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Storyline
As Finch managed to get Reese away with Carter's help following Snow's directed shooting of Reese, Snow begins openly to tail Carter believing she was the reason Reese managed to escape. As Carter follows a lead as to Finch's identity and whereabouts, Finch, believing now that he can trust Carter to a certain extent, provides her a small glimpse in answer to her comment, "I need to know what you do." Meanwhile, Finch manages to get Reese, who was shot in the chest, some underground but expert medical attention. As Reese recuperates, he and Finch trade places on their next case, where Reese is behind the computer and Finch does the legwork. That case is of Ernie Trask, the superintendent of the apartment building where Reese is convalescing. Because of Trask's seemingly all consuming work, they believe the incident with which he will be involved concerns one or some of the building's tenants. Since he recently bought an untraceable handgun, they assume he will be the perpetrator. They ... Written by
Huggo
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Did You Know?
Trivia
Along with several visual elements that make an homage to
Rear Window (such as Reese being confined to a wheelchair, the suspected villain digging in a rose garden, the use of a camera to observe neighbors), the character of John Reese leases the apartment using the name "Mr. Hayes".
John Michael Hayes wrote the screenplay for "Rear Window".
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Goofs
In the scene where Finch takes Reese to the doctor just as he goes to dump money on table you can see the legs of someone leaning against the wall.
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Quotes
Harold Finch:
Sssh! It can hear you...
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It took me several episodes to start really engaging with this show, and I credit the performances of the cast to keep me coming back. But this episode was the whole package, and I feel like my patience has been supremely rewarded. As a huge fan of Hitchcock, I love how the writers wove an homage to *Rear Window* into the weekly POI process (amusingly), even while including a meaty flashback and two additional story lines that progress the larger narrative and mysteries without weighing the viewers down. And there was a lot to absorb in this ep. (I was shaking my head after thinking about all that was covered.) In the past when they've tried to build on the back-story, it seemed cumbersome, but ever since about ep. 8, it feels like they're finally finding a balance that works. And the bigger mysteries are not sacrificed in the process. POI has found its feet and it's become MSTV. (Must-see TV.)