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Jackie Cogan is an enforcer hired to restore order after three dumb guys rob a Mob protected card game, causing the local criminal economy to collapse.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Four London working class stiffs pool their money to put one in a high stakes card game, but things go wrong and they end up owing half a million pounds and having one week to come up with the cash.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers, and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Director:
Taylor Hackford
Stars:
Jason Statham,
Jennifer Lopez,
Michael Chiklis
A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer; aiding him is imprisoned criminal genius Hannibal "The Cannibal" Lecter.
Director:
Brett Ratner
Stars:
Anthony Hopkins,
Edward Norton,
Ralph Fiennes
After the death of his parents during World War II, young Hannibal Lecter moves in with his beautiful aunt and begins plotting revenge on the barbarians responsible for his sister's death.
Victor, a rising gangland player, has infiltrated the crime empire run by ruthless kingpin Alphonse, with the single purpose of making Alphonse pay for destroying his once happy life. As he meticulously orchestrates his vengeance from his high-rise home, Victor watches and is watched by Beatrice, a mysterious young woman who lives in the apartment across from his. On the surface a fragile woman-child, Beatrice seethes with a rage of her own. When she uncovers Victor's dark secrets, she threatens to expose him unless he helps her carry out her own campaign of retribution. Each fixated on avenging the past, they devise a violent and cathartic plan that could change their worlds forever. Written by
FilmDistrict
Stu Bennett ("Kilroy") performs as a professional wrestler for World Wrestling Entertainment (WWE) under the name Wade Barrett. WWE Films is one of the producers of this film. See more »
Goofs
At the end of the film ,while Victor and Beatrice travel home on the NYC subway, you can see the sign "York-Dauphin", which is a Elevated stop on Philadelphia's SEPTA Market Frankford Line. See more »
He looks out the window in the night sky after a long day's work, thinking of what has become of himself. Across his apartment balcony, in the window of the building opposite his, stares a woman, solemn, pained. Their eyes meet, and, slowly, they wave at each other. Not a word was spoken.
Subtle scenes like these evoke memories of the raw power of film - it is emotion, not words or sometimes action - that drive a motion picture. Thing is, Vic is a thug working for a ruthless mobster; and Beatrice is a traumatized victim of a car accident. The subtlety will not last long, but it does make healthy re-appearances.
Niels Arden Oplev's "Dead Man Down" is the English-language debut (third this year overall following two Korean efforts) of the Swedish filmmaker famous for the original "Girl with the Dragon Tattoo" film. He even brought along his star Noomi Rapace for the ride. It is a joy to see a modern filmmaker who cares for and loves his characters as much as the audience expects themselves to, that we are invested in them strongly and want to see them succeed. He crafts the film with love, as the cinematography gracefully dances around the characters, as if it was a complex ballet intrigue and hidden motives. Do we really want to right that wrong? Will it be worth it in the end? For us and for our loved ones?
The movie is, first and foremost, a revenge thriller. But surprisingly, it is also a compelling love story. From the moment the film opens we are thrust into the urban jungle of New York City (accentuated with a moody and atmospheric score by Jacob Groth, composer of the original "Millennium" trilogy), but with a poignant yet meaningful statement by Vic's friend Darcy (Cooper). Writer J.H. Wyman uses strands of earlier revenge films, twisty film-noirs and the classic melodramatic romance of earlier Hollywood films and incorporated them into his screenplay. Oplev transforms the screenplay, with such passionate energy and inventiveness, that the whole film somehow resembles a classic romantic European fable - sort of like this big tough warrior who falls in love with a wounded soul in a far-away and dangerous land, and both become kindred spirits. It is engrossing and captivating to watch the characters actually become real human beings, instead of being caricatures. This is a film where the characters' decisions affects what happens next.
The film would not succeed had it not been for the two leads, Colin Farrell and Noomi Rapace, followed by a strong and diverse supporting cast. Farrell is strong as Vic, big, tough but withdrawn and solemn, slowly hiding away his anguish and rage towards his real enemy. Rapace, an actress whom I'm starting to grow fond of, is quite wonderful as Beatrice, who is traumatized but is still capable of captivating the lonely Vic. She walks and talks with unease, but there are times where she switches gears and becomes intensely aggressive in her true goal, where it will reveal is eating her up slowly but surely. The strong chemistry between the duo make the movie much, much better than it was intended.
The rest of the cast consists of Terrence Howard as a deliciously ruthless and intimidating as the villain Alphonse (watch the scene where he confronts Vic in a dark apartment room, with backlighting in Paul Cameron's cinematography brilliantly capturing the essence of noir), Dominic Cooper giving Darcy a human and realistic portrayal of a stock crime film character, and brief but warmly welcome appearances of F. Murray Abraham and Isabelle Huppert.
