| Photos (See all 33 | slideshow) | Videos (see all 2) |
| Colin Farrell | ... | Victor | |
| Noomi Rapace | ... | Beatrice | |
| Terrence Howard | ... | Alphonse | |
| Dominic Cooper | ... | Darcy | |
| Isabelle Huppert | ... | Valentine Louzon | |
| Luis Da Silva Jr. | ... | Terry | |
| Stu Bennett | ... | Kilroy | |
| Franky G | ... | Luco | |
| Declan Mulvey | ... | Goff | |
| John Cenatiempo | ... | Charles | |
| Roy James Wilson | ... | Blotto (as Roy James Wilson, Jr.) | |
| Myles Humphus | ... | Lance | |
| Stephen Hill | ... | Roland | |
| Aaron Vexler | ... | Paul | |
| James Biberi | ... | Ilir | |
| F. Murray Abraham | ... | Gregor | |
| Andrew Stewart-Jones | ... | Harry | |
| Krystal Tini | ... | Harry's Girl | |
| William Zielinski | ... | Alex | |
| Jessica Jean Wilson | ... | Alex's Girl | |
| Christopher Cline | ... | Doctor | |
| Kimberly S. Fairbanks | ... | Nurse | |
| Michael McKiddy | ... | FedEx Guy | |
| Beata Dalton | ... | Anka (as Beata Alexandra Dalton) | |
| Accalia Quintana | ... | Delphine | |
| J. Santiago | ... | Latin Man | |
| Maria Laboy | ... | Matilde | |
| Saul Stein | ... | Andras | |
| Roy Milton Davis | ... | Derelict | |
| Armand Assante | ... | Lon Gordon | |
| Robert Vataj | ... | Albanian Hostage | |
| Jennifer Mudge | ... | Florence | |
| Giuseppe Bausilio | ... | Teenager in Sunglasses | |
| Thoreau Arden Pedersen | ... | Teenager #1 | |
| Rachel Resheff | ... | Teenager #2 | |
| Kahlil Middleton | ... | Teenager #3 | |
| Jennifer Lee Wong | ... | Client with One Eyebrow | |
| Ante Novakovic | ... | Peter | |
| Kresh Novakovic | ... | Carl | |
| Bobby Beckles | ... | Harry's Jamaican #1 | |
| Raw Leiba | ... | Harry's Jamaican #2 | |
| Hisham Tawfiq | ... | Harry's Jamaican #3 | |
| Nnamdi Nwosa | ... | Harry's Jamaican #4 | |
| R. Marcus Taylor | ... | Harry's Jamaican #5 | |
| Jeremy Sample | ... | Harry's Jamaican #6 | |
| John Wooten | ... | Harry's Jamaican #7 | |
| Stephen Mann | ... | Albanian #1 | |
| Aleksander Mici | ... | Albanian #2 | |
| Stephen Esposito | ... | Albanian #3 | |
| Adam Wood | ... | Albanian #4 | |
| Tom Lamarche | ... | Albanian #5 | |
| Steven Gagliano | ... | Albanian #6 | |
| Heather Walker | ... | Lise | |
| rest of cast listed alphabetically: | |||
| Gina Allegro | ... | Business Woman (uncredited) | |
| Dario Barosso | ... | Street teen (uncredited) | |
| Robert Bizik | ... | Wall Street Executive (uncredited) | |
| Jennifer Butler | ... | Jeep Driver (uncredited) | |
| Bill Chemerka | ... | Albanian Elder (uncredited) | |
| Michael Connolly | ... | Standin-in for Robert Vataj (uncredited) | |
| Christian Dorsey | ... | Cab Driver (uncredited) | |
| Cindy Engle | ... | Pedestrian (uncredited) | |
| Shawn Gonzalez | ... | Stand-in for Luis Da Silva Jr (uncredited) | |
| David Kneeream | ... | Business Man (uncredited) | |
| Michael J. Kraycik | ... | Bar Patron (uncredited) | |
| Raymond Mamrak | ... | NYPD Officer Daniels (uncredited) | |
| John Mitchell | ... | Wall Street Executive (uncredited) | |
| Justin S. Myrick | ... | Street Teen (uncredited) | |
| Mihir Pathak | ... | Indian Cab Driver (uncredited) | |
| Michelle Santiago | ... | Train passenger (uncredited) | |
| Kelly Southerland | ... | Cemetary Driver (uncredited) | |
| Aleksandra Svetlichnaya | ... | Salon Customer (uncredited) | |
| Joe Zarriello | ... | Busboy (uncredited) | |
| Aileen Zoccola | ... | Screaming Girl (uncredited) | |
Directed by | |||
| Niels Arden Oplev | |||
Writing credits(WGA) | ||
| J.H. Wyman | (written by) | |
Produced by | |||
| Bailey Conway | .... | production executive | |
| Stuart Ford | .... | executive producer | |
| Brian Kavanaugh-Jones | .... | executive producer | |
| Michael Luisi | .... | executive producer | |
| Ori Marmur | .... | executive producer | |
| Neal H. Moritz | .... | producer | |
| Deepak Nayar | .... | executive producer | |
