In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.
Brit, Candy, Cotty, and Faith have been best friends since grade school. They live together in a boring college dorm and are hungry for adventure. All they have to do is save enough money for spring break to get their shot at having some real fun. A serendipitous encounter with rapper "Alien" promises to provide the girls with all the thrill and excitement they could hope for. With the encouragement of their new friend, it soon becomes unclear how far the girls are willing to go to experience a spring break they will never forget. Written by
James Franco claimed that Alien is based on underground rap artist Russell Stuart alias Dangeruss. There was much speculation that his character was based around another rap artist by the name of Riff Raff. Franco dismissed those claims when speaking to GQ in 2012, yet he posted a picture of himself online with pictures of Riff Raff on his wall and referring to himself as "film game riffraff". Also, Riff Raff released e-mails between himself and Harmony Korine in which Korine offered Riff Raff the part of Alien. Riff Raff is filing a $10 million lawsuit against Korine and spoofed Franco in One Life To Live. See more »
The girls are shown crossing the Sunshine Skyway bridge as they arrive in St. Petersburg. Faith is shown crossing it again when she leaves. The Sunshine Skyway is south of St. Pete, therefore the girls came to town from southern Florida, and Faith would be heading farther south instead of northward to her home. See more »
Hi grandma. Having so much fun here. This place... is special. I am starting to think this is the most spiritful place I've ever been. I think we found ourselves here. We finally got to see some other parts of the world. We saw some beautiful things here. God, I can't believe how many new friends we made. Friends from all over the place. I mean everyone was so sweet here. So warm and friendly. We' It's way more than just having a good time. God, it's so nice to get a break from my auntie for a ...
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This is a strange film. On the one hand, it looks likes an extended music video, filled with mindless scenes of teenagers having one big party. On the other hand, there's clearly more to it. Some characters are so one-dimensional and cartoon-like, that the whole film becomes a sort of mockery of the modern teenage culture. This ambiguity is very clever, because the film appeals to a teenage audience as well as to the art-house audience Harmony Korine is usually associated with.
But at the same time, this ambiguity stands in the way of 'Spring Breakers' being a really good film. Unlike other serious movies about teenage culture, like 'Thirteen', 'Ghost World', Korine's own 'Kids' or the recent 'The Perks of Being a Wallflower', this film looks too easy. The temptation of showing lots of girls in bikini has been stronger than the ambition of trying to tell something meaningful.
Still, there are some nice moments. The hold-up in the restaurant is beautifully filmed from the window of a car slowly passing by. It's nice that, later on in the film, the director shows some short moments of what happened inside the restaurant. I would have liked more ambitious film making like that, and less footage of wild parties.
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