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For No Good Reason (2012)

6.8
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Johnny Depp pays a visit to Ralph Steadman, the renown artist and the last of the original Gonzo visionaries who worked alongside Hunter S. Thompson.

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Johnny Depp pays a visit to Ralph Steadman, the renown artist and the last of the original Gonzo visionaries who worked alongside Hunter S. Thompson. Written by Anonymous

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Rated R for language, some drug content and brief sexual images | See all certifications »
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8 March 2014 (Japan)  »

Also Known As:

Retrato de Ralph Steadman  »

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$4,516 (USA) (25 April 2014)

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$67,105 (USA) (8 August 2014)
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Ralph Steadman the Artist…Gonzo Journalism's Paint and Brush Man
21 October 2014 | by (United States) – See all my reviews

Documentaries About Artist are Not that Common, and They Should be. Most Artist Linger in Semi-Obscurity Even if They have Attained a Modicum of Money, Fame, or Admiration and Recognition. A Good Bit of the Time there are Splashes in the Public Eye, but Unless the Work is in a Sort of Popular Culture Saturation, it is Unlikely that Any Given Artist, Outside the Bubble of a Particular Field, Comic Books, for Example, a Particular Artist Remains Relatively Unknown.

Documentaries Can Flesh Out the Person Behind the Art, at Least a Little Bit, and Can Shed Some Insight and Light While Giving a Platform for the Art to be Exposed in Heaps for Ninety Minutes or So. Aside, from a Coffee Table Book that Includes Pages and Pages of Artwork, a Docu-Film will Most Likely be Seen by More People than Buy the Book.

So Here is Ralph Steadman. Who, You Say? Exactly. Unless You were a Reader of Rolling Stone Magazine in the Seventies, or a Fan of Gonzo Journalist Hunter S. Thompson, Steadman has Remained in the Aforementioned Obscurity. Pink Floyd's Movie The Wall (1982) Featured His Artwork on the Poster and in the Film, via Animation. But that's About the Extent of His Explosion of Exposure.

Not that it is Insignificant, Much to the Contrary, He and the Good Doctor, Thompson, Defined Gonzo Journalism, and Tried to "Change the world!", a Phrase that Steadman Utters at Least Three Times in the Documentary and in the End, at Age 76, Seems Disappointed that Most of What He Tried to Change, Remains Unchanged.

The Fancy Film from Director Charlie Paul is Filled with Enough Interesting Anecdotes and Surprisingly Rare and Old Archival Footage, a lot with Hunter. It Also Includes Interviews with Other Folks who have Worked with Steadman and it is All Anchored with Johnny Depp, Long Time Friend and Fan. Terry Gilliams Movie, Fear and Loathing in Las Vegas (1998) is Based on the Book by Thompson that Included Illustrations by Steadman and May be the Artist Link to Moderns with the Most Resonance.

Overall, a Must See Movie for Lovers of Art, the Sixties Counter Culture, Hunter S. Thompson, and to Get an Introduction to One of the Most Bizarre and Powerful Political Artists of Our Time. His Work and Some of His Unique Mystique and Technique, Much on Display Here, can be Admired and Studied.


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