This is a movie which has something for both guys and gals. Guys will go for the gritty story and the obligatory "Colin Farrell kicks ass" scenes, especially the violent climax. Women would go just to see Farrell the romantic, and the compelling chemistry between the two leads are enough to make them swoon over. But the film is so well made, the characters and story strongly developed and very compelling enough to hold my attention for two hours, that really, you couldn't ask for a more well rounded revenge thriller of late. This is a movie which actually is a real movie, instead of feeling like a movie or being a commercial/stunt/SFX reel. Kudos to especially Oplev, Farrell and Rapace for making a strong, real film about lovable characters.
No doubt the marketing for the film is way off (as an action thriller, as usual) and reveals quite too much. Doesn't matter. "Dead Man Down" is the finest and most meaningful revenge film in years.
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He looks out the window in the night sky after a long day's work, thinking of what has become of himself. Across his apartment balcony, in the window of the building opposite his, stares a woman, solemn, pained. Their eyes meet, and, slowly, they wave at each other. Not a word was spoken.
Subtle scenes like these evoke memories of the raw power of film - it is emotion, not words or sometimes action - that drive a motion picture. Thing is, Vic is a thug working for a ruthless mobster; and Beatrice is a traumatized victim of a car accident. The subtlety will not last long, but it does make healthy re-appearances.
Niels Arden Oplev's "Dead Man Down" is the English-language debut (third this year overall following two Korean efforts) of the Swedish filmmaker famous for the original "Girl with the Dragon Tattoo" film. He even brought along his star Noomi Rapace for the ride. It is a joy to see a modern filmmaker who cares for and loves his characters as much as the audience expects themselves to, that we are invested in them strongly and want to see them succeed. He crafts the film with love, as the cinematography gracefully dances around the characters, as if it was a complex ballet intrigue and hidden motives. Do we really want to right that wrong? Will it be worth it in the end? For us and for our loved ones?
The movie is, first and foremost, a revenge thriller. But surprisingly, it is also a compelling love story. From the moment the film opens we are thrust into the urban jungle of New York City (accentuated with a moody and atmospheric score by Jacob Groth, composer of the original "Millennium" trilogy), but with a poignant yet meaningful statement by Vic's friend Darcy (Cooper). Writer J.H. Wyman uses strands of earlier revenge films, twisty film-noirs and the classic melodramatic romance of earlier Hollywood films and incorporated them into his screenplay. Oplev transforms the screenplay, with such passionate energy and inventiveness, that the whole film somehow resembles a classic romantic European fable - sort of like this big tough warrior who falls in love with a wounded soul in a far-away and dangerous land, and both become kindred spirits. It is engrossing and captivating to watch the characters actually become real human beings, instead of being caricatures. This is a film where the characters' decisions affects what happens next.
The film would not succeed had it not been for the two leads, Colin Farrell and Noomi Rapace, followed by a strong and diverse supporting cast. Farrell is strong as Vic, big, tough but withdrawn and solemn, slowly hiding away his anguish and rage towards his real enemy. Rapace, an actress whom I'm starting to grow fond of, is quite wonderful as Beatrice, who is traumatized but is still capable of captivating the lonely Vic. She walks and talks with unease, but there are times where she switches gears and becomes intensely aggressive in her true goal, where it will reveal is eating her up slowly but surely. The strong chemistry between the duo make the movie much, much better than it was intended.
The rest of the cast consists of Terrence Howard as a deliciously ruthless and intimidating as the villain Alphonse (watch the scene where he confronts Vic in a dark apartment room, with backlighting in Paul Cameron's cinematography brilliantly capturing the essence of noir), Dominic Cooper giving Darcy a human and realistic portrayal of a stock crime film character, and brief but warmly welcome appearances of F. Murray Abraham and Isabelle Huppert.
This is a movie which has something for both guys and gals. Guys will go for the gritty story and the obligatory "Colin Farrell kicks ass" scenes, especially the violent climax. Women would go just to see Farrell the romantic, and the compelling chemistry between the two leads are enough to make them swoon over. But the film is so well made, the characters and story strongly developed and very compelling enough to hold my attention for two hours, that really, you couldn't ask for a more well rounded revenge thriller of late. This is a movie which actually is a real movie, instead of feeling like a movie or being a commercial/stunt/SFX reel. Kudos to especially Oplev, Farrell and Rapace for making a strong, real film about lovable characters.
No doubt the marketing for the film is way off (as an action thriller, as usual) and reveals quite too much. Doesn't matter. "Dead Man Down" is the finest and most meaningful revenge film in years.