Directed by
| Alison Parker | ||
Writing Credits
| David B. Beleznay | ... | (story) & |
| Alison Parker | ... | (story) |
| David B. Beleznay | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Jennifer Barker | ... | associate producer |
| Kenn Bearman | ... | associate producer: The Animal Store |
| Ryan Gialames | ... | associate producer |
| Andrea Goldthorpe | ... | executive producer |
| Jeffery D. Jones | ... | associate producer (as Jeffery D.) |
| Susan E. Jones | ... | associate producer |
| Lorie Kapila | ... | producer |
| Nadine L'Esperance | ... | associate producer |
| Marious Morgan | ... | associate producer |
| Brianna Morley | ... | associate producer |
| Jess Morley | ... | associate producer |
| Joyce Morley | ... | executive producer |
| Martin Morley | ... | executive producer (as Martin) |
| Alison Parker | ... | executive producer / producer |
| Michael Peters | ... | producer (as Gord Peters) |
| Jeanette Shin | ... | associate producer |
| Christine J. Smith | ... | associate producer |
| Richard P. Smith | ... | associate producer (as Dr. Richard P.) |
| Michelle Sweet | ... | associate producer |
| Lisa Watson | ... | associate producer: Wind & Willows Ferret Rescue |
| Trish Webster | ... | associate producer |
| Marylou Zarbock | ... | associate producer |
Music by
| Henrik Åström | ||
Cinematography by
| Brendan Uegama | ... | director of photography |
Editing by
| Michael Peters | ||
Production Design by
| Oshy Parasol | ||
Art Direction by
| Kelsey Benning | ||
Set Decoration by
| Natalie Elliot | ||
| Ian Macdonald | ||
Costume Design by
| Emily Hill | ||
Makeup Department
| Kelsey Enegren | ... | makeup artist |
| Tray Willis | ... | key makeup artist (as Tracy Lai) |
Production Management
| Michael Peters | ... | unit production manager (as Gord Peters) |
Second Unit Director or Assistant Director
| James Karvellas | ... | second assistant director |
| Brie Koniczek | ... | first assistant director |
Art Department
| Robert Bennett | ... | artist: comic book / storyboard artist |
| Natalie Elliot | ... | props |
| Ian Macdonald | ... | props |
| Nick McLean | ... | graphic designer |
Sound Department
| Kash | ... | dialogue editor / foley artist / re-recording mixer / sound designer / sound effects editor / supervising sound editor |
| Alex Ma | ... | adr editor / dialogue editor / location sound |
| Gwen Yuan | ... | adr recordist / re-recording dialogue mixer |
Camera and Electrical Department
| Craig Benzan | ... | epk videographer |
| Justin Bergler | ... | scorpio head technician |
| Terry Boake | ... | lamp operator |
| Luke T. Campbell | ... | digital imaging technician (as Luke Campbell) |
| Lyle Contaoe | ... | technocrane technician |
| Sean Cooke | ... | second assistant camera |
| Tyler Dinwoodie | ... | first assistant camera: "b" camera |
| Bob Glandon | ... | dolly grip / lamp operator |
| Oliver Gläser | ... | camera operator: "b" camera / gaffer |
| Jackson Harper | ... | second assistant camera |
| Scott Keates | ... | scorpio head technician |
| Gary Koay | ... | first assistant camera: "b" camera |
| Nick Link | ... | grip |
| Milton Loo | ... | camera operator: "b" camera |
| Nick Malcolm | ... | first assistant camera: "a" camera |
| Justin Powzy | ... | lamp operator |
| Salomon Saade | ... | second assistant camera (as Salo Saade) |
| Eva Siu | ... | still photography |
| Rob Thom | ... | grip |
| Werner Thomas | ... | digital imaging technician |
| Mike Thorkilsen | ... | key grip |
| Dianna Todosychuk | ... | lamp operator |
| Ömer Çaglar Turhan | ... | lamp operator (as Chalar Turhan) |
| Brendan Uegama | ... | camera operator: "a" camera |
| Jesse Vance | ... | first assistant camera: "a" camera |
| Scott Vere | ... | technocrane technician |
Costume and Wardrobe Department
| Emily Hill | ... | set costumer |