| Peter Schlessel | .... | executive producer | |
| Reid Shane | .... | executive producer | |
| Steven Squillante | .... | co-executive producer | |
| J.H. Wyman | .... | producer | |
| Joseph Zolfo | .... | co-executive producer | |
Original Music by | |||
| Jacob Groth | |||
Cinematography by | |||
| Paul Cameron | (director of photography) | ||
Film Editing by | |||
| Timothy A. Good | |||
| Frédéric Thoraval | |||
Casting by | |||
| Amanda Mackey Johnson | |||
Production Design by | |||
| Niels Sejer | |||
Art Direction by | |||
| Jesse Rosenthal | |||
Set Decoration by | |||
| Chryss Hionis | |||
Costume Design by | |||
| Renee Ehrlich Kalfus | |||
Makeup Department | |||
| Diane Dixon | .... | key hair stylist | |
| Diane Heller | .... | key makeup artist | |
| Stephen Kelley | .... | special makeup effects artist | |
| Todd Kleitsch | .... | makeup designer and department head | |
| Sacha Quarles | .... | hair department head | |
| Björn Rehbein | .... | personal makeup artist: Noomi Rapace | |
Production Management | |||
| Tim Pedegana | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Kate Bogle | .... | second second assistant director | |
| Dieter 'Dietman' Busch | .... | first assistant director | |
| Julie Cummings | .... | second second assistant director | |
| Andrew Fiero | .... | second assistant director | |
| Vincent Giarratano | .... | additional second assistant director | |
| Murphy Occhino | .... | second assistant director | |
| Michael Pitt | .... | first assistant director | |
Sound Department | |||
| Wade Barnett | .... | adr recordist | |
| Vince Camuto Sr. | .... | boom operator | |
| Patrick Christensen | .... | adr engineer | |
| Mark DeSimone | .... | adr mixer | |
| Brian Dunlop | .... | foley editor | |
| Jesse Ehredt | .... | sound recordist | |
| David Esparza | .... | sound effects editor | |
| Ellen Heuer | .... | foley artist | |
| James Hyde | .... | adr recordist | |
| Robert Jackson | .... | dialogue and adr editor | |
| Robert Jackson | .... | supervising adr editor | |
| Brian Jordan | .... | utility | |
| Chris Kellet | .... | additional sound mixer | |
| Nick Kray | .... | adr mixer | |
| Tim Limer | .... | sound recordist | |
| Chris Navarro | .... | adr mixer | |
| Tom Nelson | .... | production sound mixer | |
| A. Josh Reinhardt | .... | sound mixer | |
| Ric Schnupp | .... | adr mixer | |
| Ric Schnupp | .... | adr recordist | |
| Peter Schultz | .... | sound re-recording mixer | |
| Peter Schultz | .... | supervising sound editor | |
| Leslie Shatz | .... | supervising re-recording mixer | |
| Callie Thurman | .... | assistant sound editor | |
| Irene Vinader | .... | assistant foley editor | |
| Mike Weber | .... | adr recordist | |
Special Effects by | |||
| Drew Jiritano | .... | special effects coordinator | |
| Andrew Mortelliti | .... | special effects foreman | |
| Stephen Powers | .... | special effects | |
Visual Effects by | |||
| Hazra Anup | .... | matchmove artist | |
| Yogesh Badhe | .... | digital compositor | |
| Zeljko Barcan | .... | fx supervisor: Reliance MediaWorks | |
| Tricia Barrett | .... | compositor | |
| Jayesh Chavan | .... | digital compositor | |
| David Emeny | .... | digital compositor | |
| Jason Gottlieb | .... | digital compositor | |
| Joel Griffen | .... | visual effects editor | |
| Marc Hutchings | .... | lead compositor | |
| Ilamuruguselvan | .... | senior compositor | |
| Akhilesh Jain | .... | lead digital compositor | |
| Bob Lowery | .... | visual effects executive producer: Dive | |
| Arman Mafi | .... | visual effects compositor | |
| Rick McMahon | .... | compositor | |
| Ed Mendez | .... | on-set visual effects supervisor | |
| Balaji Muppalla | .... | visual effects | |
| Avadhut Nerurkar | .... | render wrangler/render support | |
| Collette Nunes | .... | visual effects editor | |
| Nick Ocean | .... | visual effects production supervisor | |
