The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains... See full summary »
A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.
In the early 1970s, Sixto Rodriguez was a Detroit folksinger who had a short-lived recording career with only two well received but non-selling albums. Unknown to Rodriguez, his musical story continued in South Africa where he became a pop music icon and inspiration for generations. Long rumored there to be dead by suicide, a few fans in the 1990s decided to seek out the truth of their hero's fate. What follows is a bizarrely heartening story in which they found far more in their quest than they ever hoped, while a Detroit construction laborer discovered that his lost artistic dreams came true after all. Written by
Kenneth Chisholm (email@example.com)
A television documentary, entitled "Dead Men Don't Tour" (based on Rodriguez's tour of South Africa), is acknowledged in the film's credits. See more »
During the credits there is a spelling error - It says "Mabu Vinly" instead of "Mabu Vinyl" See more »
What he's demonstrated, very clearly, is that you have a choice. He took all that torment, all that agony, all that confusion and pain, and he transformed it into something beautiful. He's like the silkworm, you know? You take this raw material, and you transform it. You come out with something that wasn't there before. Something beautiful. Something perhaps transcendent. Something perhaps eternal. Insofar as he does that, I think he's representative of the human spirit, of what's possible. ...
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This is one of the best music docs ever made! The story about Sixto Rodriguez misfortunes and fortunes is almost to good to be true. It's like a fairy tale, only that this is real life. Swedish film maker Malik Bendjelloul treats the story with great respect and construct the film in a way almost like a thriller without a dead second and the end will not leave a single eye dry. Cinematographer Camilla Skagerstrom made an excellent job in creating a beautiful movie and the music (all by Rodriguez)makes a great soundtrack and it is hard to believe that this musical treasure was forgotten for so many years. Not only is this a strong personal portrait of a grate musician but it also makes you wonder about the mechanics of fame, success and the music industry.
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