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|Index||29 reviews in total|
In much of American culture, there is an invisible cultural pressure to be part of trends. These examples can be seen by the long lines whenever any new Apple product is released, by the people who run out to buy the latest designer clothing that is solely offered by Target, and by the what is means to be seen with Apple's white ear buds. Although there is a place and value for being part of the mainstream culture, each person carries with them a unique perspective into this world. And in the noise of all the marketing campaigns that try to target the greater population to adopt the next best product or service, it is becoming more difficult to be influenced by perspectives that are not mainstream but at the same time important in helping people see what it means to be human, in its challenges and struggles of life. Emad Burnat possesses a passion in capturing his Palestinian community in battling to retain their village land. His documentary 5 Broken Cameras brings about a view of his life that is rarely ever made conscious in the mainstream lives of the western world. One that gives us a glimpse of what it means to be part of the modern history of the Israeli-Palestinian conflict. Although many people have heard about the long withstanding history of Israeli-Palistenian conflict over the West Bank, the documentary brings about a quality of humanity to the conflict through a first person perspective of using non-violence protest strategies to prevent Israeli developer's from building onto the land of their village of Bil'in. Through six years worth of film, Emad is able to show a personable and affective-filled battle of many people in his village that risk their lives in protecting the land of their people. An important aspect that may often be lost to viewers of documentaries is that many of them are acting as a voice to those who have no voice. People of the western world are well-educated compared to the rest of the world and it is important that people learn to use their education and power to improve the lives of others. I have to admit that it is difficult in a world that constantly promotes the improvement of the individual and need to achieve individual success. There is an important significance that documentaries bring to the world. They pave a way for helping those with no voice gain attention and obtain a voice that is necessary. Emad has used his five broken cameras to give a voice to the village people of Bil'in and is helping people understand that not everyone in this world has stability even in the basic needs of food and shelter. Being able to see even this one perspective, is likely to help people realize that there are more important issues at hand in the world other than obtaining the latest gadget or wearing the latest fashion trend. It is therefore critical that people understand the power they possess living in the western world and how they can use it to give a voice to those who need help and do not have a voice.
The film shows the Israeli occupation through the eyes of a small village and its people from 2005 to 2010. It's a very honest film that depicts the struggle the Palestinians live through every day being treated like animals and sometimes worse by the young Israeli soldiers who daily harasses them. The film is necessary to show the people behind the statistics. The families that try to survive in occupied territories. It's difficult not to wonder if the Nazis in Germany treated the Jews during the early thirties worse or better than the Palestinians are treated by the Israeli military. This is a very important film that I recommend to everybody that wishes to see how daily life is like on occupied territories in Palestine.
It is rare to have something like this penetrate through the generally Zionist controlled media in the West. I am sure Zionists will try to label this film as "biased" and "one-sided," as usual in their intended distortion or paranoia. They might even start a campaign to lower its rating, as they normally do! But the facts and the images speak for themselves. Why is the world allowing the Israelis to get away with more land grabs and more injustice? The only reservation is that it does not explore fully the tragedy of what has been done to the Palestinians by Zionist colonization. This is not a special case. It is also similar to what happened in 1948 when almost 80% of Palestine was taken over, and the population in many cities and villages expelled and made into refugees. Hundreds of villages were ethnically cleansed, and several of them today have Israeli Jews living in the old houses owned by Palestinians (not having paid for them of course). It is almost like highway robbery. One film cannot do everything of course, but maybe it will encourages some people to dig more for the truth.
I was hunting around for some documentaries and stumbled on this film. I don't like to watch this type of film because it really makes me sad to see the hypocrites in this world! It's so ironic that the Zionists are the new Hitler and have basically created an Apartheid state in that region. See this film also reminded me of the Western expansion of the USA and how American Indians and Mexicans were slaughtered, tricked, and forced to give up their land! I hate to see any group of people be bullied by a big faceless government. Those ugly apartments and walls, is exactly what the Germans did when they called Jews vermin and basically caged them in and slowly exterminated them. I don't see much difference in this situation and it's shameful to know it is happening as a human being in 2013!
*** This review may contain spoilers ***
This is a film about the personal story of man named Emad and his
experience protesting in Bil'in, a small village in the West Bank.