| Saurabh Pandey | .... | compositor | |
| Joseph Vincent Pike | .... | lead digital compositor | |
| Raju | .... | 3D generalist technical director: VenSat Tech | |
| Stalin Saravanan | .... | visual effects supervisor | |
| Scott Shapiro | .... | visual effects producer | |
| Vaidehi Shinde | .... | matte painter | |
| Sanjot Sonalkar | .... | visual effects producer: Reliance MediaWorks | |
| Marque Pierre Sondergaard | .... | vfx runner | |
| Liam Tully | .... | visual effects line producer | |
| Venkat Karunakar Uday | .... | visual effects artist | |
| Juvenal Vique | .... | digital compositor | |
| Sachin Vishwas | .... | digital compositor | |
| Shivaji Waikhom | .... | compositor | |
Stunts | |||
| Joseph Basile | .... | precision driver | |
| Jay Carrado | .... | stunt double: Luis Da Silva | |
| Chris Cenatiempo | .... | stunts | |
| Alex Daniels | .... | stunt performer | |
| Freddy Esposito | .... | stunt player | |
| Donald John Hewitt | .... | stunts | |
| Myles Humphus | .... | utility stunts | |
| Raw Leiba | .... | utility stunts | |
| Stephen Mann | .... | stunt performer | |
| Declan Mulvey | .... | stunts | |
| Gabriel Nunez | .... | stunt double: Colin Farell | |
| Nnamdi Nwosa | .... | stunts | |
| David Ott | .... | utility stunts | |
| Peewee Piemonte | .... | utility stunts | |
| Jeremy Sample | .... | stunts | |
| Carolyn Sapp Daniels | .... | stunt driver | |
| David Shumbris | .... | stunt double | |
| Brian Smyj | .... | stunt coordinator | |
| Tim Soergel | .... | stunt double: Wade Barrett | |
| Arthur Swain | .... | stunt driver | |
| R. Marcus Taylor | .... | stunts | |
| Aaron Vexler | .... | stunt player | |
| Caroline Vexler | .... | stunt double | |
| Adam Wood | .... | stunt performer | |
| John Wooten | .... | utility stunts | |
Casting Department | |||
| Veronika Lee Daddona | .... | extras casting associate | |
| Melcher Fabi | .... | extras casting assistant | |
| Diane Heery | .... | casting | |
| Colleen Kay | .... | casting associate | |
| Jason Loftus | .... | casting | |
| Nick Makedon | .... | casting intern | |
Costume and Wardrobe Department | |||
| Teresa Binder | .... | key costumer | |
| Lorraine Calvert | .... | assistant costume designer | |
| Sharon Curley | .... | costume coordinator | |
| Trenton Dallas | .... | set costumer new york | |
| Tara Giancaspro | .... | costume intern | |
| Honora Jackson | .... | set costumer | |
| Kara Morasco | .... | tailor | |
| Teri-Lyn Pugliese | .... | stylist | |
| Gina Scarnati | .... | set costumer | |
| Faye Sevilla | .... | costume supervisor | |
Editorial Department | |||
| Jill Bogdanowicz | .... | senior digital intermediate colorist | |
| Joel Griffen | .... | first assistant editor | |
| Suraj Kaur Khalsa | .... | post-production coordinator | |
| Bryan Lamoureux | .... | first assistant editor | |
| Allyse Manoff | .... | digital intermediate producer | |
| Derek M. Schneider | .... | data technician | |
| John-Michael Trojan | .... | color pipeline manager | |
| Darin Wooldridge | .... | home video mastering colorist | |
Music Department | |||
| Charles M. Barsamian | .... | music business & legal executive | |
| Jacob Groth | .... | composer: theme music | |
| Alastair King | .... | conductor | |
| Alastair King | .... | orchestrator | |
| Maggie Rodford | .... | music supervisor | |
| Derek Somaru | .... | music editor | |
Transportation Department | |||
| Gary Fabiano | .... | driver | |
| Larry Oscar | .... | picture car mechanic | |
| Newt Wallen | .... | production driver | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Dead Man Down is a surprise and an exceptionally rewarding viewing experience. This is an intelligent thriller packed with action that takes its time to unfold and finally wanders off into the sunset leaving the viewer invigorated and satisfied, but ready for another bout.
