Abel Davis is a criminal, hunted in Italy. The police are closing in, so he and his pal Raymond arrange to flee back to France with Abel's wife, Thérèse, and their two young sons. Abel and ... See full summary »
In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.
Early morning on 12 January 1939. A convoy of prisoners arrives in a concentration camp. The tired prisoners are goaded by the guards as soon as they arrive. Morning roll-call in the camp: ... See full summary »
After several years of numbly mourning his parents death, 26 year old Selim (Cevik) takes a chance on the US lottery for passports and wins. He decides to sell the family olive grove to ... See full summary »
While her middle class, socialist family is falling apart around her, Berina, a young artist, tries to cope both with her awakening sexuality and her mother Jasna's imminent death. Her ... See full summary »
Children of Sarajevo is a poignant picture of a city ravaged by war and where some of the old feuds and differences, particularly with regards to class and religion, still exist. Marija Pikic is entirely convincing in the role of Rahima, a young woman looking after her orphaned teenage brother and working long shifts as a assistant cook in a restaurant. She has put a distance between herself and her past by converting to Islam and wearing a veil. Some of her former friends and colleagues, and even her brother, have still not come to terms with her conversion. Rahima is a strong and independent character turning down the favors offered by the local grocer who's in love with her. When her brother breaks the expensive phone of minister's son, the issues of corruption, both moral and political, are also brought to the surface. Children of Sarajevo was fittingly selected to open the 18th Sarajevo Film Festival where Marija Pikic deservedly won the best actress prize. Interstingly, the director Aida Begic wears a veil herself and one wonders if there are any personal and autobiographical elements in the story depicted in the movie.
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