | |
| Zarko Ivkovic | .... | location manager: Dubrovnik | |
| Katye Kalivoda | .... | personal assistant: Ashley Judd | |
| Mirna Kapetanovic | .... | production coordinator: cro unit | |
| Miroslav Sochor | .... | post-production supervisors | |
| Aleksandar Vojnovic | .... | production assistant: Croatia | |
| Ludek Vomacka | .... | assistant to executive producers | |
| Peter Ziak | .... | assistant accountant | |
| Gordana Zivkovic | .... | production accountant: local | |
| Gordana Zivkovic | .... | accountant: Croatia | |
| Zdravko Madzarevic | .... | location manager: Croatia (uncredited) | |
| Vesna Rokvic | .... | office production assistant: Croatia (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Action section |
| IMDb USA section |
*** This review may contain spoilers ***
I understand the meaning of attachment. When someone becomes a part of you, they are so attached to the limb. Even when you are apart from them, you are still close. That is the kind of relationship I understood for Becca and Michael. She loves Michael. It's that simple. The acting is an acquired taste that pulls you into a Missing imagination. You can relate, but you have to let it sink in.
235@W' brought me back to the days I used to make up some kind of code my friend and I used to outsmart our kindergarten teacher. Things like that we forget now because we barely find the time to learn a new language unique to ourselves. I have forgotten the symbols I formed when I was younger, but it was cool. This is was when the pilot kept me glued. I found the pace a bit slow in the beginning. Becca was running, but I still felt as though I wanted to be on that run with her. When she passes by some people now warming up for their run, this kept it real. It is subtle things like that some writers forget to include. A sense of continuity prevails when we realize that the pilot is not when Becca's life begins, we have partially interrupted a portion of time from Becca's life. That run looked very good too.
When I did my research on the title of course mainly serious matters appear. That is missing children among many. It can be a very sad topic to think about. This can hurt this new series. If at some point it turns out to be clichéd and overacted or just boring, it does no justice to the real issues that exist in society. Who can or should be entertained by someone being abducted? This series however slowly parts from that perspective and focuses on the perils of a mother. We see the connection a mother has with her child and we feel the torture of watching your child grow up and then mature away from a mother's oversight.
Clearly this explosion was an oversight. When Paul's car exploded during a conversation Becca was having with her son it lends itself to the drama television somehow creates, but not in real life. How would the Becca Winstone of this time deal with hearing an explosion and not knowing what happened on the other end of the phone. Unfortunately this was not truly delved into. The writers thought it more important to show Michael survived and Paul did not. It was clear, no more debate. I still felt that about ten years later, watching Becca run with Michael happy did not wet my appetite. Did the child actor look like present day Michael? Maybe. We don't care at this point. How did this explosion affect their lives? We do not get to see that.
So yeah we look for many things in a pilot. 1) A relationship, 2) Action 3) A story we can actually follow. Spy movies and television series have been done and overdone time and time again. Let's face it we all picture at some point being spies in our minds and keeping secrets that no one else but you and a selective few know. We let our minds explore the possibilities of anonymity to hide away our true selves and we escape. We pride ourselves on learning skills and holding the wealth of technology in our palms. These are all trade qualities we crave sometimes on a long on the clock day of work, come on it happens. If not then through the people we socialize with. I forget all that with Missing. I don't need to compare with other series because it stands on its own. So the pilot worked for me and I caught the reruns when available.
The writing of this series comes full circle in the pilot when Michael tried to make sense of his symbol with his mother. Part of how it all began, to end with Becca knowing that his son stayed at a place where that symbol existed. It melts you in a way that not many truly understand. Some shows are just there for you to look at but Missing goes the extra mile to pull a cast from all over to have a home in one sitting. That is truly remarkable.
4.8 Stars
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