When a successful country lawyer captures and attempts to "civilize" the last remaining member of a violent clan that has roamed the Northeast coast for decades, he puts the lives of his family in jeopardy.
Brandon Gerald Fuller,
Lauren Ashley Carter
Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
The Parkers, a reclusive family who follow ancient customs, find their secret existence threatened as a torrential downpour moves into their area, forcing daughters Iris and Rose to assume responsibilities beyond those of a typical family.
Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt. Frank is the withdrawn owner of a mannequin store, but his life changes when young artist Anna appears asking for his help with her new exhibition. As their friendship develops and Frank's obsession escalates, it becomes clear that she has unleashed a long-repressed compulsion to stalk and kill. Written by
The movie features the song "Good-bye Horses," by Q. Lazzarus. The song was also featured in The Silence of the Lambs (1991), another movie about a serial killer who skinned people and had issues with his mother. See more »
When Lucie meets Frank at the restaurant, her underarms seem freshly waxed. Later in her apartment, there is visible gray stipple under her arms. This is likely a continuity error because hair does not grow that fast and the scene in question takes place immediately after the restaurant. See more »
You are totally not what imagined.
Really? What did you imagine?
Uh... fat, with long black hair and greasy skin full of acne.
You should see the other picture I was about to send.
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This is a particularly nasty film that revels in shocking the audience with as much gratuitous violence as it can squeeze in. If you enjoy watching realistic scenes of women being tortured, mutilated and scalped you will almost certainly enjoy this. If, on the other hand, you are looking for a film that tries to explain or understand the psychology of the characters you are looking in the wrong place. The film tries to be clever by viewing the action through the eyes of the main character, presumably to personalise the violence. It really makes no difference. Gratuatous violence is gratuitous violence regardless of perspective. I have always been against censorship, but films like this do make me question my belief in anti-censorship.
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