A psychopath, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
When a successful country lawyer captures and attempts to "civilize" the last remaining member of a violent clan that has roamed the Northeast coast for decades, he puts the lives of his family in jeopardy.
Brandon Gerald Fuller,
Lauren Ashley Carter
Searching for a missing student, two private investigators break into his house and find collection of VHS tapes. Viewing the horrific contents of each cassette, they realize there may be dark motives behind the student's disappearance.
Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt. Frank is the withdrawn owner of a mannequin store, but his life changes when young artist Anna appears asking for his help with her new exhibition. As their friendship develops and Frank's obsession escalates, it becomes clear that she has unleashed a long-repressed compulsion to stalk and kill. Written by
The movie features the song "Good-bye Horses," by Q. Lazzarus. The song was also featured in The Silence of the Lambs (1991), another movie about a serial killer who skinned people and had issues with his mother. See more »
When Lucie meets Frank at the restaurant, her underarms seem freshly waxed. Later in her apartment, there is visible gray stipple under her arms. This is likely a continuity error because hair does not grow that fast and the scene in question takes place immediately after the restaurant. See more »
[to his first victim]
Please don't scream. You're beautiful.
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Since I have not seen the original Maniac (1980) hence this movie for me had no prerequisite anticipatory factor attached to it. Also since slasher movie genre doesn't hold so much of a charm on me so I took this movie in a stride, if you know what I mean. I was highly impressed by Elijah Wood in Sin City, his cold calculated cannibalistic killer portrayal had an allure to it and just so as to revisit that coldness I went into Maniac.
Now one thing I can guarantee about Maniac is it's quite difficult to stay indifferent to it. It's ruthlessly executed. The P.O.V approach is spot on, for then you truly tend to understand what goes inside that head of his. After a point of time it turns into a personal experience of sorts and this is what P.O.V brings to the table. The strain and the blurry visions when Frank has those migraines reciprocates his own pain and you first hand live through his troubled life, feeding into his dreams and upon his preys. It would be incorrect to call Maniac a slasher movie, it does have elements resembling the Slasher genre but in it's nuances you find a whole gamut of emotions colliding and forging his actions. It explores Frank inside out and in turn generates sympathy for him. His loneliness and his apprehensions in confronting his emotions tend to make him more than a simple antagonist. As Frank you feel cheated, angry and a sick desperation to manifest these emotions into something violent. I won't say if it was meant to be an allegory of sorts on the society and it's structure but it sure was an interesting character study.
Technically the movie is superbly done, the P.O.V might be a little discomforting to start with but soon it settles in, there are portions where the continuity is broken but those are real Cathartic situations and so the idea in itself justifies the break of continuity. As for the performances, Elijah Wood; not so visible save in mirrors is still terrific, his voice for much of the movie brings out the desperation inside him. He is truly an underrated actor with such vast potential, it's just a matter of putting in a straw and sucking out the talent. Even Nora as Anna puts in a nice performance, looking straight into the camera and with no source to compliment her performance she manages to pull it off real nice. Overall Maniac in terms of story offers nothing new but the treatment is worth the accolades. It might seem hollow at times and Frank a little clichéd but still for the sheer experimentation and experience of it, Maniac at least a one time watch..I'd go with a 8/10...and would recommend for sure.
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