Because the film is a personal story, it does not give a wider
political context, a lot of history, or an overview of any kind, which
is bound to put off some viewers, especially pro-Israeli ones.
Personally, I don't fault the movie-maker for that choice. I think the
film would have suffered from it.
Because of the lack of context, a politically sharp-eyed, skeptical and unsettled viewer (unsettled on the Israel-Palestine conflict) like myself need to take some of the film with a grain of salt. That being said, some of the footage is undeniable: arresting children in night- time raids, shooting unarmed men dead, etc. Regardless of your position on the struggle, this kind of footage should make you angry.
I think the film is definitely worth watching, not because it's an "unbiased" (whatever that means) view of a political struggle, but precisely because it is biased. The viewer gets to feel what it's like to protest in Bil'in, what it's like to have a family involved in the conflict, to have your friends or family arrested, beaten, or killed. Even if you completely disagree with Palestine's position, I think any human should be able to identify with Emad, his village, and their side of the story. This is the most important point because it draws out the viewers humanity, which is exactly what's needed if this conflict is to be ended peacefully.
*** This review may contain spoilers ***
This extraordinary documentary depicts a village's struggle against an
ever-encroaching Israeli settlement, and the security barrier which
deprives them of half their land. Briskly told, it contains visceral
images of clashes between demonstrators and the Israeli army - the
film- maker has really got in there, and often from behind and among
the tear-gas wielding Israeli soldiers. Not just tear-gas; one casually
shocking moment witnesses a Palestinian prisoner being shot in the leg
by his Israeli captor, with other soldiers standing by his side.
Another memorable episode, which Kafka might have appreciated, has the
film-maker wakened by soldiers. His home has been declared to be within
a Closed Military Zone, and therefore he has to stop filming.
Yet the law is not merely a tool of oppression; with the help of Israeli activists, the village successfully appeals to the Israeli Supreme Court to have the fence moved, so that the villagers may regain access to some of their land (even if the settlers have burned the olive trees on it). The film is co-directed by an Israeli, and it's claim to greatness lies in its often implicit depiction of the inextricable entwinement of Palestinian and Israeli lives. When the film-maker, in an accident that a fictional film would reject as overly symbolic, crashes into the wall, it is a Tel Aviv hospital that likely saves his life (although, not cheaply).
The film also focuses on the youngest of the film-maker's four sons. And we are left wondering: what happens to a child who has witnessed what he has witnessed?
The title of the moved had my attention. Did this movie telling about a
man who liked to destroy his camera? Totally wrong. My experience
watching documentary film never been good. But this one is different.
This documentary taken by Emad, who live in Bil'in, near the border of
Israeli settlement, with his family. Emad filming it from 2005-2010,
the using of first camera marked by his fourth son birth, Gibreel, a
heart-taker boy with his adorable smile. Bil'in threatened with
Israel's settlement which growing up uncontrollably. The Israel's
settlement supposed to be has its own area as the agreement before, but
they keep expand the housing area. Meanwhile they also built the
prickly high fence to prevent the Palestinian enter Israel's area. The
residence did protest to the Israeli army. In return, the threw tear
gas to the unarmed civilians. Not only that, they keep shooting to any
demonstrator, old, young, woman, man. They didn't care. All they wanted
to do was to keep them away from the border. The one who consider
trigger the protest would be arrested, though the kid. There was
interesting moment when Palestinian kids protested to the army with the
demand's poster : we want to sleep! let's us sleep at night.
Mostly, Emad's camera damaged because of Israeli army. They shoot it. Not only Emad's camera, but also others journalist's camera. Emad's brother, Adeeb, always became the front man when demonstration occur. He's not afraid even he sent to the jail for several times,had been shot, and need a year to recover.
This documentary is worth to watch because it tells us the fact. The fact that this is still happen. A group of people treated unfairly. Why should shoots people to get the land? 5 broken cameras persuade us to think about this question : does the rights to live independently without being fear become more impossible nowadays?
Retributive Justice...Oh How Sweet It Is !!
