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Adoration (2013)

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A pair of childhood friends and neighbors fall for each other's sons.



(screenplay), (story) | 2 more credits »
1,945 ( 330)
1 win & 4 nominations. See more awards »





Cast overview, first billed only:
Skye Sutherland ...
Young Roz
Sarah Henderson ...
Young Lil
Isaac Cocking ...
Young Tom
Brody Mathers ...
Young Ian
Alice Roberts ...
Roz's grand-daughter
Charlee Thomas ...
Lil's grand-daughter


Lil (Naomi Watts) and Roz (Robin Wright) are two lifelong friends, having grown up together as neighbors in an idyllic beach town. As adults, their sons have developed a friendship as strong as that which binds their mothers. One summer, all four are confronted by simmering emotions that have been mounting between them, and each find unexpected happiness in relationships that cross the bounds of convention. Written by Anonymous

Plot Summary | Plot Synopsis


Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content and language | See all certifications »

Parents Guide:



Official Sites:

| |  »




Release Date:

3 April 2013 (France)  »

Also Known As:

Two Mothers  »

Box Office


$16,000,000 (estimated)

Opening Weekend:

$19,646 (USA) (20 September 2013)


$317,125 (USA) (27 September 2013)

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Sound Mix:


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Sophie Lowe plays Hannah and Jessica Tovey plays Mary but their roles are swapped in the end credits. See more »


Sophie Lowe plays Hannah and Jessica Tovey plays Mary, but their roles are swapped in the end credits. See more »


Lil: Doctors say you'll live.
Ian: [scoffs] Do they have any good news?
See more »


Life is Just a Bowl of Cherries
Written by Ray Henderson & Lew Brown
Performed by Jessica Tovey
Produced & Arranged by Michael Lira
See more »

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User Reviews

Variations on the Oedipal Complex
8 September 2013 | by (United States) – See all my reviews

The audience is polarized in response to this astonishingly refreshing and brilliant little film: some are completely disgusted with the theme of 'aberrant love' while other are awash in the courageous work by director Anne Fontaine, Fontaine and Christopher Hampton's adaptation of Doris Lessing's short story 'The Grandmothers', and the acting by two of our finest actresses on the screen. Knowing that it is both loved and hated depending on the degree of appreciation for experimental film should be the driving force as to whether or not to take advantage witnessing this brave new film.

In New South Wales, Roz (Robin Wright), her husband Harold (Ben Mendelsohn) and their son Tom (James Frecheville) live near the beach. Lil, (Naomi Watts) who is a widow, lives nearby with her son Ian (Xavier Samuel). Roz and Lil are best friends, and so are Tom and Ian. Harold applies for and is offered a job in Sydney without telling Roz. He expects Roz to move to Sydney with him, however, she hesitates. After a night of drinking quite unexpectedly on the surface Ian and Roz start a sexual relationship. Tom discovers this and takes revenge by initiating a sexual relationship with Lil. Now Roz has even more reason to stay, and later Roz and Harold divorce. Two years of these two mothers/best friend's sons affairs pass but not without the inference that Roz and Lil are lesbians - a way for Lil to avoid the approach of a suitor Saul (Gary Sweet). Harold returns from Sydney and his new highly enviable job in the theater department and discovers the affairs and summarily absents himself from the situation and from Roz. There are hesitations, but these do not last long and the secret relationships continue. Eventually Tom goes to Sydney for a promising job interview in the theater. His visit to Sydney changes everything for four of them - the nasty truth has its way to come out and alter everybody's happy lives. The rest of the film is a rapidly moving progression of changing affinities and eventual strange resolutions.

The nuanced performances by Robin Wright and Naomi Watts are brilliant and very equally balanced with the sensuous and realistic portrayals By Xavier Samuel and James Frecheville. The chemistry is extraordinary and credible and makes what could have been a strained story work meticulously well. The cinematography by Christophe Beaucarne and the musical score by Christopher Gordon enhance the liquid flow of this stunning film. The story and the film itself require an emotionally mature audience able to accept variations on the themes of love and lust, but given there are mores to overcome, this is a brilliant art piece.

Grady Harp

35 of 46 people found this review helpful.  Was this review helpful to you?

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