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San Andreas (2015)

PG-13 | | Action, Adventure, Drama | 29 May 2015 (USA)
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In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey with his ex-wife across the state in order to rescue his daughter.

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(screenplay), (story) | 1 more credit »
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85 ( 6)
10 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Susan Riddick
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Marcus
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Harrison
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Alexi
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Phoebe
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Storyline

In San Andreas, California is experiencing a statewide earthquake that goes on record as easily the biggest earthquake in history. Dwayne Johnson plays Ray Gaines, a helicopter rescue pilot for the Los Angeles Fire Department, who is trying to find his daughter, Blake (Alexandra Daddario), who is in San Francisco amidst the chaos. Ray's estranged wife, Emma, is forced to turn to Ray for help, as he is her last resort. Together they journey to save their daughter. Written by The Twiz

Plot Summary | Plot Synopsis

Taglines:

A rescue pilot survived an earthquake, this is what happens next


Motion Picture Rating (MPAA)

Rated PG-13 for intense disaster action and mayhem throughout, and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 May 2015 (USA)  »

Also Known As:

Terremoto: La Falla de San Andrés  »

Box Office

Budget:

$110,000,000 (estimated)

Opening Weekend:

$54,588,173 (USA) (29 May 2015)

Gross:

$155,181,732 (USA) (9 October 2015)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Alexandra Daddario has only a 14 year age difference with Dwayne Johnson who plays her father, and 15 with Carla Gugino who plays her mother. See more »

Goofs

Right after Ray tells his ex to get to the roof and the chopper banks to the left(32:11), it is passing right by the US Bank tower, however, in a later shot where Ray is looking at the swaying skyscrapers of downtown LA, he is at least a mile away from the US Bank tower.(37:05) See more »

Quotes

Lawrence Hayes: [concluding an emergency broadcast] God be with you
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Crazy Credits

The end credits scroll with a bend at the top and bottom of the screen, as though they are on a rotating seismograph drum. Seismic lines, increasing in intensity, can be seen on the left side of the frame. See more »


Soundtracks

Up On The Hollow Hill (Understanding Arthur)
Written by Robert Plant, Justin Adams, Liam Tyson, John Baggott and William Fuller
Performed by Robert Plant
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film & TV Licensing
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User Reviews

 
Disastrous
11 July 2015 | by (United States) – See all my reviews

My first experience in the UltraScreen®DLX with massive screen, Dreamlounger™ leather reserved recliners, and Dolby Atmos immersive sound with bass you can feel (it's true), was none other than to see San Andreas. If you haven't been following my reviews this summer, my goal is to review all of the summer blockbusters on cheap movie days for $5.

My first surprise was that the seats are reserved. You get to pick your seat, although there were few left to choose from when I arrived. The second surprise was that the chairs are power recliners, so you just push a button and wham you go back and your legs go up. The third surprise was a smell I hadn't smelled in years, not since junior high locker room. It was a mix of people who don't like to shower, don't like to wash their gym clothes, and wet tile. Then a nice young couple who dry humped the whole movie sat next to me and at least she was wearing a strong perfume that mostly covered up the smell.

But I digress. What about this disaster movie? It features a family (that apparently has no last name, at least not that I ever learned, nor is there any last name listed for them in the credits, so I will call them Family #1), a pretty family, an upper-middle-class family that is going through a rather benign divorce and Emma causes trouble immediately because she is moving in with a richy rich dude (who has a last name, because he's Daniel Riddick), a thoroughly loathsome man incapable of love except for buildings.

Ray is solid as a rock, he's something sturdy, like a real man, someone you can cling to or hold on to no matter what. He loves his daughter, Blake, very much, because he blames himself for the death of his other daughter, whom we eventually learn died while rafting. You see, Ray is a professional rescue-chopper pilot, so the death of his daughter is as much personal as it was a professional blunder.

The main problem with this disaster movie is that Family #1 is split in two groups, and there is no real belief that any of them will ever actually die, although San Andreas does feature Blake enduring the longest non-death sequence I've ever seen. In better disaster movies, like the original Poseidon Adventure (it's unfortunate that I have to clarify the "original" Poseidon Adventure) the protagonists are traipsing and shambling through the disaster together, and they drop like flies until the very end, when only a handful of the worthy and fortunate survive.

The acting in San Andreas isn't bad, and it's not good. It's extremely okay. Poor Paul Giamatti, who seems typecast as himself these days.

Things blow up, collapse, and fall apart real good. The special effects are pretty amazing and realistic. It's nice to see so many Californians perish as a precursor to the Great Water Wars of 2016. In fact, even though Ray is a civil servant responsible for saving lives, he tries to fly the chopper from L.A. to San Francisco to save his daughter instead of trying to save anyone in Los Angeles or elsewhere along the way. He _does_, however, trade a stolen pickup for directions to an airfield, which I suppose is a fair trade and shows he's a Really Good Guy.

There is a bit of adventure. Ray commandeers trains and boats and planes. Well, no trains. That would've been pretty cool to drive a train through an earthquake. A simple oversight, I suppose. Nevertheless, I sensed the feeling of excitement at the thought of being in a real disaster, stealing whatever vehicles were around to go wherever I wanted. And it's nice to see a lot of chopper scenes in a movie. There should be more chopper scenes in every movie.

Forget the millions of Californians who died or were dying along the way. All we care about are a handful of pretty, well-off people trying to survive the worst earthquake in human history. We rarely see anyone die, because they get swooped up or down or crushed. No bones, no blood, no limbs flying everywhere. It's pretty WASPish death, as people disappear in clouds of dust, never to be seen or heard from again.

Despite all the Californian death and destruction, Americans can be jingoistically proud to see a final flowing flag confirming we are the best nation-state on Earth, and we will rebuild it all for the next disaster.


146 of 243 people found this review helpful.  Was this review helpful to you?

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