An indigenous clan-based people living in harmony with nature find their way of life threatened when violent interlopers from another culture arrive, intent on seizing their natural resources and enslaving them.
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.
An espionage thriller set in the 1950s and adapted from the novel "Year Suan/Plot Against" by May Jia. Tony Leung Chiu Wai plays a blind man who works for a piano tuner. He is recruited for a spy mission because of his exceptional hearing.
The story begins on a bus, when white-collar worker Ye refuses to give up her seat to a senior citizen. Her defiance is videotaped by a journalist intern and played during a news show. The ... See full summary »
Feng Xioagang can be considered China's - possibly Asia's - most substantial film maker. His output is increasingly imposing and his box office clout means that the content of his work must come under intense official scrutiny. That made the IF I WERE THE ONE movies quite amazing as an expression of the notion that to be rich is glorious.
BACK TO 1942 is clearly a tent pole movie for the Chinese cinema and then carries a double load. It is an intense, long, demanding account of the 1942 Hunan famine and refugee exodus, made more terrible by the parallel war with the Japanese and also a revision of history with Chiang Kai Shek now shown as both calculating and remote, as well as caring and authoritative but only a support player in the story of the land lord and serf reduced to destitution on their awful journey.
Intriguingly, Theodore White writer of sixties Wolper Documentaries and "The Mountain Road" shows up effectively in the person of Adrian Brody, as a character.
Master crafted, some of the staging is exceptional. The bombing raids are great set pieces and the film manages to keep disaster chic in hand, even if it's so grim.
Essential for the serious movie goer, a strain on the casual entertainment seeker.
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