Critic Reviews



Based on 26 critic reviews provided by Metacritic.com
A viscerally charged movie that foregrounds surface tensions and gripping performances, Ginger and Rosa is the filmmaker's most accessible and technically surefooted work to date.
It's quietly brutal stuff, beautifully acted by Fanning, Englert, Christina Hendricks and a word-twisting Alessandro Nivola.
Beautiful, yet dark and moving, unsparing, but told with a sympathetic eye, Ginger & Rosa is sometimes relentless in its examination of emotional pain.
The Guardian
This is a teenage movie that could in other hands have been precious; instead it has delicacy and intelligence.
Slant Magazine
With Ginger & Rosa, Sally Potter manages to avoid nearly every pratfall of such period pieces, focusing on extreme alienation rather than enlightenment, and wringing a powerful and jaundiced coming-of-age story from the decade's less trod corners.
The film’s small scale is more than compensated for by its insights into adolescent awareness, the passions stoked by global causes and the moral hypocrisy of the ideologically righteous.
Spearheaded by a strikingly self-assured turn from Elle Fanning, this ’60s-set coming-of-ager follows two teenage girls whose bond starts to crumble under the emotional and political pressures of adulthood.
The most heart-wrenching thing about the film is watching Fanning’s transformation from idealist to wreck, the father’s free-thinking daughter turned into the mother’s double in the space of a dinner argument. It’s not quite enough for a film, but it is for one magnificent scene.
Despite some strong moments, Ginger and Rosa fails to really convince.
Potter seems at a loss to communicate the ideas behind her agonizingly elliptical picture, leaving auds to marvel at the gorgeous cinematography and scarlet-red hair of its heroine, earnestly played by Elle Fanning in a project undeserving of her talents.

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