The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains... See full summary »
A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
In the early 1970s, Sixto Rodriguez was a Detroit folksinger who had a short-lived recording career with only two well received but non-selling albums. Unknown to Rodriguez, his musical story continued in South Africa where he became a pop music icon and inspiration for generations. Long rumored there to be dead by suicide, a few fans in the 1990s decided to seek out the truth of their hero's fate. What follows is a bizarrely heartening story in which they found far more in their quest than they ever hoped, while a Detroit construction laborer discovered that his lost artistic dreams came true after all. Written by
Kenneth Chisholm (firstname.lastname@example.org)
A television documentary, entitled "Dead Men Don't Tour" (based on Rodriguez's tour of South Africa), is acknowledged in the film's credits. See more »
During the credits there is a spelling error - It says "Mabu Vinly" instead of "Mabu Vinyl" See more »
He had this kind of magical quality that all the genuine poets and artists have: to elevate things. To get above the mundane, the prosaic. All the bullshit. All the mediocrity that's everywhere. The artist, the artist is the pioneer.
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Rodriguez (Sugarman), is one of the greatest men I have ever known.
This isn't a review, at least I don't consider it one; I don't review on IMDb, and there's a good chance I never will; but I feel compelled to leave my experience and thoughts, though briefly, here.
I saw this movie today knowing nothing about the subject material or the man himself; after leaving the theatre into a dimming sunset I texted my friend "I have a new hero."
That is probably the greatest praise I have ever gave a film.
Soulful, touching, heartrending and uplifting, this film------ you cannot write this, you cannot make this up, it is a story of true brilliance and daunting inspiration. There is so much to commend, praise, remark about this movie... but honestly I don't want to cite any one thing because it would spoil the experience of watching the story unfold and the mystery of Sugarman being shaped weakened. The bottom line is: It is a story that is too real, poignant, and far-fetched to exist anywhere on a writer's board or in a screenplay; this is why documentaries will never die, and they will always have a reserved place in the realm of cinema, films of fiction and artistry just cannot pierce the depth that this one finds. It is one of the greatest documentaries I have ever seen, possibly the greatest.
I cried throughout the picture. A must-see.
I write this review with the intention that I hope to encourage others to go see this movie: If you do you won't regret it and if you see it years later on television, you'll regret you didn't take the chance when you had it.
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