Victor (Colin Farrell) is a player in in gangland kingpin Alphonse's (Terrence Howard) empire and, though he gives the appearance of being Alphonse's right-hand man, his intentions towards the crime lord are decidedly darker. Meanwhile, the girl in the apartment opposite, Beatrice (Noomi Rapace), watches him dispatch an adversary and blackmails him into dishing out a generous serving of retribution that she herself is unable (or unwilling) to administer.
Neils Arden Oplev (the original Girl with the Dragon Tattoo and currently shooting Stephen King's Under the Dome) peels back layer after layer to reveal ever-rawer characters and emotions in Dead Man Down. It isn't just about unfolding the story, though he does so beautifully, it is more about filling out the characters carefully so that we understand what makes them tick. No, what makes them angry.
There are some severely damaged characters on display here but their emotions, their actions, come across as not just understandable but entirely justified. Forget petty crooks with violent whims, Victor and Beatrice have given serious thought to their revenge but that doesn't make them shallow or irredeemable.
While Victor bubbles along in a coldly, organized manner, Beatrice rages under her skin. On the surface she is the cool cat but the confusion, the maelstrom of rage, bitterness and loss, swirls within her so that she is potentially dangerous to herself and Victor. It is tempting to use the old cliché of both Farrell and Rapace 'never being better' but it isn't true in her case; she is frequently this good, even if the films don't always match her talent. In Farrell's case, he has so many under-performing films (London Boulevard, Tigerland) and the odd turkey (Total Recall) on his CV that it is easy to forget that he is generally on very fine form. Don't believe me? Look again at Phone Booth, In Bruges
Howard has a reputation in the industry of being 'difficult' (note the recasting of Colonel Rhodes in the Iron Man sequels) but his body of work is extraordinary and the intensity of his performance in Dead Man Down makes it blindingly obvious why he's a good bet on screen. There's no Nicolas Cage-type ranting, just a considered, quiet violence to his Alphonse.
Dominic Cooper slips along in Dead Man Down, not at all unremarkable, but just another fine actor and a superbly cast film. As Darcy, another of Alphonse's mob and friend of the traitorous Victor, he comes across as a good(ish) guy who's unfortunate to be caught up in entirely the wrong job in the wrong place at the wrong time. He doesn't steal scenes here but he fills them out, he completes them, knowing his place in the hierarchy of the mob and his billing in the film.
Oplev has crafted a very fine thriller indeed. The drama excites, the explosions scorch the skin but what makes Dead Man Down stand above so many others in the genre (I'm talking to you, Welcome to the Punch) is not the ramped up action but the stillness and the time and care he takes over his characters and the setting of the atmosphere. He allows us time to enjoy the clinking of ice-cubes in glasses as Victor and Beatrice consider each other and, strangely for a director of an action flick, allows the dialogue to do the talking rather than the gunshots and the car chases.
Dead Man Down is at times gentle but always thrilling and the pauses in the action don't ever detract from the pace. Conversely, they make it more intense and a film that truly deserves to register at the box office in spite of the big-buck, megastar vehicles of Iron Man 3 and Star Trek Into Darkness. I fear it will be another 'underperforming' film on Farrell's CV, but don't for a minute confuse that with being a flop. The dead man might be down but he definitely isn't out.
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