A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Victor, a rising gangland player, has infiltrated the crime empire run by ruthless kingpin Alphonse, with the single purpose of making Alphonse pay for destroying his once happy life. As he meticulously orchestrates his vengeance from his high-rise home, Victor watches and is watched by Beatrice, a mysterious young woman who lives in the apartment across from his. On the surface a fragile woman-child, Beatrice seethes with a rage of her own. When she uncovers Victor's dark secrets, she threatens to expose him unless he helps her carry out her own campaign of retribution. Each fixated on avenging the past, they devise a violent and cathartic plan that could change their worlds forever. Beatrice is kidnapped by Alphonse towards the end, Its a race against time for Victor to save her. Written by
Director Niels Arden Oplev has disowned the American advertising campaign, which he felt misrepresented the film. He also spoke of budget problems during production, which forced him to speed up the shoot, and of not being able to edit the film the way he would have preferred. See more »
When Beatrice is looking at a newspaper cutout about her accident, the headline has the word sentence spelled as "sentance". See more »
[holding infant son]
It wasn't meant to be this way, you know? We make our plans, sure. But life... life is what happens to you along the way. You know, first I didn't want this. I didn't want to connect. I didn't want to get involved. But she kept on with me, you know. This is what life is. This is why we're here. To connect. To... to build. We're here to build something. And then we had Theo. And then I understood that... you know, she was right. We're not meant to be alone. You ...
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Dead Man Down is actually not a good thriller, but it is a great thriller. Some things may not be entirely believable, but then again we are often told to suspend our disbelief in these kind of movies, which I did. This thriller is a slow-burn thriller that focuses less on the action, but more on the characters and the retribution.
Oplev's film has a distinctive European feel to it and that is how I like my thrillers. But this film is about a man named Victor who is the right-hand man of a crime lord named Alphonse and has a very mysterious past. But he is seduced by a car crash victim named Beatrice, who is a mysterious woman herself. But together, they plot to bring Alphonse to justice.
For a film such as this, it has a pretty talented cast. Colin Farrell and Noomi Rapace share such intimate chemistry with each other. It's a shame Farrell is not a high box-office draw these days because he got so much talent. Terrence Howard does a very good job, and it's nice to see him shine in a villainous role for once. There is a nice cameo by F. Murray Abraham as well and I like it because we definitely don't see much of him anymore.
Overall, Dead Man Down is much better than what people are making it out to be. It's a slow-burn thriller, not an action shoot-em-up as apparently people were expecting. There are going to be logic issues, but I'm very good at suspending my disbelief, because I'm watching a fictional movie. But this is a well-acted thriller and one of the better films of 2013. I rate this film 9/10.
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