Today, Sunday, February 24, 2013, the Oscars will be hosting this first ever Oscar nominated Palestinian documentary, whose content, we all know full well, will never be shared with the estimated one billion worldwide viewing audience, nor will it ever be permitted to win.
Nevertheless, it just happens to fall on the Jewish Holiday of Purim, which commemorates the deliverance of the Jewish people in ancient Persia, in the wake of a plot by Haman. It is a story recorded in the Biblical Book of Esther. Understandably, this day of deliverance has become a day of Jewish feasting and rejoicing. It is celebrated by the giving of mutual gifts of food and drink, the offering of charity to the poor, the consumption of a celebratory meal, and in addition to the prayers and the grace after the meals, there is often a public recitation of the Scroll of Esther. Other customs include the drinking of wine, the wearing of masks and costumes, as well as the exuberant display of celebrations in public. Like Hanukkah, Purim has more of a 'national' (Israel) than a 'religious' (Judaic) character, and its status as a holiday is on a lesser stature than those days ordained by the Torah. Accordingly, business transactions (including the Oscars), and even manual labor are allowed on Purim.
As early as the 5th century, there was a custom to "BURN AN EFFIGY" of Haman on Purim.
However, the first religious ceremony ordained in the celebration of Purim, is the reading of the Book of Esther (Megillah) in Synagogues. The Megillah is read with a scintillation (a traditional chant) differing from that used in the customary reading of the Torah. When Haman's name is read out during the public chanting of the Megillah in the Synagogues, which by the way occurs 54 times, the congregation engages in boisterous noise-making to "BLOT OUT THE NAME".
Over time, a custom developed of writing the name of Haman on two smooth stones, thereafter knocking them together until the name was blotted out. Others write the name of Haman on the soles of their shoes, and then at the mention of the name, loudly and repeatedly stomp their feet as a sign of contempt. Most though, employ the use a loud and noisy ratchet, called a ra'ashan, or in Yiddish a grager. Although some rabbis have protested against these uproarious excesses (raucous stomping and deafening ratcheting), considering them to be a disturbance of public worship, nevertheless, these two customs in particular, have continued to be universally carried out in almost all Synagogues on Purim.
Just a thought ?!
I wonder if during the Oscars, the Zionists of Hollywood plan to conduct an 'L.A. Festival of Burning', wherein all copies of the "Un-Israeli" film '5 Broken Cameras' will be incinerated, not unlike that conducted by the Nazis in May of 1933, during which upwards of 25,000 volumes of "Un-German" books (predominantly Jewish) were burned ?!
Or worse yet, publicly humiliate themselves during the announcement of the film's nomination for an Oscar award, by stomping their feet and twirling permitted Ra'ashans, in a feeble attempt to 'Blot It Out'?!
After all, just the other day, they did attempt to prevent the film-maker Emad Burnat, together with his wife and 8 year old son, from attending, by way of harassment and intimidation at the hands of Immigration Officials at L.A.X.
Perhaps, it was because a 'Film' or even a 'Broken Camera' in the hands of a Palestinian now constitutes a potential 'Terrorist Threat' ?!
Rarely has a film so thoughtfully threaded a path through a conflict. The story begins with the families involved and the disparity in power is portrayed. Quickly one perches alongside the cameraman as he captures subtle moments that embody the villagers connection to their land. The cast members are woven into the story where unquestioned armed power, meets determined, non-violent resistance. The inner struggle of each member of the cast is nuanced and reveals by turn, as they step out and find voice to speak for just, and fair treatment. There are moments too, of unexpected beauty, respite for the injuries that seem never to cease. The film is to render a story, out-of-time in character. May you find it worth viewing, I have recommended it to the artists in my community.
I watched this documentary and had a total change in my view and support of Israel. To see soldiers shooting peaceful demonstrators (kids were also shot at) and also to see then shoot gas at them was horrible. The soldiers always shot at the unarmed and fenced in peaceful protesters. They killed innocent protesters for no reason. The also burned olive trees that the farmers living there had harvested for hundreds of years. Horrible. I will never support Israel again. They are not nice people and we in the US need to pressure our political legislators to also stop sending our countries needed funds to them so they can continue to kill innocents. If Israel is so smart, let them make money and fund their armies themselves.
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