A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Victor, a rising gangland player, has infiltrated the crime empire run by ruthless kingpin Alphonse, with the single purpose of making Alphonse pay for destroying his once happy life. As he meticulously orchestrates his vengeance from his high-rise home, Victor watches and is watched by Beatrice, a mysterious young woman who lives in the apartment across from his. On the surface a fragile woman-child, Beatrice seethes with a rage of her own. When she uncovers Victor's dark secrets, she threatens to expose him unless he helps her carry out her own campaign of retribution. Each fixated on avenging the past, they devise a violent and cathartic plan that could change their worlds forever. Written by
Director Niels Arden Oplev has disowned the American advertising campaign, which he felt misrepresented the film. He also spoke of budget problems during production, which forced him to speed up the shoot, and of not being able to edit the film the way he would have preferred. See more »
When Beatrice is looking at a newspaper cutout about her accident, the headline has the word sentence spelled as "sentance". See more »
[holding infant son]
It wasn't meant to be this way, you know? We make our plans, sure. But life... life is what happens to you along the way. You know, first I didn't want this. I didn't want to connect. I didn't want to get involved. But she kept on with me, you know. This is what life is. This is why we're here. To connect. To... to build. We're here to build something. And then we had Theo. And then I understood that... you know, she was right. We're not meant to be alone. You ...
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Well Beyond What Most Hollywood Films Think They Are...
I honestly had to sit in contemplative amazement for few minutes after watching this film just to digest how well it was done. Every scene delivered a certain level of excellence that was surpassed by the next simply by building levels of uncertainty while carrying the story forward with almost an anticipated reluctance of sorts. Of the many thousands of action movies I've seen in the last 30 years, I would put this in the top 5. Astonishing directing, set design, acting, and a brooding atmosphere that works, mixed with a romantic/revenge tale of crossed messages born of emotional extremes in a multi-context of meanings.
It's a movie that never loses sight of what it originally intends, nor does it pander to taste or pretend to be better than it is. The script is solid and seamless. There are some shortcomings as to continuity and perspective of a linear timeline, but there is SO much emotion in even the smallest scenes as to make this almost trivial. I believe this is a masterpiece of directing overall that goes far beyond the mediocre nature of even the best of Hollywood's action films. It has a passionate heart with a brutal honesty that involves vulnerability conflicting with its own desire for the desolation of complete resolve regardless of circumstance.
When you see a movie of this quality, it is certainly difficult to put another one in the DVD player. Just like graduating high school makes it impossible to want to repeat the 11th grade.
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