Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Victor, a rising gangland player, has infiltrated the crime empire run by ruthless kingpin Alphonse, with the single purpose of making Alphonse pay for destroying his once happy life. As he meticulously orchestrates his vengeance from his high-rise home, Victor watches and is watched by Beatrice, a mysterious young woman who lives in the apartment across from his. On the surface a fragile woman-child, Beatrice seethes with a rage of her own. When she uncovers Victor's dark secrets, she threatens to expose him unless he helps her carry out her own campaign of retribution. Each fixated on avenging the past, they devise a violent and cathartic plan that could change their worlds forever. Written by
Director Niels Arden Oplev has disowned the American advertising campaign, which he felt misrepresented the film. He also spoke of budget problems during production, which forced him to speed up the shoot, and of not being able to edit the film the way he would have preferred. See more »
Early in the movie when Victor is shown his sniper rifle its caliber is described as 7 point 62 by 5 point four. There is no such caliber. The correct caliber is 7 point 62 by 54 - or more accurately, 7.62 x 54R with the "R" standing for "rimmed." See more »
[holding infant son]
It wasn't meant to be this way, you know? We make our plans, sure. But life... life is what happens to you along the way. You know, first I didn't want this. I didn't want to connect. I didn't want to get involved. But she kept on with me, you know. This is what life is. This is why we're here. To connect. To... to build. We're here to build something. And then we had Theo. And then I understood that... you know, she was right. We're not meant to be alone. You ...
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It is really hard for me to rate this film because it is a mix of great and horrid bits. Colin Farrell's quiet yet intense act is matched by Naomi Rapace's hysterical overacting, the rather complex plot is messed up by cliché scenes and in the end, the moral seems to be that all plans that you care about are a lot easier to accomplish if there are no friends and romantic interests.
The thing with the film is that it has a lot going for it: great cast, good acting most of the time, a compelling story with just the right amount of details to make the plot a lot better than most Hollywood productions. Somewhere along the way it turns sour, the feeling someone gets when expecting to have fun at a party, only to have it all soiled by the significant's other discomfort. In the end the revenge feels failed, the romance doomed, the second chance just that: chance.
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