A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Victor, a rising gangland player, has infiltrated the crime empire run by ruthless kingpin Alphonse, with the single purpose of making Alphonse pay for destroying his once happy life. As he meticulously orchestrates his vengeance from his high-rise home, Victor watches and is watched by Beatrice, a mysterious young woman who lives in the apartment across from his. On the surface a fragile woman-child, Beatrice seethes with a rage of her own. When she uncovers Victor's dark secrets, she threatens to expose him unless he helps her carry out her own campaign of retribution. Each fixated on avenging the past, they devise a violent and cathartic plan that could change their worlds forever. Written by
Director Niels Arden Oplev has disowned the American advertising campaign, which he felt misrepresented the film. He also spoke of budget problems during production, which forced him to speed up the shoot, and of not being able to edit the film the way he would have preferred. See more »
When Beatrice is looking at a newspaper cutout about her accident, the headline has the word sentence spelled as "sentance". See more »
[holding infant son]
It wasn't meant to be this way, you know? We make our plans, sure. But life... life is what happens to you along the way. You know, first I didn't want this. I didn't want to connect. I didn't want to get involved. But she kept on with me, you know. This is what life is. This is why we're here. To connect. To... to build. We're here to build something. And then we had Theo. And then I understood that... you know, she was right. We're not meant to be alone. You ...
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On paper it hardly sounds original. Hero's wife and child killed by gang. Hero seeks to get revenge on gang. But the fact that the opening scene , nor indeed any other thereafter shows this heinous crime suggests there is considerably more thought and drama in Dead Man Down than one might expect. It all starts when a criminal gang led by Kingpin Alphonse Hoyt (Terrence Howard) find one of their number in a freezer with a few twisted clues left by his killer. As Hoyt seeks revenge on the man responsible we see Victor (Colin Farrell) as his trusted right hand man saving his life whilst he looks to serve street justice on those suspected of offing his chums. Not is all as it seems, however, as the truth is slowly revealed throughout the film. Characters are far less one dimensional than your average goon. Victor's co-gangster buddy Darcy talking about an appreciation for life now he has a wife and child, with an investigative mind like Colombo, Hoyt's silently menacing demeaner leaving you wondering if he knows more than he is letting on, the list goes on. Even love interest Naomi Rapace has her own agenda as a woman scarred after a horrific car accident. It makes proceeding more deep than you average Hollywood action flick. The lost wife and child element is told through a torn photo and old videos of happier times and not overplayed. There is no in your face execution scene here, allowing the audience to make up their own mind as to what actually happened. Instead the focus is on story and character development making the proceedings far more thoughtful than most films in it's genre. a refreshing change which actually adds an air of mystery rather than gung-ho machismo. This does mean that Dead Man Down is not as action packed as the trailer may lead you to believe. This is far more about the set up than the act itself. There are action moments of course, especially the final climax, but the focus is more on building up subtle tension rather than plenty of shooty bang. It's nicely shot too, not to glamorous not bleak and the story plods at a nice steady pace. Definitely worth a watch and something different to the usual revenge film.
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