Editorial Department
| Craig Benzan | ... | epk editor |
| Claudio Sepulveda | ... | colorist |
Location Management
| Ken MacAlpine | ... | location manager |
| Jennifer Vaughan | ... | assistant location manager |
Music Department
| Henrik Åström | ... | orchestrator |
| Eli Bennett | ... | composer: trailer music (uncredited) |
Script and Continuity Department
| Jenny Wood | ... | script supervisor |
Additional Crew
| David Ayllon | ... | web site designer |
| Ashley Bains | ... | production assistant |
| Terry Boake | ... | handler: ferret / production assistant |
| Dana Dubé | ... | animal coordinator / handler: ferret / head trainer |
| Dino Dubé | ... | assistant trainer |
| Kat Englemann | ... | assistant trainer / handler: ferret |
| Bonnie Faria | ... | production assistant |
| Greg 'Digger' Hanson | ... | horse trainer |
| Jackie Jones | ... | craft service |
| Miho Kataoka | ... | production assistant |
| Dawn-Marie Morgan | ... | craft service |
| Alison Parker | ... | handler: ferret (as Silona Prekar) |
| Melissa Spady | ... | handler: ferret / production assistant |
| Mandy Stanhope | ... | craft service / handler: ferret |
| Ryan Stanhope | ... | handler: ferret / production assistant |
| William Wanstrom | ... | publicist |
| Pamela Wasylyshen | ... | handler: ferret / production assistant |
Thanks
| Robert Bennett | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| John Franco Braico | ... | special thanks: Matrix Production Services Ltd. (as John Braico) |
| Kirsten Clarkson | ... | special thanks: Young Screen Actors Academy |
| Barb Clay | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made, Rocky's Ferret Rescue & Shelter |
| Linda Cope | ... | special thanks: Marshall Pet Products Inc. |
| Cathy Danneberg | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Patricia Dawson | ... | special thanks: Crofton House School |
| Chantal Drolet | ... | special thanks: Crofton House School |
| Deb Graf | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Matt Hartfiel | ... | special thanks: Signal Systems |
| C. Ernst Harth | ... | special thanks |
| Leif Havdale | ... | special thanks: Falling Leif Stunts |
| Joe Hotham | ... | financial contributor |
| Sean Jackson | ... | special thanks: Pacific Backlot |
| Spiro Karfakis | ... | special thanks: All Axis Remote Camera Systems |
| Safana Ladak | ... | special thanks |
| Corey Lambert | ... | special thanks: William F White International Inc. |
| Ashley Lynch | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Bren Lynne | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Melanie Macinnes | ... | special thanks: JamesTown, Langley, BC |
| Saied Marcondes | ... | special thanks: Talco Lighting Limited |
| Carmen Mason | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made, FUEL House of Design |
| Andrew Mulkani | ... | special thanks: Telescopic Camera Crane Ltd. |
| Darlene Marie Newman | ... | in memory of: beloved mother and avid supporter for the legalization of ferrets in California 1962-2011 |
| Blair Owens | ... | special thanks: Hansen Beverage Company |
| David Parker | ... | special thanks (as David) |
| Linda Parker | ... | special thanks |
| Tracy Pitkin | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Pam Rowe | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Melissa Spady | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Bettina Strauss | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Ian Thompson | ... | special thanks: 911 Filmcars Inc. |
| Lena Torluemke | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Brendan Uegama | ... | special thanks: Blacktree Pictures Inc. |
| Andréa Vawda | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
| Nicholas Weigelt | ... | special thanks |
| Barrie Wells | ... | special thanks: Telescopic Camera Crane Ltd. |
